1852–1934 · United States · Photographer
Gertrude Kasebier
Soft-focus Pictorialist portraits of mothers, children and sitters at rest.
The Manger, 1899Source: Wikipedia
PHOTOGRAPHER · 1895–1965 · UNITED STATES
Humane documentary portraits of the dispossessed.

KNOWN FOR
WHY THEY MATTER
First woman awarded a Guggenheim Fellowship for photography (1941); MoMA's first solo retrospective of a woman photographer; Migrant Mother is at the Art Institute of Chicago.
THE LIFE
Lange made her name with Depression-era work for the Farm Security Administration. Her 1936 picture Migrant Mother became the defining image of the Dust Bowl. In 1941 she became the first woman awarded a Guggenheim Fellowship for photography, and she later documented Japanese American internment. Three months after her death, the Museum of Modern Art opened a retrospective she had helped plan.
1852–1934 · United States · Photographer
Soft-focus Pictorialist portraits of mothers, children and sitters at rest.
The Manger, 1899Source: Wikipedia

1857–1927 · France · Photographer
Patient, empty-street records of old Paris before modernisation.
Avenue des Gobelins, 1927Source: Wikipedia
1864–1946 · United States · Photographer
From Pictorialism to sharp modernism, with a deep belief in photography as art.
The Steerage, 1907Source: Wikipedia
1874–1940 · United States · Photographer
Direct, dignified portraits of working children and labourers.
Young Doffers in the Elk Cotton Mills, 1910Source: Wikipedia
1876–1964 · Germany · Photographer
Typological portraits of every class and trade, frontal and calm.
Face of Our Time (Antlitz der Zeit), 1929Source: Wikipedia
1879–1973 · United States · Photographer
Painterly early work, then glossy modern fashion and celebrity portraits.
The Flatiron, 1904Source: Wikipedia