1901–1983 · United States · Photographer
Lisette Model
Frank, close-up street portraits with a blunt humanism.
Promenade des Anglais, 1934Source: Wikipedia
PHOTOGRAPHER · 1923–2013 · UNITED STATES
Painterly colour street photography seen through glass, snow and reflections.

KNOWN FOR
WHY THEY MATTER
Shown at the Museum of Modern Art in 1953; first European museum exhibition at the Henri Cartier-Bresson Foundation (2008); recognised as part of the New York School of photographers.
THE LIFE
Leiter grew up the son of a Talmud scholar and studied to become a rabbi before leaving for New York to paint. He soon took up a 35 mm Leica and, from the late 1940s, made colour street pictures long before colour was accepted as art. He worked as a fashion photographer for Esquire and Harper's Bazaar. The 2006 book Saul Leiter Early Color brought his colour work wide recognition late in life.
WHAT THEY SHOT WITH
Leica
1901–1983 · United States · Photographer
Frank, close-up street portraits with a blunt humanism.
Promenade des Anglais, 1934Source: Wikipedia
1902–1984 · United States · Photographer
Sharp black-and-white landscapes of the American West with full tonal range.
Moonrise, Hernandez, New Mexico, 1941Source: Wikipedia

1902–2002 · Mexico · Photographer
Poetic, quietly surreal views of Mexican life.
Striking Worker, Assassinated, 1934Source: Wikipedia
1903–1993 · Mexico · Photographer
Modernist portraits and street pictures of postrevolutionary Mexico.
Galería de Arte Contemporáneo (Frida Kahlo exhibition), 1953Source: Wikipedia
1903–1975 · United States · Photographer
Frontal, plain-spoken records of American vernacular life.
American Photographs, 1938Source: Wikipedia
1904–1983 · United Kingdom · Photographer
High-contrast social documentary, then distorted nudes and stark landscapes.
The English at Home, 1936Source: Wikipedia