1930–1992 · Spain · Cinematographer
Nestor Almendros
Natural window light and magic-hour exteriors.
Days of Heaven, 1978Source: Wikipedia
CINEMATOGRAPHER · 1931–2014 · UNITED STATES
Top light and deep underexposure that earned him the name the Prince of Darkness.
KNOWN FOR
WHY THEY MATTER
Academy Honorary Award for his life's work (2009); known as the Prince of Darkness for his use of shadow.
THE LIFE
Willis was an American cinematographer known as the Prince of Darkness for his use of shadow. He shot all three Godfather films for Francis Ford Coppola, lighting faces from above so eyes fell into darkness. He also shot Woody Allen's Annie Hall and Manhattan and Alan J. Pakula's All the President's Men. He received an Honorary Academy Award in 2009.
1930–1992 · Spain · Cinematographer
Natural window light and magic-hour exteriors.
Days of Heaven, 1978Source: Wikipedia
1930–2001 · India · Cinematographer
Natural bounce light and quiet realism.
Pather Panchali, 1955Source: Wikipedia
1930–2016 · United States · Cinematographer
Pre-flashed, muted colour and atmospheric haze.
Close Encounters of the Third Kind, 1977Source: Wikipedia
1933–2007 · United States · Cinematographer
Loose, natural-light American New Wave photography.
Easy Rider, 1969Source: Wikipedia
1934–2001 · United States · Cinematographer
Naturalistic, cinema verite-inspired photography of the New Hollywood.
Chinatown, 1974Source: Wikipedia
1934–2015 · Czech Republic · Cinematographer
Painterly period colour and warm candlelight.
Amadeus, 1984Source: Wikipedia