1930–1992 · Spain · Cinematographer
Nestor Almendros
Natural window light and magic-hour exteriors.
Days of Heaven, 1978Source: Wikipedia
CINEMATOGRAPHER · BORN 1940 · UNITED KINGDOM
Documentary-trained naturalism in natural light.
KNOWN FOR
WHY THEY MATTER
Won Academy Awards for The Killing Fields and The Mission; three Academy Award nominations in all.
THE LIFE
Menges was born in Kington, Herefordshire, the son of the composer Herbert Menges, and learned filmmaking as assistant to the documentarian Alan Forbes. He began in the 1960s as a camera operator on documentaries by Adrian Cowell and also worked on second-unit photography for The Empire Strikes Back. With Roland Joffe he won Academy Awards for The Killing Fields and The Mission. He also directed films, including A World Apart, celebrated at Cannes in 1988.
1930–1992 · Spain · Cinematographer
Natural window light and magic-hour exteriors.
Days of Heaven, 1978Source: Wikipedia
1930–2001 · India · Cinematographer
Natural bounce light and quiet realism.
Pather Panchali, 1955Source: Wikipedia
1930–2016 · United States · Cinematographer
Pre-flashed, muted colour and atmospheric haze.
Close Encounters of the Third Kind, 1977Source: Wikipedia
1931–2014 · United States · Cinematographer
Top light and deep underexposure that earned him the name the Prince of Darkness.
The Godfather, 1972Source: Wikipedia
1933–2007 · United States · Cinematographer
Loose, natural-light American New Wave photography.
Easy Rider, 1969Source: Wikipedia
1934–2001 · United States · Cinematographer
Naturalistic, cinema verite-inspired photography of the New Hollywood.
Chinatown, 1974Source: Wikipedia