Petzval portrait lens
Voigtländerf/3.6The first mathematically computed lens formula and the first wide-aperture portrait lens.
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The first mathematically computed lens formula and the first wide-aperture portrait lens.
Counted as the first successful wide-angle lens, though slow by any modern standard.
John Henry Dallmeyer's symmetrical four-element lens, which corrected most aberrations at f/8.
Arrived almost at the same moment as the Rapid Rectilinear, with a nearly identical symmetric formula.
Two Gauss telescope objectives placed back to back; the starting point of the most copied fast-lens form.
Paul Rudolph's first anastigmat, correcting astigmatism and field curvature together for the first time.
Paul Rudolph's asymmetric anastigmat, often called the first modern photographic lens, built on new Jena glass.
Emil von Höegh's symmetric double anastigmat, long prized by large-format photographers for its wide coverage.
Emil von Höegh's anastigmat, whose layout later fed into Goerz's own wide-angle Hypergon.
Dennis Taylor's three-element design, simple and well corrected, copied by almost every maker for decades.
Dennis Taylor's three-element anastigmat; the simplest design that corrects all primary aberrations.
A six-element symmetric anastigmat from Munich, developed in parallel with the Dagor.
Voigtländer's six-element symmetric anastigmat of the same generation as the Dagor and Orthostigmat.
Rudolph's symmetrical double-Gauss design; coated versions later became the basis of countless fast normal lenses.
Paul Rudolph's double-Gauss design, the family behind a great many fast standard lenses.
An air-spaced four-element derivative of the Dagor, renamed Celor in 1904.
A four-element Rudolph design that sat between the Protar and the Tessar in Zeiss lens history.
One of the first super-wide-angle lenses and, by Richter's own account, the root of the Zeiss Topogon.
Hans Harting's symmetrical modification of the Cooke triplet, one of its first derivatives.
One of the first super-wide-angle lenses, later the starting point for the Zeiss Topogon.
Hans Harting's symmetrical rework of the Cooke triplet, one of its first derivatives.
Four elements in three groups; cheap, sharp and copied so widely it became the default camera lens.
Rudolph's four-element design: sharp, simple to build and used on cameras for generations.
A Harting refinement of the Heliar idea; its layout was adopted for later Heliars after the First World War.
The first telephoto lens corrected and fixed as a single system rather than assembled from parts.
Arthur Warmisham's air-spaced four-element lens, created for aerial survey work in the First World War.
Paul Rudolph's lens type, long established and especially common in large-format photography.
Schneider's Tessar-type four-element anastigmat, built almost unchanged for a century.
Horace Lee's slightly asymmetric Planar; the ancestor of modern fast double-Gauss lenses.
Robin Hill's 180-degree lens for cloud surveys, the start of the fisheye.
Ludwig Bertele's fast lens for the Ermanox camera, which opened the door to candid available-light reporting.
Horace Lee's asymmetric double-Gauss at f/2, the design line that led straight to the Speed Panchro.
The lens the Elmar line grew from, made for the first Leica cameras.
The lens of the first Leica camera, a Leitz design often wrongly described as a Tessar.
Lee pushed his Opic design to f/1.4 for cinema use.
A six-element double-Gauss first drawn for cinema; its later 58 mm form shaped the Soviet Helios-44.
Ludwig Bertele's fast lens with few air-glass surfaces; copied widely, including by the Soviet Jupiter series.
Ludwig Bertele's high-speed design, grown out of his earlier Ernostar for Ernemann.
Horace Lee's fast cine primes, offered from 24 to 108 mm.
A seven-element f/1.5 design cited by lens makers as a model for fast lenses until the 1960s.
An early ultra-fast lens listed among the fastest camera lenses ever made.
Horace Lee's retrofocus patent, made to leave room for Technicolor beam-splitter cameras.
The starting point of Japanese photographic lens production, made for a small plate camera.
The first inverted telephoto imaging lens, built to leave room for the Technicolor camera's beam splitter.
The first zoom lens made in industrial quantities for 35 mm movie cameras.
Bertele took the Sonnar to f/1.5 for the Contax I rangefinder.
Robert Richter's symmetric wide-field design with a 100-degree view, later used for aerial mapping.
Robert Richter's symmetrical wide-field lens, later licensed in America as the aerial Metrogon.
Ludwig Bertele's wide-angle design, adapted from his Sonnar and first sold by Zeiss in the 1930s.
Bertele's first Biogon, a seven-element wide-angle derived from his Sonnar.
A classic early fast telephoto for the Contax rangefinder.
The first lens to carry the Zuiko name, fitted to the Semi-Olympus I.
A Cooke triplet on the Argus C3, probably the best-selling rangefinder camera ever made.
A military and cloud-survey fisheye based on the AEG Weitwinkelobjektiv design.
A Tessar-type lens on the Super Six-20, the first camera with automatic exposure.
The first Rokkor, made for a hand-held aerial camera, starting Minolta's most respected lens name.
Named by Wikipedia as the first general-purpose photographic mirror lens, adapted from Maksutov's telescope.
Over 100,000 were made, one of the most common Leica wide-angles.
Frank Back's first Zoomar, made for 16 mm movie cameras; image quality was poor but the idea stuck.
The first retrofocus wide-angle for 35 mm SLRs, leaving room for the reflex mirror.
Brought the retrofocus wide-angle to 35mm SLRs, where the mirror needs space behind the lens.
East German retrofocus wide-angle that reached serial production in July 1950.
The first Summicron, a collapsible 50 mm with lanthanum glass; the name still marks every Leica f/2.
The first Summicron, using lanthanum glass; it set the f/2 name Leica still uses.
A compact collapsible normal lens offered with the early M cameras.
Reputed one of the best portrait lenses ever made; the design stayed on sale in updated form until 2006.
Panavision's first product, a projection attachment for showing widescreen films.
A Topogon-type wide-angle for Nikon's rangefinder system.
Bertele's roughly symmetrical ultra-wide for the Contax rangefinder.
Built into Hasselblad's Super Wide camera, which had levels for exacting architecture work.
Changed what 'macro' meant to everyday photographers: a normal lens that focused very close.
A Topogon-type wide-angle for Canon's rangefinder cameras.
The first Micro-Nikkor, made for Nikon's rangefinders; the name still marks Nikon macro lenses.
Zeiss's 1957 50mm f/2 early normal prime for the Contarex bayonet mount.
The first Helios-44, a Biotar-derived normal lens with 13 aperture blades made for the Start SLR.
A Biotar-derived Soviet standard lens, famous today for its swirling background blur.
A Flektogon-derived wide-angle that won the Grand Prix at Expo 58 in Brussels.
An anamorphic camera lens that was adopted so quickly it made CinemaScope lenses obsolete.
An ultra-fast long lens for its time; Wikipedia says it was not eclipsed until 1976.
Tamron's 1958 135mm f/4.5 special-purpose lens for the T2 mount.
Voigtländer's 1958 50mm f/2.8 early normal prime for the Voigtländer Bessamatic (DKL) mount.
A 35mm f/3.4 early wide-angle prime for the Voigtländer Bessamatic (DKL) mount, introduced by Voigtländer in 1958.
A 135mm f/4.0 early short telephoto for the Voigtländer Bessamatic (DKL) mount, introduced by Voigtländer in 1958.
A 21mm f/4.5 early ultra-wide prime for the Contarex bayonet mount, introduced by Zeiss in 1958.
Zeiss's 1958 35mm f/4 early wide-angle prime for the Contarex bayonet mount.
A 135mm f/4 early short telephoto for the Contarex bayonet mount, introduced by Zeiss in 1958.
Zeiss's 1958 85mm f/2 early short telephoto for the Contarex bayonet mount.
The first telephoto zoom for 35 mm still cameras, launched with the Nikon F system.
The first production zoom for 35mm still photography, sold under the Voigtländer name.
Leica's first f/1.4 standard lens; the 1961 redesign stayed in production until the 2004 ASPH version.
The first Summilux, starting a name for f/1.4 lenses that continues today.
Nikon's 1959 1000mm f/6.3 early super-telephoto for the Nikon F mount.
A 105mm f/2.5 early short telephoto for the Nikon F mount, introduced by Nikon in 1959.
Nikon's 1959 135mm f/3.5 early short telephoto for the Nikon F mount.
A 135mm f/4.0 macro lens for the Nikon F mount, introduced by Nikon in 1959, for close-up work.
A 21mm f/4 early ultra-wide prime for the Nikon F mount, introduced by Nikon in 1959.
A 35mm f/2.8 early wide-angle prime for the Nikon F mount, introduced by Nikon in 1959.
Nikon's 1959 50mm f/2 early normal prime for the Nikon F mount.
Nikon's 1959 58mm f/1.4 early normal prime for the Nikon F mount.
Nikon's 1959 85–250mm f/4.0–4.5 telephoto zoom for the Nikon F mount.
Voigtländer's 1959 36–82mm f/2.8 standard zoom for the Voigtländer Bessamatic (DKL) mount.
The first zoom lens for still cameras, designed by Frank Back's Zoomar for the Voigtländer Bessamatic.
A 250mm f/4 early telephoto prime for the Contarex bayonet mount, introduced by Zeiss in 1959.
The screw-mount version supplied with the Zenit-3, often called the White Helios.
Nikon's 1960 105mm f/4.0 short telephoto for the Nikon F mount.
Nikon's 1960 28mm f/3.5 wide-angle prime for the Nikon F mount.
A 200mm f/2.8 telephoto prime for the T2 mount, introduced by Tamron in 1960.
A 400mm f/5.6 super-telephoto for the T2 mount, introduced by Tamron in 1960, for sport and wildlife.
A 58mm f/1.2 normal prime for the T2 mount, introduced by Tamron in 1960, fast enough for low light and shallow focus.
Voigtländer's 1960 100mm f/4.8 short telephoto for the Voigtländer Bessamatic (DKL) mount.
Voigtländer's 1960 90mm f/3.4 short telephoto for the Voigtländer Bessamatic (DKL) mount.
A 50mm f/2.0 normal prime for the Voigtländer Bessamatic (DKL) mount, introduced by Voigtländer in 1960.
A 50mm f/2.8 normal prime for the Contarex bayonet mount, introduced by Zeiss in 1960.
A very fast standard lens for the Canon 7 rangefinder.
A redesign whose optics stayed unchanged until the ASPH version of 2004.
Nikon's 1961 200mm f/4.0 telephoto prime for the Nikon F mount.
Nikon's 1961 200–600mm f/9.5–10.5 telephoto zoom for the Nikon F mount.
A 500mm f/5 super-telephoto for the Nikon F mount, introduced by Nikon in 1961, for sport and wildlife.
A 55mm f/3.5 macro lens for the Nikon F mount, introduced by Nikon in 1961, for close-up work.
The first perspective-control shift lens made for an SLR camera of any format.
Tamron's 1961 35mm f/2.8 wide-angle prime for the T2 mount.
A 400mm f/7.5 super-telephoto for the T2 mount, introduced by Tamron in 1961, for sport and wildlife.
A 95–205mm f/6.3 telephoto zoom for the T2 mount, introduced by Tamron in 1961.
A 40mm f/2.0 normal prime for the Voigtländer Bessamatic (DKL) mount, introduced by Voigtländer in 1961.
Zeiss's 1961 55mm f/1.4 normal prime for the Contarex bayonet mount.
The first widely available fisheye for 35 mm cameras; it later played the eye of HAL 9000.
Minolta's 21 mm SR-mount wide-angles, the first with a Biogon-like symmetrical design.
Nikon's 1962 50mm f/1.4 normal prime for the Nikon F mount.
An 8mm f/5.6 special-purpose lens for the Nikon F mount, introduced by Nikon in 1962.
A 200mm f/5.6 medical lens for the Nikon F mount, introduced by Nikon in 1962.
Nikon's 1962 35mm f/3.5 perspective-control lens for the Nikon F mount, for correcting converging lines in architecture.
