1852–1934 · United States · Photographer
Gertrude Kasebier
Soft-focus Pictorialist portraits of mothers, children and sitters at rest.
The Manger, 1899Source: Wikipedia
PHOTOGRAPHER · 1886–1958 · UNITED STATES
Sharp, sensual close-ups of peppers, shells, nudes and dunes.

KNOWN FOR
WHY THEY MATTER
Co-founder of Group f/64 and the first photographer awarded a Guggenheim Fellowship (1937); retrospective at the Museum of Modern Art.
THE LIFE
Weston was an American photographer who moved from soft-focus Pictorialism to rigorous sharp-focus modernism. His close studies of peppers, shells and nudes turned ordinary forms into near-abstract images. He co-founded Group f/64 and in 1937 became the first photographer to receive a Guggenheim Fellowship. He spent his last years at Point Lobos in California.
WHAT THEY SHOT WITH
8x10 view camera
1852–1934 · United States · Photographer
Soft-focus Pictorialist portraits of mothers, children and sitters at rest.
The Manger, 1899Source: Wikipedia

1857–1927 · France · Photographer
Patient, empty-street records of old Paris before modernisation.
Avenue des Gobelins, 1927Source: Wikipedia
1864–1946 · United States · Photographer
From Pictorialism to sharp modernism, with a deep belief in photography as art.
The Steerage, 1907Source: Wikipedia
1874–1940 · United States · Photographer
Direct, dignified portraits of working children and labourers.
Young Doffers in the Elk Cotton Mills, 1910Source: Wikipedia
1876–1964 · Germany · Photographer
Typological portraits of every class and trade, frontal and calm.
Face of Our Time (Antlitz der Zeit), 1929Source: Wikipedia
1879–1973 · United States · Photographer
Painterly early work, then glossy modern fashion and celebrity portraits.
The Flatiron, 1904Source: Wikipedia