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· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

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This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How pictures get made in 2026 from the industry's own reports

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Fetched every six hours, linked to the original

About

The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo

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Canon Japan newsroom (camera & lens)Japan

世界最望遠1200mmと可搬性を両立した「CINE-SERVOレンズ」を発売 RFマウント通信での「デュアルピクセルCMOS AF」や「自動露出ランピング補正」に対応

10.25

キヤノンは、シネマレンズ「CINE-SERVOレンズ」シリーズの新製品として、世界最望遠となる焦点距離1200mmを実現しながら、可搬性を維持した“CN30×40 IAS J／R1”（RFマウント）と“CN30×40 IAS J／P1”（PLマウント）を2026年9月下旬に発売します。

Read at Canon Japan newsroom (camera & lens) ↗

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Japan第20回アジア競技大会においてキヤノンの報道用カメラがトップシェアを達成 Canon Japan newsroom (camera & lens)

Japan新しいデザインを採用した小型・軽量モデルのフルサイズミラーレスカメラ“EOS R8 Mark II”を発売多彩な表現機能と高い機動力により静止画・動画の撮影領域を拡大 Canon Japan newsroom (camera & lens)

Japan撮影した写真から3Dモデルを生成する“Dual Pixel 3D Converter”の提供を開始キヤノンの独自技術により新たな写真体験を創出 Canon Japan newsroom (camera & lens)

Japan第20回アジア競技大会のメインプレスセンターに今大会最大規模となるフォトサービスセンター「キヤノンプロサポートブース」を設置 Canon Japan newsroom (camera & lens)

Japan「カメラグランプリ2026」において「あなたが選ぶベストカメラ賞」など2部門で栄冠「EOS R6 Mark III」と「RF45mm F1.2 STM」が受賞 Canon Japan newsroom (camera & lens)

JapanSNS時代の動画クリエイター向けのフルサイズミラーレスカメラ“EOS R6 V”とパワーズームを内蔵した標準ズームレンズ“RF20-50mm F4 L IS USM PZ”を発売 Canon Japan newsroom (camera & lens)

More from Canon Japan newsroom (camera & lens) on Hot Shoe.