A 135mm f/2.8 short telephoto for the T2 mount, introduced by Tamron in 1962, suited to portraits.
Tamron's 1962 300mm f/5.6 super-telephoto for the T2 mount, for sport and wildlife.
A 200mm f/4.0 telephoto prime for the Voigtländer Bessamatic (DKL) mount, introduced by Voigtländer in 1962.
Zeiss's 1962 115mm f/3.5 macro lens for the Contarex bayonet mount, for close-up work.
The first full-frame fisheye, filling the whole 35 mm frame with a 180-degree diagonal view.
Nikon's 1963 43–86mm f/3.5 standard zoom for the Nikon F mount, with a constant aperture through the range.
A 135mm f/3.5 short telephoto for the T2 mount, introduced by Tamron in 1963.
A 180mm f/3.5 telephoto prime for the T2 mount, introduced by Tamron in 1963.
Tamron's 1963 200mm f/3.5 telephoto prime for the T2 mount.
A 200mm f/5.9 telephoto prime for the T2 mount, introduced by Tamron in 1963.
A 200mm f/6.3 telephoto prime for the T2 mount, introduced by Tamron in 1963.
A 250mm f/4.5 telephoto prime for the T2 mount, introduced by Tamron in 1963.
A 300mm f/6.9 super-telephoto for the T2 mount, introduced by Tamron in 1963, for sport and wildlife.
A 350mm f/5.6 super-telephoto for the T2 mount, introduced by Tamron in 1963, for sport and wildlife.
A 400mm f/6.9 super-telephoto for the T2 mount, introduced by Tamron in 1963, for sport and wildlife.
A 450mm f/8 super-telephoto for the T2 mount, introduced by Tamron in 1963, for sport and wildlife.
The fast standard lens launched with the Topcon RE Super SLR.
A 25mm f/2.8 wide-angle prime for the Contarex bayonet mount, introduced by Zeiss in 1963.
A 250mm f/4 telephoto prime for the Contarex bayonet mount, introduced by Zeiss in 1963.
Zeiss's 1963 50mm f/4 normal prime for the Contarex bayonet mount.
A 100mm f/3.5 short telephoto for the Canon FL mount, introduced by Canon in 1964.
Canon's 1964 19mm f/3.5 ultra-wide prime for the Canon FL mount.
Canon's 1964 200mm f/3.5 telephoto prime for the Canon FL mount.
A 35mm f/2.5 wide-angle prime for the Canon FL mount, introduced by Canon in 1964.
Canon's 1964 50mm f/1.8 normal prime for the Canon FL mount.
Canon's 1964 55–135mm f/3.5 standard zoom for the Canon FL mount, with a constant aperture through the range.
Canon's 1964 58mm f/1.2 normal prime for the Canon FL mount, fast enough for low light and shallow focus.
An 85mm f/1.8 short telephoto for the Canon FL mount, introduced by Canon in 1964, suited to portraits.
A 135mm f/2.8 short telephoto for the Leica R mount, introduced by Leica in 1964, suited to portraits.
An f/2.8 Elmarit for the Leica R reflex system.
An f/2.8 Elmarit for the Leica R reflex system.
The first Summicron-R standard lens for Leica's SLR system.
An f/2 Summicron for the Leica R reflex system.
A 21mm f/3.4 special-purpose lens for the Leica R mount, introduced by Leica in 1964.
Nikon's 1964 1200mm f/11 super-telephoto for the Nikon F mount, for sport and wildlife.
A 300mm f/4.5 super-telephoto for the Nikon F mount, introduced by Nikon in 1964, for sport and wildlife.
Nikon's 1964 400mm f/4.5 super-telephoto for the Nikon F mount, for sport and wildlife.
Nikon's 1964 50mm f/2 normal prime for the Nikon F mount.
A 600mm f/5.6 super-telephoto for the Nikon F mount, introduced by Nikon in 1964, for sport and wildlife.
An 800mm f/8.0 super-telephoto for the Nikon F mount, introduced by Nikon in 1964, for sport and wildlife.
Nikon's 1964 85mm f/1.8 short telephoto for the Nikon F mount, suited to portraits.
A Soviet rangefinder wide-angle built on the Topogon layout.
The first 35mm zoom to keep a fixed back focal distance.
A 55–90mm f/4 standard zoom for the T2 mount, introduced by Tamron in 1964, with a constant aperture through the range.
A 50mm f/2.8 normal prime for the Voigtländer Bessamatic (DKL) mount, introduced by Voigtländer in 1964.
Voigtländer's 1964 350mm f/5.6 super-telephoto for the Voigtländer Bessamatic (DKL) mount, for sport and wildlife.
Zeiss's 1964 1000mm f/5.6 super-telephoto for the Contarex bayonet mount, for sport and wildlife.
A 500mm f/4.5 super-telephoto for the Contarex bayonet mount, introduced by Zeiss in 1964, for sport and wildlife.
A 135mm f/2.8 short telephoto for the Contarex bayonet mount, introduced by Zeiss in 1964, suited to portraits.
Canon's 1965 135mm f/2.5 short telephoto for the Canon FL mount, suited to portraits.
A 135mm f/3.5 short telephoto for the Canon FL mount, introduced by Canon in 1965.
Canon's 1965 19mm f/3.5 ultra-wide prime for the Canon FL mount.
Canon's 1965 50mm f/1.4 normal prime for the Canon FL mount.
A 50mm f/3.5 macro lens for the Canon FL mount, introduced by Canon in 1965, for close-up work.
Canon's 1965 85–300mm f/5 telephoto zoom for the Canon FL mount.
A 38mm f/2.8 normal prime for the Canon FL mount, introduced by Canon in 1965.
An f/2.8 Elmarit for the Leica R reflex system.
A 135mm f/2.8 short telephoto for the Nikon F mount, introduced by Nikon in 1965, suited to portraits.
Nikon's 1965 35mm f/2.0 wide-angle prime for the Nikon F mount.
Nikon's 1965 55mm f/1.2 normal prime for the Nikon F mount, fast enough for low light and shallow focus.
Nikon's 1965 7.5mm f/5.6 special-purpose lens for the Nikon F mount.
Panavision's second anamorphic series, restored and returned to service in 2013.
A 200–400mm f/6.3 telephoto zoom for the T2 mount, introduced by Tamron in 1965, with a power zoom for video.
A 400mm f/8 super-telephoto for the T2 mount, introduced by Tamron in 1965, for sport and wildlife.
Tamron's 1965 95–205mm f/5.6 telephoto zoom for the T2 mount, with a power zoom for video.
A 95–250mm f/5.6 telephoto zoom for the T2 mount, introduced by Tamron in 1965, with a power zoom for video.
A 50mm f/2.8 normal prime for the Voigtländer Bessamatic (DKL) mount, introduced by Voigtländer in 1965.
Zeiss's 1965 50mm f/2 normal prime for the Contarex bayonet mount.
A 35mm f/2 wide-angle prime for the Contarex bayonet mount, introduced by Zeiss in 1965.
A 100–200mm f/5.6 telephoto zoom for the Canon FL mount, introduced by Canon in 1966.
A 200mm f/3.5 telephoto prime for the Canon FL mount, introduced by Canon in 1966.
Canon's 1966 200mm f/4.5 telephoto prime for the Canon FL mount.
Canon's 1966 28mm f/3.5 wide-angle prime for the Canon FL mount.
Canon's 1966 50mm f/1.4 normal prime for the Canon FL mount.
Canon's 1966 58mm f/1.2 normal prime for the Canon FL mount.
One of the fastest lenses ever built, developed for NASA and later used by Stanley Kubrick.
Erhard Glatzel's ultra-wide three-element design, first fitted to a dedicated Contarex body.
The first serially produced lens with aspherical surfaces, hand ground; only about 1,757 were made.
The first series lens with aspherical surfaces, hand-ground; about 1,757 were made.
The first fisheye lens of the Minolta SR system.
Nikon's 1966 1000mm f/11 super-telephoto for the Nikon F mount, for sport and wildlife.
A 35mm f/4 wide-angle prime for the Contarex bayonet mount, introduced by Zeiss in 1966.
A 180mm f/2.8 telephoto prime for the Contarex bayonet mount, introduced by Zeiss in 1966.
Developed for NASA's Apollo programme; Stanley Kubrick used it to shoot Barry Lyndon by candlelight.
A prop, not a working lens: Zeiss showed it at Photokina to mock the fast-lens fad.
A 40–120mm f/2.8 standard zoom for the Contarex bayonet mount, introduced by Zeiss in 1966, with a constant aperture through the range.
Zeiss's 1966 85–250mm f/4 telephoto zoom for the Contarex bayonet mount, with a constant aperture through the range.
The M42 version that followed Zenit cameras to the universal screw mount; known for swirling bokeh.
An ultra-fast aerial photography lens covering a 40 mm image circle.
A 20mm f/3.5 ultra-wide prime for the Nikon F mount, introduced by Nikon in 1967.
A 24mm f/2.8 wide-angle prime for the Nikon F mount, introduced by Nikon in 1967.
A 50–300mm f/4.5 standard zoom for the Nikon F mount, introduced by Nikon in 1967.
Introduced Close Range Correction, a floating rear group that keeps a wide-angle sharp up close.
Tokina's first zoom lens, from the company's early years as an SLR lens maker.
An 18mm f/4 ultra-wide prime for the Contarex bayonet mount, introduced by Zeiss in 1967.
Zeiss's 1967 35mm f/4 wide-angle prime for the Contarex bayonet mount.
Canon's 1968 35mm f/3.5 wide-angle prime for the Canon FL mount.
Canon's 1968 50mm f/1.4 normal prime for the Canon FL mount, fast enough for low light and shallow focus.
A 50mm f/1.8 normal prime for the Canon FL mount, introduced by Canon in 1968.
Canon's 1968 55mm f/1.2 normal prime for the Canon FL mount.
A 1.5x consumer anamorphic with a 50 mm taking lens, now prized by independent filmmakers.
A consumer anamorphic monobloc for widescreen slide shows, now sought after for video.
A 180mm f/2.8 telephoto prime for the Leica R mount, introduced by Leica in 1968.
A Schneider-Kreuznach design that gave the R system its first ultra-wide.
A 21mm f/4 special-purpose lens for the Leica R mount, introduced by Leica in 1968.
A 400mm f/5.6 super-telephoto for the Leica R mount, introduced by Leica in 1968, for sport and wildlife.
A 560mm f/5.6 super-telephoto for the Leica R mount, introduced by Leica in 1968, for sport and wildlife.
Nikon's 1968 10mm f/5.6 special-purpose lens for the Nikon F mount.
A 45mm f/2.8 normal prime for the Nikon F mount, introduced by Nikon in 1968.
Nikon's 1968 500mm f/8 super-telephoto for the Nikon F mount, for sport and wildlife.
Nikon's 1968 35mm f/2.8 perspective-control lens for the Nikon F mount, for correcting converging lines in architecture.
Sigma's compact reflective super-telephoto from its early years.
A 100mm f/4 short telephoto for the Canon FL mount, introduced by Canon in 1969.
A 300mm f/5.6 super-telephoto for the Canon FL mount, introduced by Canon in 1969, for sport and wildlife.
Canon's 1969 500mm f/5.6 super-telephoto for the Canon FL mount, for sport and wildlife.
A 45–90mm f/2.8 standard zoom for the Leica R mount, introduced by Leica in 1969, with a constant aperture through the range.
A 100mm f/4.0 macro lens for the Leica R mount, introduced by Leica in 1969, for close-up work.
A 35mm f/4.0 perspective-control lens for the Leica R mount, introduced by Leica in 1969, for correcting converging lines in architecture.
An f/2 Summicron for the Leica R reflex system.
Leica's 1969 50mm f/1.4 normal prime for the Leica R mount, fast enough for low light and shallow focus.
A full-frame 180-degree fisheye that replaced the UW Rokkor 18 mm f/9.5.
