1901–1988 · Japan · Cinematographer
Asakazu Nakai
Kurosawa's camera for rain, mud and vast colour battlefields.
Seven Samurai, 1954Source: Wikipedia
CINEMATOGRAPHER · 1922–2015 · UNITED STATES
Documentary-inflected realism and political engagement.

KNOWN FOR
WHY THEY MATTER
Won Academy Awards for Who's Afraid of Virginia Woolf (the last black-and-white cinematography Oscar) and Bound for Glory, from five nominations; voted among the most influential cinematographers in history.
THE LIFE
Wexler was an American cinematographer and documentary filmmaker who won the Academy Award twice, for Who's Afraid of Virginia Woolf and for Bound for Glory, from five nominations. His Virginia Woolf win was the last Oscar ever given for black-and-white cinematography. He also shot In the Heat of the Night and much of One Flew Over the Cuckoo's Nest. As a director he made Medium Cool, which mixed scripted scenes with documentary footage of the 1968 Democratic National Convention.
1901–1988 · Japan · Cinematographer
Kurosawa's camera for rain, mud and vast colour battlefields.
Seven Samurai, 1954Source: Wikipedia
1901–1996 · United States · Cinematographer
Hard shadows and pools of light that defined film noir.
T-Men, 1947Source: Wikipedia
1901–1974 · United States · Cinematographer
Bold Technicolor of the Fox studio era.
Leave Her to Heaven, 1945Source: Wikipedia
1902–1998 · United Kingdom · Cinematographer
Sweeping, lush widescreen colour.
Lawrence of Arabia, 1962Source: Wikipedia
1902–2000 · Italy · Cinematographer
Neorealist grit that opened up into Fellini's nocturnal spectacle.
La Dolce Vita, 1960Source: Wikipedia
1904–1948 · United States · Cinematographer
Deep focus, with near and far planes sharp at once.
Citizen Kane, 1941Source: Wikipedia