1930–1992 · Spain · Cinematographer
Nestor Almendros
Natural window light and magic-hour exteriors.
Days of Heaven, 1978Source: Wikipedia
CINEMATOGRAPHER · BORN 1955 · FRANCE
Dense, dark, textured colour and rich shadow.

KNOWN FOR
WHY THEY MATTER
Three Academy Award nominations, including Evita; two BAFTA and three Cesar nominations; shot the Palme d'Or winner Amour.
THE LIFE
Khondji was born in Tehran to an Iranian father and a French mother and grew up in France, making Super-8 films as a teenager. He studied at UCLA, New York University and the International Center of Photography, influenced by Jonas Mekas. Delicatessen established his international reputation, and a Nike advertisement with David Fincher led to Seven. His work on Evita was nominated for an Academy Award, and he later shot Amour, which won the Palme d'Or.
1930–1992 · Spain · Cinematographer
Natural window light and magic-hour exteriors.
Days of Heaven, 1978Source: Wikipedia
1930–2001 · India · Cinematographer
Natural bounce light and quiet realism.
Pather Panchali, 1955Source: Wikipedia
1930–2016 · United States · Cinematographer
Pre-flashed, muted colour and atmospheric haze.
Close Encounters of the Third Kind, 1977Source: Wikipedia
1931–2014 · United States · Cinematographer
Top light and deep underexposure that earned him the name the Prince of Darkness.
The Godfather, 1972Source: Wikipedia
1933–2007 · United States · Cinematographer
Loose, natural-light American New Wave photography.
Easy Rider, 1969Source: Wikipedia
1934–2001 · United States · Cinematographer
Naturalistic, cinema verite-inspired photography of the New Hollywood.
Chinatown, 1974Source: Wikipedia