Nikon's 1969 135mm f/3.5 short telephoto for the Nikon F mount.
A 300mm f/4.5 super-telephoto for the Nikon F mount, introduced by Nikon in 1969, for sport and wildlife.
Nikon's 1969 80–200mm f/4.5 telephoto zoom for the Nikon F mount.
An 85–250mm f/4.0 telephoto zoom for the Nikon F mount, introduced by Nikon in 1969, with a constant aperture through the range.
A 200–500mm f/6.9 telephoto zoom for the Adapt-A-Matic mount, introduced by Tamron in 1969, with a power zoom for video.
A 70–220mm f/4 telephoto zoom for the Adapt-A-Matic mount, introduced by Tamron in 1969, with a constant aperture through the range.
An extreme three-element ultra-wide first sold built into its own Contarex camera; about 1,400 were made.
Canon's 1970 135mm f/3.5 short telephoto for the Canon FD mount.
A Leica R wide-angle based on a Minolta design.
An f/2.8 Elmarit for the Leica R reflex system.
A full-frame fisheye made with Minolta's optical design and glass.
A full-frame fisheye for Leica R, designed and made with Minolta.
An f/2 Summicron for the Leica R reflex system.
Leica's 1970 250mm f/4.0 telephoto prime for the Leica R mount.
Began the 105 mm Micro-Nikkor line, which continues today on the Z mount.
Nikon's 1970 105mm f/4.0 macro lens for the Nikon F mount, for close-up work.
A 180mm f/2.8 telephoto prime for the Nikon F mount, introduced by Nikon in 1970.
A 28mm f/2.0 wide-angle prime for the Nikon F mount, introduced by Nikon in 1970.
Nikon's 1970 35mm f/1.4 wide-angle prime for the Nikon F mount.
A 6mm f/5.6 special-purpose lens for the Nikon F mount, introduced by Nikon in 1970.
An 8mm f/2.8 special-purpose lens for the Nikon F mount, introduced by Nikon in 1970.
A 21mm f/4.5 ultra-wide prime for the Adapt-A-Matic mount, introduced by Tamron in 1970.
Zeiss's 1970 400mm f/5.6 super-telephoto for the Contarex bayonet mount, for sport and wildlife.
Canon's 1971 400mm f/4.5 super-telephoto for the Canon FL mount, for sport and wildlife.
A 600mm f/5.6 super-telephoto for the Canon FL mount, introduced by Canon in 1971, for sport and wildlife.
An 800mm f/8 super-telephoto for the Canon FL mount, introduced by Canon in 1971, for sport and wildlife.
A 100mm f/2.8 short telephoto for the Canon FD mount, introduced by Canon in 1971, suited to portraits.
A 100–200mm f/5.6 telephoto zoom for the Canon FD mount, introduced by Canon in 1971.
Canon's 1971 135mm f/2.5 short telephoto for the Canon FD mount, suited to portraits.
A 17mm f/4 ultra-wide prime for the Canon FD mount, introduced by Canon in 1971.
Canon's 1971 200mm f/4 telephoto prime for the Canon FD mount.
Canon's 1971 24mm f/2.8 wide-angle prime for the Canon FD mount.
A 28mm f/3.5 wide-angle prime for the Canon FD mount, introduced by Canon in 1971.
A 300mm f/5.6 super-telephoto for the Canon FD mount, introduced by Canon in 1971, for sport and wildlife.
Canon's 1971 35mm f/2 wide-angle prime for the Canon FD mount.
A 35mm f/3.5 wide-angle prime for the Canon FD mount, introduced by Canon in 1971.
Canon's 1971 50mm f/1.4 normal prime for the Canon FD mount.
Canon's 1971 50mm f/1.8 normal prime for the Canon FD mount.
The first lens for any 35 mm SLR system with an aspherical element.
Canon's 1971 55mm f/1.2 normal prime for the Canon FD mount.
A 7.5mm f/5.6 fisheye for the Canon FD mount, introduced by Canon in 1971.
Leica's 1971 400mm f/6.8 super-telephoto for the Leica R mount, for sport and wildlife.
A 105mm f/2.5 short telephoto for the Nikon F mount, introduced by Nikon in 1971, suited to portraits.
A 2000mm f/11 super-telephoto for the Nikon F mount, introduced by Nikon in 1971, for sport and wildlife.
Nikon's 1971 200–600mm f/9.5 telephoto zoom for the Nikon F mount.
A 200mm f/3.5 telephoto prime for the Adapt-A-Matic mount, introduced by Tamron in 1971.
Tamron's 1971 24mm f/3.5 wide-angle prime for the Adapt-A-Matic mount.
A 1200mm f/11 super-telephoto for the Canon FL mount, introduced by Canon in 1972, for sport and wildlife.
An extremely long telephoto for Canon's FL-mount SLRs.
Leica's macro lens for the R system, first released in 1972.
An f/2.8 Elmarit for the Leica R reflex system.
Leica's 1972 35mm f/2.0 wide-angle prime for the Leica R mount.
A 560mm f/6.8 super-telephoto for the Leica R mount, introduced by Leica in 1972, for sport and wildlife.
A huge long lens, once sold in a promotion with a free 'tripod' that was a VW Fox car.
Nikon's 1972 300mm f/2.8 super-telephoto for the Nikon F mount, for sport and wildlife.
Nikon's 1972 6mm f/2.8 special-purpose lens for the Nikon F mount.
Tamron's 1972 105mm f/2.5 short telephoto for the Adapt-A-Matic mount, suited to portraits.
A 135mm f/2.8 short telephoto for the Adapt-A-Matic mount, introduced by Tamron in 1972, suited to portraits.
Tamron's 1972 200mm f/4.5 telephoto prime for the Adapt-A-Matic mount.
A 28mm f/2.8 wide-angle prime for the Adapt-A-Matic mount, introduced by Tamron in 1972.
A 300mm f/5.6 super-telephoto for the Adapt-A-Matic mount, introduced by Tamron in 1972, for sport and wildlife.
Tamron's 1972 35mm f/2.8 wide-angle prime for the Adapt-A-Matic mount.
An 80–250mm f/3.8 telephoto zoom for the Adapt-A-Matic mount, introduced by Tamron in 1972, with a constant aperture through the range.
An 85–205mm f/3.5 telephoto zoom for the Adapt-A-Matic mount, introduced by Tamron in 1972, with a constant aperture through the range.
Zeiss's 1972 15mm f/3.5 ultra-wide prime for the Contarex bayonet mount.
A 100mm f/2.8 short telephoto for the Canon FD mount, introduced by Canon in 1973, suited to portraits.
A 100–200mm f/5.6 telephoto zoom for the Canon FD mount, introduced by Canon in 1973.
Canon's 1973 135mm f/2.5 short telephoto for the Canon FD mount, suited to portraits.
Canon's 1973 135mm f/3.5 short telephoto for the Canon FD mount.
A 17mm f/4 ultra-wide prime for the Canon FD mount, introduced by Canon in 1973.
A 200mm f/4 telephoto prime for the Canon FD mount, introduced by Canon in 1973.
A 20mm f/2.8 ultra-wide prime for the Canon FD mount, introduced by Canon in 1973.
Canon's 1973 24mm f/2.8 wide-angle prime for the Canon FD mount.
Canon's 1973 28mm f/3.5 wide-angle prime for the Canon FD mount.
A 300mm f/5.6 super-telephoto for the Canon FD mount, introduced by Canon in 1973, for sport and wildlife.
A 35mm f/2 wide-angle prime for the Canon FD mount, introduced by Canon in 1973.
A 35mm f/3.5 wide-angle prime for the Canon FD mount, introduced by Canon in 1973.
Canon's 1973 50mm f/1.4 normal prime for the Canon FD mount.
A 50mm f/1.8 normal prime for the Canon FD mount, introduced by Canon in 1973.
Canon's 1973 55mm f/1.2 normal prime for the Canon FD mount.
A 50mm f/3.5 normal prime for the Canon FD mount, introduced by Canon in 1973.
A 15mm f/2.8 fisheye for the Canon FD mount, introduced by Canon in 1973.
Canon's 1973 7.5mm f/5.6 fisheye for the Canon FD mount.
The first SLR lens to offer both tilt and shift movements.
Canon's 1973 35mm f/2.8 wide-angle prime for the Canon FD mount.
An 800mm f/6.3 super-telephoto for the Leica R mount, introduced by Leica in 1973, for sport and wildlife.
A wide-angle for Kiev medium-format cameras, produced until 1984 and replaced by the Mir-38.
Wide-angle for Kiev medium-format cameras, made until 1984 when the Mir-38 replaced it.
A 15mm f/5.6 ultra-wide prime for the Nikon F mount, introduced by Nikon in 1973.
A 16mm f/3.5 special-purpose lens for the Nikon F mount, introduced by Nikon in 1973.
A 400mm f/5.6 super-telephoto for the Nikon F mount, introduced by Nikon in 1973, for sport and wildlife.
Tamron's 1973 200–500mm f/6.9 telephoto zoom for the Adaptall mount.
Tamron's 1973 38–100mm f/3.5 standard zoom for the Adaptall mount, with a constant aperture through the range.
A 70–220mm f/3.8 telephoto zoom for the Adaptall mount, introduced by Tamron in 1973, with a constant aperture through the range.
An 80–250mm f/3.8 telephoto zoom for the Adaptall mount, introduced by Tamron in 1973, with a constant aperture through the range.
An 85–210mm f/4.5 telephoto zoom for the Adaptall mount, introduced by Tamron in 1973.
A 16mm f/2.8 special-purpose lens for the Contarex bayonet mount, introduced by Zeiss in 1973.
A 2mm f/2 special-purpose lens for the Canon FL mount, introduced by Canon in 1974.
Canon's 1974 85–300mm f/4.5 telephoto zoom for the Canon FD mount.
A 300mm f/2.8 super-telephoto for the Canon FL mount, introduced by Canon in 1974, for sport and wildlife.
A 35mm f/2.8 wide-angle prime for the Leica R mount, introduced by Leica in 1974.
Leica's 1974 80–200mm f/4.5 telephoto zoom for the Leica R mount.
Nikon's 1974 18mm f/4 ultra-wide prime for the Nikon F mount.
A 20mm f/4 ultra-wide prime for the Nikon F mount, introduced by Nikon in 1974.
Hailed as the first professional-quality close-focusing macro zoom for 35 mm SLRs.
Zeiss's 1974 85mm f/1.4 short telephoto for the Contarex bayonet mount, fast enough for low light and shallow focus.
A 200mm f/2.8 telephoto prime for the Canon FD mount, introduced by Canon in 1975.
Canon's 1975 24mm f/1.4 wide-angle prime for the Canon FD mount.
Canon's 1975 28mm f/2 wide-angle prime for the Canon FD mount.
A 28mm f/2.8 wide-angle prime for the Canon FD mount, introduced by Canon in 1975.
A fluorite telephoto improving on the FL 300 mm f/2.8, aimed at press photographers.
A 300mm f/2.8 super-telephoto for the Canon FD mount, introduced by Canon in 1975, for sport and wildlife.
Canon's 1975 35mm f/3.5 wide-angle prime for the Canon FD mount.
A 400mm f/4.5 super-telephoto for the Canon FD mount, introduced by Canon in 1975, for sport and wildlife.
Canon's 1975 55mm f/1.2 normal prime for the Canon FD mount, fast enough for low light and shallow focus.
A 100mm f/4 short telephoto for the Canon FD mount, introduced by Canon in 1975.
An apochromatic telephoto for the R system, kept in production until 1998.
A 180mm f/3.4 telephoto prime for the Leica R mount, introduced by Leica in 1975, with apochromatic correction.
A 19mm f/2.8 special-purpose lens for the Leica R mount, introduced by Leica in 1975.
Nikon's 1975 105mm f/4.0 macro lens for the Nikon F mount, for close-up work.
