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GUIDE · THE WORKING KIT

Who shoots with what

A typical kit for each kind of job. Kinds of equipment, not brands: the right model changes every year, the reasons do not.

FILM AND SERIES

Cinema DP

CAMERA

A cinema body recording RAW or log, with timecode

LENSES

Cinema primes or zooms with geared focus rings

SUPPORT

Tripod head, dolly, slider or a Steadicam

CREW

A focus puller, a gaffer for light, grips for rigging

ONE DAY, NO SECOND TAKE

Wedding video

CAMERA

Two bodies, so one is always rolling

LENSES

A fast standard zoom and a fast prime for low light

SOUND

Wireless mics on the couple and the officiant

SUPPORT

A gimbal for the walk, a monopod for speeches

PORTRAIT AND FASHION

Photo shoot

CAMERA

A system camera, often tethered to a laptop

LENSES

A short telephoto for faces, a standard for full length

LIGHT

Studio strobes with a softbox or a beauty dish

SET

Backdrop, reflector, a stylist and a make-up artist

COMMERCIALS AND STUDIO

Staged production

CAMERA

A cinema body, often on a crane or a motion rig

SET

A built set, a cyclorama wall or a green screen

LIGHT

A full grid of fixtures with a dimmer board

POST

Grading and compositing planned before the shoot

RUN AND GUN

News and documentary

CAMERA

A shoulder camcorder or a compact cinema camera

LENS

One long zoom so the operator never changes glass

SOUND

A shotgun mic on camera and a wireless lav

LIGHT

A small battery LED panel

YOUTUBE AND SOCIAL

Creator

CAMERA

A mirrorless camera or a phone

SOUND

A clip-on wireless mic matters more than the camera

LIGHT

One soft key light and a practical lamp

SUPPORT

A small tripod or a gimbal