1901–1988 · Japan · Cinematographer
Asakazu Nakai
Kurosawa's camera for rain, mud and vast colour battlefields.
Seven Samurai, 1954Source: Wikipedia
CINEMATOGRAPHER · 1902–2000 · ITALY
Neorealist grit that opened up into Fellini's nocturnal spectacle.

KNOWN FOR
WHY THEY MATTER
Federico Fellini's cinematographer through the 1950s, from Variety Lights to La Dolce Vita, after shooting Rossellini's Paisan.
THE LIFE
Martelli was born in Rome and entered the film business in 1920, working through the silent era and the studio films of the 1930s. After the war he shot Roberto Rossellini's Paisan and Stromboli and Giuseppe De Santis's Bitter Rice. His longest partnership was with Federico Fellini, from Variety Lights in 1950 through I Vitelloni, La Strada and Il Bidone to La Dolce Vita and an episode of Boccaccio '70. He also worked with Vittorio De Sica and Pier Paolo Pasolini.
1901–1988 · Japan · Cinematographer
Kurosawa's camera for rain, mud and vast colour battlefields.
Seven Samurai, 1954Source: Wikipedia
1901–1996 · United States · Cinematographer
Hard shadows and pools of light that defined film noir.
T-Men, 1947Source: Wikipedia
1901–1974 · United States · Cinematographer
Bold Technicolor of the Fox studio era.
Leave Her to Heaven, 1945Source: Wikipedia
1902–1998 · United Kingdom · Cinematographer
Sweeping, lush widescreen colour.
Lawrence of Arabia, 1962Source: Wikipedia
1904–1948 · United States · Cinematographer
Deep focus, with near and far planes sharp at once.
Citizen Kane, 1941Source: Wikipedia
1906–1980 · United States · Cinematographer
Poetic realist black and white.
On the Waterfront, 1954Source: Wikipedia