Nikon's 1975 1200mm f/11 super-telephoto for the Nikon F mount, for sport and wildlife.
Nikon's 1975 135mm f/2.0 short telephoto for the Nikon F mount, suited to portraits.
A 13mm f/5.6 ultra-wide prime for the Nikon F mount, introduced by Nikon in 1975.
A 200mm f/4.0 telephoto prime for the Nikon F mount, introduced by Nikon in 1975.
Nikon's 1975 28–45mm f/4.5 standard zoom for the Nikon F mount.
Nikon's 1975 600mm f/5.6 super-telephoto for the Nikon F mount, for sport and wildlife.
An 800mm f/8.0 super-telephoto for the Nikon F mount, introduced by Nikon in 1975, for sport and wildlife.
Nikon's 1975 105mm f/4.5 ultraviolet lens for the Nikon F mount.
Nikon's 1975 55mm f/4.0 ultraviolet lens for the Nikon F mount.
Nikon's 1975 28mm f/4 perspective-control lens for the Nikon F mount, for correcting converging lines in architecture.
Pentax's 1975 1000mm f/8 super-telephoto for the Pentax K mount, for sport and wildlife.
Pentax's 1975 105mm f/2.8 short telephoto for the Pentax K mount, suited to portraits.
A 120mm f/2.8 short telephoto for the Pentax K mount, introduced by Pentax in 1975, suited to portraits.
A 135mm f/2.5 short telephoto for the Pentax K mount, introduced by Pentax in 1975, suited to portraits.
Pentax's 1975 135mm f/3.5 short telephoto for the Pentax K mount.
Pentax's 1975 150mm f/4 telephoto prime for the Pentax K mount.
A 15mm f/3.5 ultra-wide prime for the Pentax K mount, introduced by Pentax in 1975.
An 18mm f/3.5 ultra-wide prime for the Pentax K mount, introduced by Pentax in 1975.
A 200mm f/4 telephoto prime for the Pentax K mount, introduced by Pentax in 1975.
A 24mm f/3.5 wide-angle prime for the Pentax K mount, introduced by Pentax in 1975.
A 300mm f/4 super-telephoto for the Pentax K mount, introduced by Pentax in 1975, for sport and wildlife.
A 30mm f/2.8 wide-angle prime for the Pentax K mount, introduced by Pentax in 1975.
A 35mm f/2 wide-angle prime for the Pentax K mount, introduced by Pentax in 1975.
A 35mm f/3.5 wide-angle prime for the Pentax K mount, introduced by Pentax in 1975.
Pentax's 1975 400mm f/5.6 super-telephoto for the Pentax K mount, for sport and wildlife.
A 500mm f/4.5 super-telephoto for the Pentax K mount, introduced by Pentax in 1975, for sport and wildlife.
Pentax's 1975 50mm f/1.2 normal prime for the Pentax K mount, fast enough for low light and shallow focus.
Pentax's 1975 50mm f/1.4 normal prime for the Pentax K mount.
A 55mm f/1.8 normal prime for the Pentax K mount, introduced by Pentax in 1975.
An 85mm f/1.8 short telephoto for the Pentax K mount, introduced by Pentax in 1975, suited to portraits.
A 17mm f/4 fisheye for the Pentax K mount, introduced by Pentax in 1975.
Pentax's 1975 100mm f/4 macro lens for the Pentax K mount, for close-up work.
Pentax's 1975 50mm f/4 macro lens for the Pentax K mount, for close-up work.
A 28mm f/3.5 perspective-control lens for the Pentax K mount, introduced by Pentax in 1975, for correcting converging lines in architecture.
A 135–600mm f/6.7 telephoto zoom for the Pentax K mount, introduced by Pentax in 1975.
Pentax's 1975 28–50mm f/3.5 standard zoom for the Pentax K mount, with a constant aperture through the range.
A 45–125mm f/4 standard zoom for the Pentax K mount, introduced by Pentax in 1975, with a constant aperture through the range.
An 85–210mm f/4.5 telephoto zoom for the Pentax K mount, introduced by Pentax in 1975.
Canon's 1976 135mm f/3.5 short telephoto for the Canon FD mount.
Canon's 1976 28–50mm f/3.5 standard zoom for the Canon FD mount, with a constant aperture through the range.
Canon's 1976 35mm f/2 wide-angle prime for the Canon FD mount.
Canon's 1976 35–70mm f/3.5 standard zoom for the Canon FD mount, with a constant aperture through the range.
A 50mm f/1.8 normal prime for the Canon FD mount, introduced by Canon in 1976.
Canon's 1976 600mm f/4.5 super-telephoto for the Canon FD mount, for sport and wildlife.
An 800mm f/5.6 super-telephoto for the Canon FD mount, introduced by Canon in 1976, for sport and wildlife.
Canon's 1976 80–200mm f/4 telephoto zoom for the Canon FD mount, with a constant aperture through the range.
Canon's 1976 85mm f/1.2 short telephoto for the Canon FD mount, fast enough for low light and shallow focus.
Canon's 1976 85mm f/1.8 short telephoto for the Canon FD mount, suited to portraits.
Leica's 1976 800mm f/8.0 super-telephoto for the Leica R mount, for sport and wildlife.
Ran for more than thirty years almost unchanged and defined the soft, glowing wide-open Leica look.
Made for over thirty years with little change; the defining low-light Leica lens of its era.
An f/2 Summicron for the Leica R reflex system.
A 50mm f/2.0 normal prime for the Leica R mount, introduced by Leica in 1976.
A telephoto zoom for Leica R, designed and made with Minolta.
A low-distortion ultra-wide nicknamed 'The Holy Grail', built only to order.
A 135mm f/2.8 short telephoto for the Nikon F mount, introduced by Nikon in 1976, suited to portraits.
A 180–600mm f/8.0 telephoto zoom for the Nikon F mount, introduced by Nikon in 1976.
One of the first internal-focusing telephotos, so the barrel no longer grew while focusing.
A 400mm f/3.5 super-telephoto for the Nikon F mount, introduced by Nikon in 1976, for sport and wildlife.
Nikon's 1976 600mm f/5.6 super-telephoto for the Nikon F mount, for sport and wildlife.
Made with Nikon glass; among the fastest anamorphic lenses, with T-stops from 1.4 to 1.8.
Built with Nikon glass; the fastest anamorphic lenses available, T1.4 to T1.8.
A 20mm f/4 ultra-wide prime for the Pentax K mount, introduced by Pentax in 1976.
Pentax's 1976 28mm f/2 wide-angle prime for the Pentax K mount.
Pentax's 1976 28mm f/3.5 wide-angle prime for the Pentax K mount.
Pentax's 1976 55mm f/2 normal prime for the Pentax K mount.
An 85–210mm f/3.5 telephoto zoom for the Pentax K mount, introduced by Pentax in 1976, with a constant aperture through the range.
A 105mm f/2.5 short telephoto for the Adaptall mount, introduced by Tamron in 1976, suited to portraits.
Tamron's 1976 135mm f/2.8 short telephoto for the Adaptall mount, suited to portraits.
A 200mm f/3.5 telephoto prime for the Adaptall mount, introduced by Tamron in 1976.
A 200–500mm f/6.9 telephoto zoom for the Adaptall mount, introduced by Tamron in 1976.
A 24mm f/2.5 wide-angle prime for the Adaptall mount, introduced by Tamron in 1976.
Tamron's 1976 28mm f/2.8 wide-angle prime for the Adaptall mount.
Tamron's 1976 300mm f/5.6 super-telephoto for the Adaptall mount, for sport and wildlife.
Tamron's 1976 38–100mm f/3.5 standard zoom for the Adaptall mount, with a constant aperture through the range.
Tamron's 1976 70–350mm f/4.5 telephoto zoom for the Adaptall mount.
Tamron's 1976 75–150mm f/3.5 telephoto zoom for the Adaptall mount, with a constant aperture through the range.
Tamron's 1976 75–150mm f/3.8 telephoto zoom for the Adaptall mount, with a constant aperture through the range.
Tamron's 1976 80–250mm f/3.8–4.5 telephoto zoom for the Adaptall mount.
An 85–210mm f/4.5 telephoto zoom for the Adaptall mount, introduced by Tamron in 1976.
Canon's 1977 28mm f/2.8 wide-angle prime for the Canon FD mount.
A 300mm f/5.6 super-telephoto for the Canon FD mount, introduced by Canon in 1977, for sport and wildlife.
A 35mm f/3.5 wide-angle prime for the Canon FD mount, introduced by Canon in 1977.
The first zoom sold as the standard kit lens of an interchangeable-lens camera, the Fujica AZ-1.
An f/2 Summicron for the Leica R reflex system.
A fast telephoto with internal focusing, from Nikon's first wave of IF-ED lenses.
A 200mm f/2.0 telephoto prime for the Nikon F mount, introduced by Nikon in 1977.
A 20mm f/3.5 ultra-wide prime for the Nikon F mount, introduced by Nikon in 1977.
A 24mm f/2.0 wide-angle prime for the Nikon F mount, introduced by Nikon in 1977.
Nikon's 1977 24mm f/2.8 wide-angle prime for the Nikon F mount.
Nikon's 1977 28mm f/2.8 wide-angle prime for the Nikon F mount.
A 300mm f/2.8 super-telephoto for the Nikon F mount, introduced by Nikon in 1977, for sport and wildlife.
A 300mm f/4.5 super-telephoto for the Nikon F mount, introduced by Nikon in 1977, for sport and wildlife.
Nikon's 1977 35–70mm f/3.5 standard zoom for the Nikon F mount, with a constant aperture through the range.
Nikon's 1977 360–1200mm f/11 telephoto zoom for the Nikon F mount.
A 50–300mm f/4.5 standard zoom for the Nikon F mount, introduced by Nikon in 1977.
Nikon's 1977 600mm f/4.0 super-telephoto for the Nikon F mount, for sport and wildlife.
Nikon's 1977 80–200mm f/4.0 telephoto zoom for the Nikon F mount, with a constant aperture through the range.
An 85mm f/2.0 short telephoto for the Nikon F mount, introduced by Nikon in 1977, suited to portraits.
Nikon's first Noct lens, made from 1977 to 1997 for low-light work.
Nikon's fastest-aperture F-mount lens of its time, produced from 1977 to 1997.
A 200mm f/2.5 telephoto prime for the Pentax K mount, introduced by Pentax in 1977.
Pentax's 1977 24mm f/2.8 wide-angle prime for the Pentax K mount.
Pentax's 1977 1000mm f/11 mirror lens for the Pentax K mount, folding a long focal length into a short barrel.
An 80–200mm f/4.5 telephoto zoom for the Pentax K mount, introduced by Pentax in 1977.
Canon's 1978 24–35mm f/3.5 wide-angle zoom for the Canon FD mount, with a constant aperture through the range.
Canon's 1978 300mm f/4 super-telephoto for the Canon FD mount, for sport and wildlife.
Canon's 1978 500mm f/8 mirror lens for the Canon FD mount, folding a long focal length into a short barrel.
A 100mm f/4.0 macro lens for the Leica R mount, introduced by Leica in 1978, for close-up work.
A long manual-focus macro with internal focusing, so the lens length never changed.
The first soft-focus lens of the Minolta SR system.
Nikon's 1978 15mm f/3.5 ultra-wide prime for the Nikon F mount.
Nikon's 1978 200mm f/4.0 macro lens for the Nikon F mount, for close-up work.
A 300mm f/4.5 super-telephoto for the Nikon F mount, introduced by Nikon in 1978, for sport and wildlife.
A 400mm f/5.6 super-telephoto for the Nikon F mount, introduced by Nikon in 1978, for sport and wildlife.
Nikon's 1978 50mm f/1.2 normal prime for the Nikon F mount.
Nikon's 1978 50mm f/1.8 normal prime for the Nikon F mount.
Nikon's 1978 800mm f/8 super-telephoto for the Nikon F mount, for sport and wildlife.
