1930–1992 · Spain · Cinematographer
Nestor Almendros
Natural window light and magic-hour exteriors.
Days of Heaven, 1978Source: Wikipedia
CINEMATOGRAPHER · BORN 1955 · UNITED KINGDOM
Digital, kinetic and handheld, rooted in Dogme 95.
KNOWN FOR
WHY THEY MATTER
Won the Academy Award and BAFTA for Slumdog Millionaire, the first cinematography Oscar for a film shot digitally; member of the British, Danish and American Societies of Cinematographers.
THE LIFE
Dod Mantle was born to Scottish parents in Witney, Oxfordshire, and was partly raised in India, where he became interested in photography. He studied at the London College of Communication and the National Film School of Denmark. A figure in the Dogme 95 movement, he became a pioneer of digital filmmaking with Lars von Trier, Thomas Vinterberg and Danny Boyle. With Boyle he made 28 Days Later and Slumdog Millionaire, which won the first cinematography Oscar given to a digitally shot film.
1930–1992 · Spain · Cinematographer
Natural window light and magic-hour exteriors.
Days of Heaven, 1978Source: Wikipedia
1930–2001 · India · Cinematographer
Natural bounce light and quiet realism.
Pather Panchali, 1955Source: Wikipedia
1930–2016 · United States · Cinematographer
Pre-flashed, muted colour and atmospheric haze.
Close Encounters of the Third Kind, 1977Source: Wikipedia
1931–2014 · United States · Cinematographer
Top light and deep underexposure that earned him the name the Prince of Darkness.
The Godfather, 1972Source: Wikipedia
1933–2007 · United States · Cinematographer
Loose, natural-light American New Wave photography.
Easy Rider, 1969Source: Wikipedia
1934–2001 · United States · Cinematographer
Naturalistic, cinema verite-inspired photography of the New Hollywood.
Chinatown, 1974Source: Wikipedia