1930–1992 · Spain · Cinematographer
Nestor Almendros
Natural window light and magic-hour exteriors.
Days of Heaven, 1978Source: Wikipedia
CINEMATOGRAPHER · 1934–2001 · UNITED STATES
Naturalistic, cinema verite-inspired photography of the New Hollywood.
KNOWN FOR
WHY THEY MATTER
Academy Award nomination for Chinatown; first American cinematographer of Mexican descent inducted into the ASC; pioneer of high-definition video in television.
THE LIFE
Alonzo was born in Dallas to Mexican immigrant parents and started on a local television crew, later working as an actor and still photographer. Meeting Charles Lang and briefly working with James Wong Howe drew him to cinematography, and he shot documentaries for National Geographic and for Wolper's company. His naturalistic style suited the New Hollywood, and Roman Polanski's Chinatown earned him an Academy Award nomination. He was the first American cinematographer of Mexican descent admitted to the ASC.
1930–1992 · Spain · Cinematographer
Natural window light and magic-hour exteriors.
Days of Heaven, 1978Source: Wikipedia
1930–2001 · India · Cinematographer
Natural bounce light and quiet realism.
Pather Panchali, 1955Source: Wikipedia
1930–2016 · United States · Cinematographer
Pre-flashed, muted colour and atmospheric haze.
Close Encounters of the Third Kind, 1977Source: Wikipedia
1931–2014 · United States · Cinematographer
Top light and deep underexposure that earned him the name the Prince of Darkness.
The Godfather, 1972Source: Wikipedia
1933–2007 · United States · Cinematographer
Loose, natural-light American New Wave photography.
Easy Rider, 1969Source: Wikipedia
1934–2015 · Czech Republic · Cinematographer
Painterly period colour and warm candlelight.
Amadeus, 1984Source: Wikipedia