A 35–80mm f/2.8–3.5 standard zoom for the Adaptall mount, introduced by Tamron in 1978.
Tamron's 1978 75–150mm f/3.5 telephoto zoom for the Adaptall mount, with a constant aperture through the range.
An 80–250mm f/3.8–4.5 telephoto zoom for the Adaptall mount, introduced by Tamron in 1978.
Tamron's 1978 85–210mm f/4.5 telephoto zoom for the Adaptall mount.
Canon's 1979 500mm f/4.5 super-telephoto for the Canon FD mount, for sport and wildlife, in Canon's professional L series.
Canon's 1979 800mm f/5.6 super-telephoto for the Canon FD mount, for sport and wildlife, in Canon's professional L series.
Canon's 1979 100mm f/2.8 short telephoto for the Canon FD mount, suited to portraits.
Canon's 1979 100–200mm f/5.6 telephoto zoom for the Canon FD mount.
A 135mm f/2.8 short telephoto for the Canon FD mount, introduced by Canon in 1979, suited to portraits.
Canon's 1979 135mm f/3.5 short telephoto for the Canon FD mount.
Canon's 1979 17mm f/4 ultra-wide prime for the Canon FD mount.
Canon's 1979 200mm f/2.8 telephoto prime for the Canon FD mount.
A 200mm f/4 telephoto prime for the Canon FD mount, introduced by Canon in 1979.
Canon's 1979 20mm f/2.8 ultra-wide prime for the Canon FD mount.
Canon's 1979 24mm f/1.4 wide-angle prime for the Canon FD mount.
Canon's 1979 24mm f/2 wide-angle prime for the Canon FD mount.
A 24mm f/2.8 wide-angle prime for the Canon FD mount, introduced by Canon in 1979.
A 24–35mm f/3.5 wide-angle zoom for the Canon FD mount, introduced by Canon in 1979, with a constant aperture through the range.
A 28mm f/2 wide-angle prime for the Canon FD mount, introduced by Canon in 1979.
A 28mm f/2.8 wide-angle prime for the Canon FD mount, introduced by Canon in 1979.
Canon's 1979 28–50mm f/3.5 standard zoom for the Canon FD mount, with a constant aperture through the range.
A 300mm f/4 super-telephoto for the Canon FD mount, introduced by Canon in 1979, for sport and wildlife.
A 300mm f/5.6 super-telephoto for the Canon FD mount, introduced by Canon in 1979, for sport and wildlife.
A 35mm f/2 wide-angle prime for the Canon FD mount, introduced by Canon in 1979.
Canon's 1979 35–70mm f/3.5 standard zoom for the Canon FD mount, with a constant aperture through the range.
A 35–70mm f/4 standard zoom for the Canon FD mount, introduced by Canon in 1979, with a constant aperture through the range.
Canon's 1979 50mm f/1.4 normal prime for the Canon FD mount.
Canon's 1979 50mm f/1.8 normal prime for the Canon FD mount.
A 70–150mm f/4.5 telephoto zoom for the Canon FD mount, introduced by Canon in 1979.
An 80–200mm f/4 telephoto zoom for the Canon FD mount, introduced by Canon in 1979, with a constant aperture through the range.
Canon's 1979 85mm f/1.8 short telephoto for the Canon FD mount, suited to portraits.
Canon's 1979 7.5mm f/5.6 fisheye for the Canon FD mount.
A 100mm f/4 macro lens for the Canon FD mount, introduced by Canon in 1979, for close-up work.
Canon's 1979 50mm f/3.5 macro lens for the Canon FD mount, for close-up work.
A tiny Mangin-mirror telephoto, roughly the size of a fast 50 mm lens.
A 1200mm f/11 super-telephoto for the Nikon F mount, introduced by Nikon in 1979, for sport and wildlife.
A 16mm f/2.8 special-purpose lens for the Nikon F mount, introduced by Nikon in 1979.
Nikon's 1979 25–50mm f/4.0 standard zoom for the Nikon F mount, with a constant aperture through the range.
Nikon's 1979 55mm f/2.8 macro lens for the Nikon F mount, for close-up work.
A 100mm f/2.8 short telephoto for the Nikon F mount, introduced by Nikon in 1979, suited to portraits.
A 28mm f/2.8 wide-angle prime for the Nikon F mount, introduced by Nikon in 1979.
Nikon's 1979 35mm f/2.5 wide-angle prime for the Nikon F mount.
Nikon's 1979 50mm f/1.8 normal prime for the Nikon F mount.
Pentax's 1979 2000mm f/13.5 mirror lens for the Pentax K mount, folding a long focal length into a short barrel.
Sigma calls it the world's first wide-angle zoom starting at 21 mm.
A 135mm f/2.5 short telephoto for the Adaptall-2 mount, introduced by Tamron in 1979, suited to portraits.
Tamron's 1979 17mm f/3.5 ultra-wide prime for the Adaptall-2 mount.
A 200mm f/3.5 telephoto prime for the Adaptall-2 mount, introduced by Tamron in 1979.
A 200–500mm f/6.9 telephoto zoom for the Adaptall-2 mount, introduced by Tamron in 1979.
A 24mm f/2.5 wide-angle prime for the Adaptall-2 mount, introduced by Tamron in 1979.
A 28mm f/2.5 wide-angle prime for the Adaptall-2 mount, introduced by Tamron in 1979.
A 300mm f/5.6 super-telephoto for the Adaptall-2 mount, introduced by Tamron in 1979, for sport and wildlife.
Tamron's 1979 500mm f/8 special-purpose lens for the Adaptall-2 mount.
Tamron's 1979 70–210mm f/3.5–4 telephoto zoom for the Adaptall-2 mount.
A 70–350mm f/4.5 telephoto zoom for the Adaptall-2 mount, introduced by Tamron in 1979.
Tamron's 1979 75–250mm f/3.8–4.5 telephoto zoom for the Adaptall-2 mount.
An 80–210mm f/3.8–4 telephoto zoom for the Adaptall-2 mount, introduced by Tamron in 1979.
A 90mm f/2.5 macro lens for the Adaptall-2 mount, introduced by Tamron in 1979, for close-up work.
Canon's 1980 100mm f/2 short telephoto for the Canon FD mount, suited to portraits.
Canon's 1980 100–300mm f/5.6 telephoto zoom for the Canon FD mount.
A 135mm f/2 short telephoto for the Canon FD mount, introduced by Canon in 1980, suited to portraits.
A 300mm f/4 super-telephoto for the Canon FD mount, introduced by Canon in 1980, for sport and wildlife.
The L-series fast standard lens of Canon's manual-focus New FD range.
Canon's 1980 50mm f/1.2 normal prime for the Canon FD mount, fast enough for low light and shallow focus.
A 50mm f/2 normal prime for the Canon FD mount, introduced by Canon in 1980.
Canon's 1980 70–210mm f/4 telephoto zoom for the Canon FD mount, with a constant aperture through the range.
A fast portrait lens from Canon's manual-focus New FD range.
Canon's 1980 85mm f/1.2 short telephoto for the Canon FD mount, fast enough for low light and shallow focus.
Canon's 1980 15mm f/2.8 fisheye for the Canon FD mount.
Canon's 1980 500mm f/8 mirror lens for the Canon FD mount, folding a long focal length into a short barrel.
A 90mm f/2.8 short telephoto for the Leica R mount, introduced by Leica in 1980, suited to portraits.
A 60mm f/2.8 macro lens for the Leica R mount, introduced by Leica in 1980, for close-up work.
Leica's 1980 80mm f/1.4 short telephoto for the Leica R mount.
An ultra-wide for Leica R, computed by Zeiss.
Leica's 1980 350mm f/4.8 super-telephoto for the Leica R mount, for sport and wildlife.
The multicoated Helios-44M, with better contrast and colour than the single-coated originals.
A 75–150mm f/3.5 telephoto zoom for the Nikon F mount, introduced by Nikon in 1980, with a constant aperture through the range.
Tamron's 1980 24–48mm f/3.5–3.8 standard zoom for the Adaptall-2 mount.
A 28–50mm f/3.5–4.5 standard zoom for the Adaptall-2 mount, introduced by Tamron in 1980.
Tamron's 1980 35–70mm f/3.5–4.5 standard zoom for the Adaptall-2 mount.
A 35–80mm f/2.8–3.8 standard zoom for the Adaptall-2 mount, introduced by Tamron in 1980.
Tamron's 1980 70–150mm f/2.8 special-purpose lens for the Adaptall-2 mount.
A 70–150mm f/3.5 telephoto zoom for the Adaptall-2 mount, introduced by Tamron in 1980, with a constant aperture through the range.
Canon's 1981 300mm f/2.8 super-telephoto for the Canon FD mount, for sport and wildlife, in Canon's professional L series.
Canon's 1981 35–105mm f/3.5 standard zoom for the Canon FD mount, with a constant aperture through the range.
Canon's 1981 35–70mm f/4 standard zoom for the Canon FD mount, with a constant aperture through the range.
A 400mm f/2.8 super-telephoto for the Canon FD mount, introduced by Canon in 1981, for sport and wildlife.
Canon's 1981 400mm f/4.5 super-telephoto for the Canon FD mount, for sport and wildlife.
Canon's 1981 500mm f/4.5 super-telephoto for the Canon FD mount, for sport and wildlife, in Canon's professional L series.
Canon's 1981 50–135mm f/3.5 standard zoom for the Canon FD mount, with a constant aperture through the range.
Canon's 1981 600mm f/4.5 super-telephoto for the Canon FD mount, for sport and wildlife.
An 800mm f/5.6 super-telephoto for the Canon FD mount, introduced by Canon in 1981, for sport and wildlife.
Canon's 1981 85–300mm f/4.5 telephoto zoom for the Canon FD mount.
A 200mm f/4 macro lens for the Canon FD mount, introduced by Canon in 1981, for close-up work.
A 105mm f/1.8 short telephoto for the Nikon F mount, introduced by Nikon in 1981, suited to portraits.
Nikon's 1981 180mm f/2.8 telephoto prime for the Nikon F mount.
Nikon's 1981 18mm f/3.5 ultra-wide prime for the Nikon F mount.
Nikon's 1981 85mm f/1.4 short telephoto for the Nikon F mount, fast enough for low light and shallow focus.
A 120mm f/4.0 medical lens for the Nikon F mount, introduced by Nikon in 1981.
Nikon's 1981 135mm f/2.8 short telephoto for the Nikon F mount, suited to portraits.
A 36–72mm f/3.5 standard zoom for the Nikon F mount, introduced by Nikon in 1981, with a constant aperture through the range.
A 70–210mm f/4.0 telephoto zoom for the Nikon F mount, introduced by Nikon in 1981, with a constant aperture through the range.
A 28mm f/3.5 perspective-control lens for the Nikon F mount, introduced by Nikon in 1981, for correcting converging lines in architecture.
A 350mm f/5.6 special-purpose lens for the Adaptall-2 mount, introduced by Tamron in 1981.
Tamron's 1981 75–250mm f/3.8–4.5 telephoto zoom for the Adaptall-2 mount.
An 80–210mm f/3.8–4 telephoto zoom for the Adaptall-2 mount, introduced by Tamron in 1981.
A 14mm f/2.8 ultra-wide prime for the Canon FD mount, introduced by Canon in 1982, in Canon's professional L series.
A 150–600mm f/5.6 telephoto zoom for the Canon FD mount, introduced by Canon in 1982, in Canon's professional L series.
Canon's 1982 200mm f/2.8 telephoto prime for the Canon FD mount.
A 50–300mm f/4.5 standard zoom for the Canon FD mount, introduced by Canon in 1982, in Canon's professional L series.
A metal-bodied, mechanically upgraded screw-in anamorphic adapter of the Iscorama family.
A 50–135mm f/3.5 standard zoom for the Nikon F mount, introduced by Nikon in 1982, with a constant aperture through the range.
