1930–1992 · Spain · Cinematographer
Nestor Almendros
Natural window light and magic-hour exteriors.
Days of Heaven, 1978Source: Wikipedia
CINEMATOGRAPHER · 1930–2016 · UNITED STATES
Pre-flashed, muted colour and atmospheric haze.

KNOWN FOR
WHY THEY MATTER
Won the Academy Award for Close Encounters of the Third Kind and the BAFTA for The Deer Hunter; Emmy for Stalin; ASC Lifetime Achievement Award (1998); voted among the ten most influential cinematographers in history in 2003.
THE LIFE
Zsigmond studied cinematography at the Academy of Drama and Film in Budapest. With his friend Laszlo Kovacs he secretly filmed the 1956 Hungarian Revolution and escaped to Austria, and the two arrived in the United States as political refugees in 1958. After low-budget work he shot Robert Altman's McCabe and Mrs Miller, John Boorman's Deliverance and Steven Spielberg's Close Encounters of the Third Kind, which won him the Academy Award. He won the BAFTA for The Deer Hunter and an Emmy for the HBO miniseries Stalin.
1930–1992 · Spain · Cinematographer
Natural window light and magic-hour exteriors.
Days of Heaven, 1978Source: Wikipedia
1930–2001 · India · Cinematographer
Natural bounce light and quiet realism.
Pather Panchali, 1955Source: Wikipedia
1931–2014 · United States · Cinematographer
Top light and deep underexposure that earned him the name the Prince of Darkness.
The Godfather, 1972Source: Wikipedia
1933–2007 · United States · Cinematographer
Loose, natural-light American New Wave photography.
Easy Rider, 1969Source: Wikipedia
1934–2001 · United States · Cinematographer
Naturalistic, cinema verite-inspired photography of the New Hollywood.
Chinatown, 1974Source: Wikipedia
1934–2015 · Czech Republic · Cinematographer
Painterly period colour and warm candlelight.
Amadeus, 1984Source: Wikipedia