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· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

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This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How pictures get made in 2026 from the industry's own reports

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Fetched every six hours, linked to the original

About

The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo

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Canon Japan newsroom (camera & lens)Japan

SNS時代の動画クリエイター向けのフルサイズミラーレスカメラ“EOS R6 V”とパワーズームを内蔵した標準ズームレンズ“RF20-50mm F4 L IS USM PZ”を発売

10.25

多様化する動画制作ニーズに応える「EOS/PowerShot V series」で初めてフルサイズセンサーを搭載した“EOS R6 V”と、フルサイズ対応RFレンズで初めてパワーズームを内蔵した標準ズームレンズ“RF20-50mm F4 L IS USM PZ”を2026年6月下旬に発売します。

Mirrorless bodies Lenses

Read at Canon Japan newsroom (camera & lens) ↗

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Japan「カメラグランプリ2026」において「あなたが選ぶベストカメラ賞」など2部門で栄冠「EOS R6 Mark III」と「RF45mm F1.2 STM」が受賞 Canon Japan newsroom (camera & lens)

Japan新しいデザインを採用した小型・軽量モデルのフルサイズミラーレスカメラ“EOS R8 Mark II”を発売多彩な表現機能と高い機動力により静止画・動画の撮影領域を拡大 Canon Japan newsroom (camera & lens)

Japanカメラ4機種向け無償ファームウエアを公開「EOS R1」「EOS R5 Mark II」「EOS R50 V」「PowerShot V1」対応アップデート Canon Japan newsroom (camera & lens)

TechSigma FP2 is the world’s smallest full-frame camera built for photographers and filmmakers Digital Trends Photography

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RumoursSigma Announces the FP2, the World’s Smallest Full Frame Camera Canon Rumors

More from Canon Japan newsroom (camera & lens) on Hot Shoe.