An 80–200mm f/2.8 telephoto zoom for the Nikon F mount, introduced by Nikon in 1982, with a constant aperture through the range.
Tamron's 1982 35–135mm f/3.5–4.2 standard zoom for the Adaptall-2 mount.
Tamron's 1982 35–70mm f/3.5 standard zoom for the Adaptall-2 mount, with a constant aperture through the range.
Tamron's 1982 70–150mm f/3.5 telephoto zoom for the Adaptall-2 mount, with a constant aperture through the range.
Canon's 1983 28–55mm f/3.5–4.5 standard zoom for the Canon FD mount.
A 35–70mm f/3.5–4.5 standard zoom for the Canon FD mount, introduced by Canon in 1983.
An 85mm f/2.8 soft-focus lens for the Canon FD mount, introduced by Canon in 1983.
A 35–70mm f/3.5 standard zoom for the Leica R mount, introduced by Leica in 1983, with a constant aperture through the range.
Nikon's 1983 105mm f/2.8 macro lens for the Nikon F mount, for close-up work.
Nikon's 1983 200mm f/3.5 telephoto prime for the Nikon F mount.
A 200–400mm f/4.0 telephoto zoom for the Nikon F mount, introduced by Nikon in 1983, with a constant aperture through the range.
A 300mm f/2.0 super-telephoto for the Nikon F mount, introduced by Nikon in 1983, for sport and wildlife.
A 35–105mm f/3.5–4.5 standard zoom for the Nikon F mount, introduced by Nikon in 1983.
An 80mm f/2.8 short telephoto for the Nikon F mount, introduced by Nikon in 1983, suited to portraits.
Tamron's 1983 28–135mm f/4–4.5 standard zoom for the Adaptall-2 mount.
Tamron's 1983 28–80mm f/3.5–4.2 standard zoom for the Adaptall-2 mount.
A 300mm f/2.8 super-telephoto for the Adaptall-2 mount, introduced by Tamron in 1983, for sport and wildlife.
Tamron's 1983 35–210mm f/3.5–4.2 standard zoom for the Adaptall-2 mount.
Tamron's 1983 500mm f/8 special-purpose lens for the Adaptall-2 mount.
A 60–300mm f/3.8–5.4 telephoto zoom for the Adaptall-2 mount, introduced by Tamron in 1983.
A 20–35mm f/3.5 wide-angle zoom for the Canon FD mount, introduced by Canon in 1984, with a constant aperture through the range.
Canon's 1984 75–200mm f/4.5 telephoto zoom for the Canon FD mount.
A fast apochromatic telephoto for the R system, made from 1984 to 1997.
A 280mm f/2.8 telephoto prime for the Leica R mount, introduced by Leica in 1984, with apochromatic correction.
Leica's 1984 35mm f/1.4 wide-angle prime for the Leica R mount.
A 70–210mm f/4.0 telephoto zoom for the Leica R mount, introduced by Leica in 1984, with a constant aperture through the range.
A 100–300mm f/5.6 telephoto zoom for the Nikon F mount, introduced by Nikon in 1984.
Nikon's 1984 20mm f/2.8 ultra-wide prime for the Nikon F mount.
A 28–50mm f/3.5 standard zoom for the Nikon F mount, introduced by Nikon in 1984, with a constant aperture through the range.
A 35–135mm f/3.5–4.5 standard zoom for the Nikon F mount, introduced by Nikon in 1984.
A 35–70mm f/3.3–4.5 standard zoom for the Nikon F mount, introduced by Nikon in 1984.
Pentax's 1984 400–600mm f/8–12 mirror lens for the Pentax K mount.
A 200–500mm f/5.6 telephoto zoom for the Adaptall-2 mount, introduced by Tamron in 1984.
A 300mm f/2.8 super-telephoto for the Adaptall-2 mount, introduced by Tamron in 1984, for sport and wildlife.
A 70–210mm f/3.5 telephoto zoom for the Adaptall-2 mount, introduced by Tamron in 1984, with a constant aperture through the range.
A 100–300mm f/5.6 telephoto zoom for the Canon FD mount, introduced by Canon in 1985, in Canon's professional L series.
Canon's 1985 28–85mm f/4 standard zoom for the Canon FD mount, with a constant aperture through the range.
Canon's 1985 35–105mm f/3.5–4.5 standard zoom for the Canon FD mount.
Canon's 1985 80–200mm f/4 telephoto zoom for the Canon FD mount, with a constant aperture through the range.
The first very large-ratio zoom for still cameras.
Minolta's 1985 135mm f/2.8 short telephoto for the Minolta/Sony A mount, suited to portraits.
Minolta's 1985 24mm f/2.8 wide-angle prime for the Minolta/Sony A mount.
Minolta's 1985 28mm f/2.8 wide-angle prime for the Minolta/Sony A mount.
A 2mm f/2 special-purpose lens for the Minolta/Sony A mount, introduced by Minolta in 1985.
A fast normal prime for the Minolta AF mount, later made by Sony.
Minolta's 1985 50mm f/1.4 normal prime for the Minolta/Sony A mount, fast enough for low light and shallow focus.
A 50mm f/1.7 normal prime for the Minolta/Sony A mount, introduced by Minolta in 1985.
An early autofocus telephoto zoom, widely known as the 'beercan'.
An apochromatic professional telephoto made by Minolta and then by Sony until 2022.
Minolta's 1985 300mm f/2.8 super-telephoto for the Minolta/Sony A mount, for sport and wildlife, with apochromatic correction.
Minolta's 1985 600mm f/4 super-telephoto for the Minolta/Sony A mount, for sport and wildlife, with apochromatic correction.
Minolta's 1985 50mm f/2.8 macro lens for the Minolta/Sony A mount, for close-up work.
A 28–135mm f/4–4.5 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 1985.
Minolta's 1985 28–85mm f/3.5–4.5 standard zoom for the Minolta/Sony A mount.
A 35–105mm f/3.5–4.5 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 1985.
Minolta's 1985 35–70mm f/4 standard zoom for the Minolta/Sony A mount, with a constant aperture through the range.
Minolta's 1985 70–210mm f/4 telephoto zoom for the Minolta/Sony A mount, with a constant aperture through the range.
A 75–300mm f/4.5–5.6 telephoto zoom for the Minolta/Sony A mount, introduced by Minolta in 1985.
Nikon's 1985 28–85mm f/3.5–4.5 standard zoom for the Nikon F mount.
A 35–200mm f/3.5–4.5 standard zoom for the Nikon F mount, introduced by Nikon in 1985.
Nikon's 1985 400mm f/2.8 super-telephoto for the Nikon F mount, for sport and wildlife.
Tamron's 1985 35–135mm f/3.5–4.5 standard zoom for the Adaptall-2 mount.
Tamron's 1985 80–200mm f/2.8 telephoto zoom for the Adaptall-2 mount, with a constant aperture through the range.
The first ultra-compact telephoto zoom, about half the size of earlier 70-210 mm lenses.
A 1.4mm f/1.4 special-purpose lens for the Minolta/Sony A mount, introduced by Minolta in 1986, with apochromatic correction.
Minolta's 1986 20mm f/2.8 ultra-wide prime for the Minolta/Sony A mount.
A 28mm f/2 wide-angle prime for the Minolta/Sony A mount, introduced by Minolta in 1986.
Minolta's 1986 200mm f/2.8 telephoto prime for the Minolta/Sony A mount, with apochromatic correction.
A 300mm f/2.8 super-telephoto for the Minolta/Sony A mount, introduced by Minolta in 1986, for sport and wildlife, with apochromatic correction.
Minolta's 1986 16mm f/2.8 fisheye for the Minolta/Sony A mount.
A sharp true 1:1 macro that doubled as a portrait lens.
Minolta's 1986 100mm f/2.8 macro lens for the Minolta/Sony A mount, for close-up work.
Minolta's 1986 100–200mm f/4.5 telephoto zoom for the Minolta/Sony A mount.
Nikon's 1986 180mm f/2.8 telephoto prime for the Nikon F mount.
A 24mm f/2.8 wide-angle prime for the Nikon F mount, introduced by Nikon in 1986.
Nikon's 1986 28mm f/2.8 wide-angle prime for the Nikon F mount.
Nikon's 1986 300mm f/2.8 super-telephoto for the Nikon F mount, for sport and wildlife.
Nikon's 1986 50mm f/1.4 normal prime for the Nikon F mount, fast enough for low light and shallow focus.
Nikon's 1986 50mm f/1.8 normal prime for the Nikon F mount.
Nikon's 1986 55mm f/2.8 macro lens for the Nikon F mount, for close-up work.
An 800mm f/5.6 super-telephoto for the Nikon F mount, introduced by Nikon in 1986, for sport and wildlife.
An 85mm f/2.2–5.6 soft-focus lens for the Pentax K mount, introduced by Pentax in 1986.
A 28–70mm f/3.5–4.5 standard zoom for the Adaptall-2 mount, introduced by Tamron in 1986.
A 70–210mm f/3.8–4 telephoto zoom for the Adaptall-2 mount, introduced by Tamron in 1986.
Canon's 1987 100–300mm f/5.6 telephoto zoom for the Canon EF mount.
A telephoto with a moving aspherical element to vary the soft-focus effect.
A 135mm f/2.8 soft-focus lens for the Canon EF mount, introduced by Canon in 1987.
A full-frame fisheye sold by Canon from 1987 to 2011.
Canon's 1987 15mm f/2.8 fisheye for the Canon EF mount.
Canon's 1987 28mm f/2.8 wide-angle prime for the Canon EF mount.
A fluorite and UD-glass super-telephoto used by professionals worldwide.
A 300mm f/2.8 super-telephoto for the Canon EF mount, introduced by Canon in 1987, for sport and wildlife.
A 35–105mm f/3.5–4.5 standard zoom for the Canon EF mount, introduced by Canon in 1987.
Canon's 1987 35–70mm f/3.5–4.5 standard zoom for the Canon EF mount.
A compact six-element standard lens from the first year of the EOS system.
A light half-size macro that also works as a portrait lens.
Canon's 1987 50mm f/2.5 macro lens for the Canon EF mount, for close-up work.
A 50mm f/1.8 normal prime for the Canon EF mount, introduced by Canon in 1987.
A 50–200mm f/3.5–4.5 standard zoom for the Canon EF mount, introduced by Canon in 1987.
A 70–210mm f/4 telephoto zoom for the Canon EF mount, introduced by Canon in 1987, with a constant aperture through the range.
A 100mm f/2.8 macro lens for the Leica R mount, introduced by Leica in 1987, for close-up work, with apochromatic correction.
Leica's 1987 90mm f/2.0 short telephoto for the Leica R mount, suited to portraits.
A 100mm f/2 short telephoto for the Minolta/Sony A mount, introduced by Minolta in 1987, suited to portraits.
Minolta's 1987 2mm f/2 special-purpose lens for the Minolta/Sony A mount, with apochromatic correction.
A fast wide-angle for the Minolta AF system, revised as a G lens in 1998.
Minolta's 1987 35mm f/1.4 wide-angle prime for the Minolta/Sony A mount, fast enough for low light and shallow focus.
Minolta's 1987 35mm f/2 wide-angle prime for the Minolta/Sony A mount.
Minolta's 1987 85mm f/1.4 short telephoto for the Minolta/Sony A mount, fast enough for low light and shallow focus.
An 80–200mm f/2.8 telephoto zoom for the Minolta/Sony A mount, introduced by Minolta in 1987, with a constant aperture through the range.
A 24–50mm f/4 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 1987, with a constant aperture through the range.
Minolta's 1987 28–80mm f/3.5–5.6 standard zoom for the Minolta/Sony A mount.
Nikon's 1987 24–50mm f/3.3–4.5 standard zoom for the Nikon F mount.
A 300mm f/4.0 super-telephoto for the Nikon F mount, introduced by Nikon in 1987, for sport and wildlife.
Nikon's 1987 35–70mm f/2.8 standard zoom for the Nikon F mount, with a constant aperture through the range.
