1930–2018 · South Africa · Photographer
David Goldblatt
Quiet, analytical documentary of South African society under and after apartheid.
On the Mines (with Nadine Gordimer), 1973Source: Wikipedia
PHOTOGRAPHER · BORN 1934 · UNITED STATES
Dense, layered frames of the social landscape, full of reflections and poles.

KNOWN FOR
WHY THEY MATTER
Featured in MoMA's New Documents (1967); MacArthur Fellow; Hasselblad Award winner; major MoMA retrospective in 2005.
THE LIFE
Friedlander has photographed what he called the American social landscape since the 1950s. His frames are crowded with signs, reflections, shadows and poles that split the view. He was one of three photographers in MoMA's New Documents exhibition in 1967. He has received a MacArthur Fellowship and the Hasselblad Award.
WHAT THEY SHOT WITH
Leica, Hasselblad
1930–2018 · South Africa · Photographer
Quiet, analytical documentary of South African society under and after apartheid.
On the Mines (with Nadine Gordimer), 1973Source: Wikipedia
1930–2014 · Nigeria · Photographer
Sculptural black-and-white studies of Nigerian women's hairstyles.
Nigerian hairstyles (series), 1968Source: Wikipedia
1930–2012 · Japan · Photographer
Dark, fragmentary images of postwar Japan and American occupation.
Hiroshima, Nagasaki, Document, 1961Source: Wikipedia
born 1931 · Brazil · Photographer
Lyrical, often experimental images of the Yanomami people.
Yanomami: The House, The Forest, The Invisible, 1998Source: Wikipedia
1931–2016 · Hong Kong · Photographer
Geometric light-and-shadow street scenes of 1950s and 1960s Hong Kong.
Approaching Shadow, 1954Source: Wikipedia
1933–2004 · United States · Photographer
News photography of war, politics and celebrity.
Saigon Execution, 1968Source: Wikipedia