1800–1877 · United Kingdom · Photographer
William Henry Fox Talbot
Early calotype studies of buildings, objects and light at Lacock Abbey.
The Pencil of Nature, 1844Source: Wikipedia
PHOTOGRAPHER · 1815–1879 · UNITED KINGDOM
Soft-focus, close-cropped Victorian portraits and allegorical scenes.

KNOWN FOR
WHY THEY MATTER
Leading Victorian portrait photographer; her work is held by major collections including the Victoria and Albert Museum.
THE LIFE
Cameron took up photography in her late forties after receiving a camera as a gift. She photographed the leading figures of Victorian Britain, including Tennyson, Darwin and Herschel, in tight, often deliberately soft close-ups. She also staged allegorical and literary scenes, among them illustrations for Tennyson's Idylls of the King. Her approach broke the technical rules of the day and is now seen as an early assertion of photography as art.
1800–1877 · United Kingdom · Photographer
Early calotype studies of buildings, objects and light at Lacock Abbey.
The Pencil of Nature, 1844Source: Wikipedia
1820–1910 · France · Photographer
Plain-backdrop studio portraits that let a face carry the whole picture.
Sarah Bernhardt, 1864Source: Wikipedia
1822–1896 · United States · Photographer
Studio portraiture and organised battlefield coverage on an industrial scale.
Abraham Lincoln (Cooper Union portrait), 1860Source: Wikipedia
1829–1916 · United States · Photographer
Mammoth-plate landscapes of the American West, vast and precise.
Yosemite (mammoth-plate series), 1861Source: Wikipedia
1830–1904 · United Kingdom · Photographer
Sequential studies of motion made with banks of cameras.
The Horse in Motion, 1878Source: Wikipedia