An 80–200mm f/2.8 telephoto zoom for the Nikon F mount, introduced by Nikon in 1987, with a constant aperture through the range.
Tamron's 1987 70–210mm f/4 telephoto zoom for the Adaptall-2 mount, with a constant aperture through the range.
A telephoto zoom for the Canon EOS system.
A 100–200mm f/4.5 telephoto zoom for the Canon EF mount, introduced by Canon in 1988.
The world's fastest 200 mm telephoto at the time of its launch.
A 200mm f/1.8 telephoto prime for the Canon EF mount, introduced by Canon in 1988, in Canon's professional L series.
A 24mm f/2.8 wide-angle prime for the Canon EF mount, introduced by Canon in 1988.
Canon's 1988 28–70mm f/3.5–4.5 standard zoom for the Canon EF mount.
A 35–135mm f/3.5–4.5 standard zoom for the Canon EF mount, introduced by Canon in 1988.
A 35–70mm f/3.5–4.5 standard zoom for the Canon EF mount, introduced by Canon in 1988.
A 50–200mm f/3.5–4.5 standard zoom for the Canon EF mount, introduced by Canon in 1988, in Canon's professional L series.
An EF super-telephoto built with UD and fluorite elements.
Canon's 1988 600mm f/4 super-telephoto for the Canon EF mount, for sport and wildlife, in Canon's professional L series.
Leica's 1988 28mm f/2.8 perspective-control lens for the Leica R mount, for correcting converging lines in architecture.
A 1.4mm f/1.4 special-purpose lens for the Minolta/Sony A mount, introduced by Minolta in 1988, with apochromatic correction.
Minolta's 1988 2mm f/2 special-purpose lens for the Minolta/Sony A mount, with apochromatic correction.
Minolta's 1988 200mm f/2.8 telephoto prime for the Minolta/Sony A mount, with apochromatic correction.
Minolta's 1988 300mm f/2.8 super-telephoto for the Minolta/Sony A mount, for sport and wildlife, with apochromatic correction.
Minolta's 1988 600mm f/4 super-telephoto for the Minolta/Sony A mount, for sport and wildlife, with apochromatic correction.
A 100–300mm f/4.5–5.6 telephoto zoom for the Minolta/Sony A mount, introduced by Minolta in 1988.
A 35–105mm f/3.5–4.5 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 1988.
A 35–80mm f/4–5.6 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 1988.
Minolta's 1988 70–210mm f/3.5–4.5 telephoto zoom for the Minolta/Sony A mount.
Minolta's 1988 80–200mm f/4.5–5.6 telephoto zoom for the Minolta/Sony A mount.
A 500mm f/4.0 super-telephoto for the Nikon F mount, introduced by Nikon in 1988, for sport and wildlife.
Nikon's 1988 85mm f/1.8 short telephoto for the Nikon F mount, suited to portraits.
Tamron's 1988 180mm f/2.5 telephoto prime for the Adaptall-2 mount.
A 28–70mm f/3.5–4.5 standard zoom for the Adaptall-2 mount, introduced by Tamron in 1988.
Tamron's 1988 400mm f/4 super-telephoto for the Adaptall-2 mount, for sport and wildlife.
Tamron's 1988 70–210mm f/4–5.6 telephoto zoom for the Adaptall-2 mount.
A 90mm f/2.5 macro lens for the Adaptall-2 mount, introduced by Tamron in 1988, for close-up work.
A 20–35mm f/2.8 wide-angle zoom for the Canon EF mount, introduced by Canon in 1989, with a constant aperture through the range.
An early fast L-series standard zoom for the EOS system.
Canon's 1989 28–80mm f/2.8–4 standard zoom for the Canon EF mount, in Canon's professional L series.
The largest-aperture SLR lens in the world when it was launched.
Canon's 1989 50mm f/1 normal prime for the Canon EF mount.
A fast L-series telephoto zoom for the EOS system.
Canon's 1989 80–200mm f/2.8 telephoto zoom for the Canon EF mount, with a constant aperture through the range.
Canon called it the fastest 85 mm telephoto in its class.
Canon's 1989 85mm f/1.2 short telephoto for the Canon EF mount.
A very fast telephoto from Canon's manual-focus New FD range.
A 200mm f/1.8 telephoto prime for the Canon FD mount, introduced by Canon in 1989, in Canon's professional L series.
A catadioptric mirror lens for the Minolta and Sony A mounts.
Minolta's 1989 500mm f/8 mirror lens for the Minolta/Sony A mount.
Nikon's 1989 20mm f/2.8 ultra-wide prime for the Nikon F mount.
A 35mm f/2.0 wide-angle prime for the Nikon F mount, introduced by Nikon in 1989.
A 60mm f/2.8 macro lens for the Nikon F mount, introduced by Nikon in 1989, for close-up work.
Panavision's high-contrast spherical prime line; the related Primo 3:1 zoom won a technical Oscar.
Large, heavy and colour-matched; the sharpest of Panavision's anamorphic series.
A 17mm f/3.5 ultra-wide prime for the Adaptall-2 mount, introduced by Tamron in 1989.
A 24mm f/2.5 wide-angle prime for the Adaptall-2 mount, introduced by Tamron in 1989.
Canon's 1990 100mm f/2.8 macro lens for the Canon EF mount, for close-up work.
Canon's 1990 100–300mm f/4.5–5.6 telephoto zoom for the Canon EF mount.
A 35mm f/2 wide-angle prime for the Canon EF mount, introduced by Canon in 1990.
Canon's 1990 35–135mm f/4–5.6 standard zoom for the Canon EF mount.
A 35–80mm f/4–5.6 standard zoom for the Canon EF mount, introduced by Canon in 1990, with a power zoom for video.
At 130 g the lightest EF lens of all, a cheap and very common standard lens.
A 50mm f/1.8 normal prime for the Canon EF mount, introduced by Canon in 1990.
Canon's 1990 70–210mm f/3.5–4.5 telephoto zoom for the Canon EF mount.
Canon's 1990 80–200mm f/4.5–5.6 telephoto zoom for the Canon EF mount.
Leica's 1990 28–70mm f/3.5–4.5 standard zoom for the Leica R mount.
Minolta's 1990 50mm f/1.7 normal prime for the Minolta/Sony A mount.
Minolta's 1990 3mm f/1.7–2.8 macro lens for the Minolta/Sony A mount, for close-up work.
A 105mm f/2.8 macro lens for the Nikon F mount, introduced by Nikon in 1990, for close-up work.
A 1200–1700mm f/5.6–8.0 telephoto zoom for the Nikon F mount, introduced by Nikon in 1990.
A 135mm f/2.0 short telephoto for the Nikon F mount, introduced by Nikon in 1990, suited to portraits.
A 100mm f/2 short telephoto for the Canon EF mount, introduced by Canon in 1991, suited to portraits.
The shortest focal length in the L series, with an aspherical element against distortion.
A 14mm f/2.8 ultra-wide prime for the Canon EF mount, introduced by Canon in 1991, in Canon's professional L series.
A 200mm f/2.8 telephoto prime for the Canon EF mount, introduced by Canon in 1991, in Canon's professional L series.
A 28–80mm f/3.5–5.6 standard zoom for the Canon EF mount, introduced by Canon in 1991.
A 300mm f/4 super-telephoto for the Canon EF mount, introduced by Canon in 1991, for sport and wildlife.
A large-aperture EF super-telephoto for sport and wildlife.
Canon's 1991 400mm f/2.8 super-telephoto for the Canon EF mount, for sport and wildlife, in Canon's professional L series.
Canon's 1991 75–300mm f/4–5.6 telephoto zoom for the Canon EF mount, with optical stabilisation.
The original EF tilt-shift wide-angle; its version II arrived in 2009.
A 24mm f/3.5 perspective-control lens for the Canon EF mount, introduced by Canon in 1991, for correcting converging lines in architecture.
A standard-length manual-focus tilt-shift lens for EOS cameras.
Canon's 1991 45mm f/2.8 perspective-control lens for the Canon EF mount, for correcting converging lines in architecture.
A short-telephoto tilt-shift lens for EOS cameras.
A 90mm f/2.8 perspective-control lens for the Canon EF mount, introduced by Canon in 1991, for correcting converging lines in architecture.
A 35–80mm f/4–5.6 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 1991, with a power zoom for video.
A 100–300mm f/4.5–5.6 telephoto zoom for the Minolta/Sony A mount, introduced by Minolta in 1991.
A 28–105mm f/3.5–4.5 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 1991.
Minolta's 1991 28–80mm f/4–5.6 standard zoom for the Minolta/Sony A mount.
Minolta's 1991 35–200mm f/4.5–5.6 standard zoom for the Minolta/Sony A mount.
Minolta's 1991 80–200mm f/4.5–5.6 telephoto zoom for the Minolta/Sony A mount.
A 28–70mm f/3.5–4.5 standard zoom for the Adaptall-2 mount, introduced by Tamron in 1991.
A 35–105mm f/2.8 standard zoom for the Adaptall-2 mount, introduced by Tamron in 1991, with a constant aperture through the range.
Tamron's 1991 70–210mm f/4–5.6 telephoto zoom for the Adaptall-2 mount.
Canon's 1992 20mm f/2.8 ultra-wide prime for the Canon EF mount.
A 28–105mm f/3.5–4.5 standard zoom for the Canon EF mount, introduced by Canon in 1992.
Canon's 1992 35–105mm f/4.5–5.6 standard zoom for the Canon EF mount.
A 35–80mm f/4–5.6 standard zoom for the Canon EF mount, introduced by Canon in 1992.
A 500mm f/4.5 super-telephoto for the Canon EF mount, introduced by Canon in 1992, for sport and wildlife.
An 80–200mm f/4.5–5.6 telephoto zoom for the Canon EF mount, introduced by Canon in 1992.
A practical, portable medium telephoto designed for pleasing background blur.
Canon's 1992 85mm f/1.8 short telephoto for the Canon EF mount, suited to portraits.
Leica's 1992 400mm f/2.8 super-telephoto for the Leica R mount, for sport and wildlife, with apochromatic correction.
Minolta's 1992 28–85mm f/3.5–4.5 standard zoom for the Minolta/Sony A mount.
A 24–50mm f/4 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 1992, with a constant aperture through the range.
Nikon's 1992 300mm f/2.8 super-telephoto for the Nikon F mount, for sport and wildlife.
Nikon's 1992 600mm f/4 super-telephoto for the Nikon F mount, for sport and wildlife.
A super-telephoto prime giving a 1920 mm view on Canon's 1.6x crop bodies.
Canon's 1993 1200mm f/5.6 super-telephoto for the Canon EF mount, for sport and wildlife, in Canon's professional L series.
Canon's 1993 20–35mm f/3.5–4.5 wide-angle zoom for the Canon EF mount.
A professional wide-to-normal zoom for the Canon EF mount.
Canon's 1993 28–70mm f/2.8 standard zoom for the Canon EF mount, with a constant aperture through the range.
A 28–80mm f/3.5–5.6 standard zoom for the Canon EF mount, introduced by Canon in 1993.
A 35–350mm f/3.5–5.6 superzoom for the Canon EF mount, introduced by Canon in 1993, in Canon's professional L series.
Canon's 1993 400mm f/5.6 super-telephoto for the Canon EF mount, for sport and wildlife, in Canon's professional L series.
Canon's standard EOS lens, based on the optical concept of the FD 50 mm f/1.4.
Canon's 1993 50mm f/1.4 normal prime for the Canon EF mount.
Leica's 1993 280mm f/4.0 telephoto prime for the Leica R mount, with apochromatic correction.
A 20mm f/2.8 ultra-wide prime for the Minolta/Sony A mount, introduced by Minolta in 1993.
Minolta's 1993 85mm f/1.4 short telephoto for the Minolta/Sony A mount, fast enough for low light and shallow focus.
Minolta's 1993 100–300mm f/4.5–5.6 telephoto zoom for the Minolta/Sony A mount, with apochromatic correction.
Minolta's 1993 100mm f/2.8 macro lens for the Minolta/Sony A mount, for close-up work.
Minolta's 1993 50mm f/2.8 macro lens for the Minolta/Sony A mount, for close-up work.
A 28–80mm f/4–5.6 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 1993.
Minolta's 1993 24–85mm f/3.5–4.5 standard zoom for the Minolta/Sony A mount.
A 28–70mm f/2.8 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 1993, with a constant aperture through the range.
A 35–70mm f/3.5–4.5 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 1993.
Minolta's 1993 70–210mm f/4.5–5.6 telephoto zoom for the Minolta/Sony A mount.
Minolta's 1993 80–200mm f/2.8 telephoto zoom for the Minolta/Sony A mount, with a constant aperture through the range, with apochromatic correction.
Nikon's 1993 105mm f/2.0 short telephoto for the Nikon F mount, suited to portraits.
A 16mm f/2.8 fisheye for the Nikon F mount, introduced by Nikon in 1993.
A 200mm f/4 macro lens for the Nikon F mount, introduced by Nikon in 1993, for close-up work.
Nikon's 1993 20–35mm f/2.8 wide-angle zoom for the Nikon F mount, with a constant aperture through the range.
Nikon's 1993 28mm f/1.4 wide-angle prime for the Nikon F mount.
Tamron's 1993 300mm f/2.8 super-telephoto for the Adaptall-2 mount, for sport and wildlife.
Leica's 1994 180mm f/2.0 telephoto prime for the Leica R mount, with apochromatic correction.
A 28mm f/2.8 wide-angle prime for the Leica R mount, introduced by Leica in 1994.
A 24mm f/2.8 wide-angle prime for the Minolta/Sony A mount, introduced by Minolta in 1994.
A 100mm f/2.8 soft-focus lens for the Minolta/Sony A mount, introduced by Minolta in 1994.
A 28–105mm f/3.5–4.5 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 1994.
Minolta's 1994 300mm f/4 super-telephoto for the Minolta/Sony A mount, for sport and wildlife, with apochromatic correction.
An 18mm f/2.8 ultra-wide prime for the Nikon F mount, introduced by Nikon in 1994.
Nikon's 1994 400mm f/2.8 super-telephoto for the Nikon F mount, for sport and wildlife.
Nikon's 1994 500mm f/4.0 super-telephoto for the Nikon F mount, for sport and wildlife.
A 28–200mm f/3.5–5.6 standard zoom for the Adaptall-2 mount, introduced by Tamron in 1994.
A 28mm f/2.8 wide-angle prime for the Contax G mount, introduced by Zeiss in 1994.
A recomputed Hologon ultra-wide for the Contax G rangefinders.
A 45mm f/2.0 normal prime for the Contax G mount, introduced by Zeiss in 1994.
Zeiss's 1994 90mm f/2.8 short telephoto for the Contax G mount, suited to portraits.
Canon's 1995 28mm f/1.8 wide-angle prime for the Canon EF mount.
A 28–80mm f/3.5–5.6 standard zoom for the Canon EF mount, introduced by Canon in 1995.
Canon's 1995 35–80mm f/4–5.6 standard zoom for the Canon EF mount.
Canon's 1995 38–76mm f/4.5–5.6 standard zoom for the Canon EF mount.
Successor of the EF 80-200 mm f/2.8L, with prime-like image quality.
Canon's 1995 70–200mm f/2.8 telephoto zoom for the Canon EF mount, with a constant aperture through the range.
The first interchangeable lens with built-in image stabilisation.
A 75–300mm f/4–5.6 telephoto zoom for the Canon EF mount, introduced by Canon in 1995.
Leica's 1995 70–180mm f/2.8 telephoto zoom for the Leica R mount, with a constant aperture through the range, with apochromatic correction.
Minolta's 1995 100–300mm f/4.5–5.6 telephoto zoom for the Minolta/Sony A mount, with apochromatic correction.
Minolta's 1995 100–400mm f/4.5–6.7 telephoto zoom for the Minolta/Sony A mount, with apochromatic correction.
Minolta's 1995 50mm f/3.5 macro lens for the Minolta/Sony A mount, for close-up work.
Minolta's 1995 400mm f/4.5 super-telephoto for the Minolta/Sony A mount, for sport and wildlife, with apochromatic correction.
Nikon's 1995 35–70mm f/3.5–4.8 standard zoom for the Nikon F mount.
Nikon's 1995 70–210mm f/4.5–5.6 telephoto zoom for the Nikon F mount.
Nikon's 1995 85mm f/1.4 short telephoto for the Nikon F mount, fast enough for low light and shallow focus.
Pentax's 1995 17–28mm f/3.5–4.5 fisheye for the Pentax K mount.
The fastest 135 mm in its class, made for indoor sport and portraits.
Canon's 1996 135mm f/2 short telephoto for the Canon EF mount, suited to portraits, in Canon's professional L series.
A 17–35mm f/2.8 wide-angle zoom for the Canon EF mount, introduced by Canon in 1996, with a constant aperture through the range.
The longest macro lens Canon made for the EF mount.
Canon's 1996 180mm f/3.5 macro lens for the Canon EF mount, for close-up work, in Canon's professional L series.
Canon's 1996 200mm f/2.8 telephoto prime for the Canon EF mount, in Canon's professional L series.
A 24–85mm f/3.5–4.5 standard zoom for the Canon EF mount, introduced by Canon in 1996.
Canon's 1996 28–80mm f/3.5–5.6 standard zoom for the Canon EF mount.
Canon's 1996 400mm f/2.8 super-telephoto for the Canon EF mount, for sport and wildlife, in Canon's professional L series.
A 400mm f/4.0 super-telephoto for the Leica R mount, introduced by Leica in 1996, for sport and wildlife, with apochromatic correction.
A 560mm f/4.0 super-telephoto for the Leica R mount, introduced by Leica in 1996, for sport and wildlife, with apochromatic correction.
A 560mm f/5.6 super-telephoto for the Leica R mount, introduced by Leica in 1996, for sport and wildlife, with apochromatic correction.
An 800mm f/5.6 super-telephoto for the Leica R mount, introduced by Leica in 1996, for sport and wildlife, with apochromatic correction.
A 105–280mm f/4.2 telephoto zoom for the Leica R mount, introduced by Leica in 1996.
Leica's 1996 80–200mm f/4.0 telephoto zoom for the Leica R mount, with a constant aperture through the range.
A 75–300mm f/4.5–5.6 telephoto zoom for the Minolta/Sony A mount, introduced by Minolta in 1996.
A brief revival of the Rokkor name between 1996 and 1998, also made in a Leica thread version.
Nikon's 1996 APS-C 20–60mm f/3.5–5.6 standard zoom for the Nikon F mount.
A 24–120mm f/3.5–5.6 standard zoom for the Nikon F mount, introduced by Nikon in 1996.
Nikon's 1996 APS-C 24–70mm f/3.5–5.6 standard zoom for the Nikon F mount.
A 300mm f/2.8 super-telephoto for the Nikon F mount, introduced by Nikon in 1996, for sport and wildlife.
A 600mm f/4.0 super-telephoto for the Nikon F mount, introduced by Nikon in 1996, for sport and wildlife.
An APS-C 60–180mm f/4–5.6 telephoto zoom for the Nikon F mount, introduced by Nikon in 1996.
A 90mm f/2.8 macro lens for the Adaptall-2 mount, introduced by Tamron in 1996, for close-up work.
Zeiss's 1996 21mm f/2.8 ultra-wide prime for the Contax G mount.
A 35mm f/2.0 wide-angle prime for the Contax G mount, introduced by Zeiss in 1996.
A rare true macro zoom, made from 1997 to 2005.
The first EF lens with both a ground aspherical element and UD glass.
Canon's 1997 24mm f/1.4 wide-angle prime for the Canon EF mount.
A 300mm f/4 super-telephoto for the Canon EF mount, introduced by Canon in 1997, for sport and wildlife.
Leica's 1997 35–70mm f/4.0 standard zoom for the Leica R mount, with a constant aperture through the range.
A 17–35mm f/3.5 wide-angle zoom for the Minolta/Sony A mount, introduced by Minolta in 1997, with a constant aperture through the range.
Minolta's 1997 24–85mm f/3.5–4.5 standard zoom for the Minolta/Sony A mount.
Minolta's 1997 28–105mm f/3.5–4.5 standard zoom for the Minolta/Sony A mount.
A 500mm f/4.0 super-telephoto for the Nikon F mount, introduced by Nikon in 1997, for sport and wildlife.
A 70–180mm f/4.5–5.6 telephoto zoom for the Nikon F mount, introduced by Nikon in 1997.
Tamron's 1997 28–105mm f/2.8 standard zoom for the Adaptall-2 mount, with a constant aperture through the range.
ARRI's Ultra Prime cine lens series, one of its long-running prime sets.
A matched set of Zeiss-built cine primes released by Arri in 1998.
The first L-type zoom lens with an Image Stabilizer.
Canon's 1998 100–400mm f/4.5–5.6 telephoto zoom for the Canon EF mount, in Canon's professional L series.
A 22–55mm f/4–5.6 standard zoom for the Canon EF mount, introduced by Canon in 1998.
Canon's 1998 28–135mm f/3.5–5.6 standard zoom for the Canon EF mount, with optical stabilisation.
A fast L-series 35 mm with a ground and polished aspherical element.
Canon's 1998 35mm f/1.4 wide-angle prime for the Canon EF mount, fast enough for low light and shallow focus.
Canon's 1998 55–200mm f/4.5–5.6 standard zoom for the Canon EF mount.
A faster apochromatic 180 mm for the R system.
An f/2.8 Elmarit for the Leica R reflex system.
A 35–70mm f/2.8 standard zoom for the Leica R mount, introduced by Leica in 1998, with a constant aperture through the range.
Minolta's 1998 35mm f/1.4 wide-angle prime for the Minolta/Sony A mount, fast enough for low light and shallow focus.
Minolta's 1998 50mm f/1.4 normal prime for the Minolta/Sony A mount, fast enough for low light and shallow focus.
A 20–35mm f/3.5–4.5 wide-angle zoom for the Minolta/Sony A mount, introduced by Minolta in 1998.
A 28–105mm f/3.5–4.5 standard zoom for the Nikon F mount, introduced by Nikon in 1998.
Nikon's 1998 28–200mm f/3.5–5.6 standard zoom for the Nikon F mount.
An APS-C 30–60mm f/4–5.6 standard zoom for the Nikon F mount, introduced by Nikon in 1998.
A 400mm f/2.8 super-telephoto for the Nikon F mount, introduced by Nikon in 1998, for sport and wildlife.
Nikon's 1998 APS-C 60–180mm f/4.5–5.6 telephoto zoom for the Nikon F mount.
Nikon's 1998 70–300mm f/4.0–5.6 telephoto zoom for the Nikon F mount.
Nikon's 1998 80–200mm f/2.8 telephoto zoom for the Nikon F mount, with a constant aperture through the range.
A 28–200mm f/3.8–5.6 standard zoom for the Adaptall-2 mount, introduced by Tamron in 1998.
Canon's 1999 28–80mm f/3.5–5.6 standard zoom for the Canon EF mount.
Added image stabilisation to Canon's 300 mm f/2.8 for hand-held shooting.
A 300mm f/2.8 super-telephoto for the Canon EF mount, introduced by Canon in 1999, for sport and wildlife.
A 400mm f/2.8 super-telephoto for the Canon EF mount, introduced by Canon in 1999, for sport and wildlife.
A stabilised large-aperture telephoto that Canon aimed at motor sports photography.
Canon's 1999 500mm f/4 super-telephoto for the Canon EF mount, for sport and wildlife, in Canon's professional L series.
Canon's 1999 600mm f/4 super-telephoto for the Canon EF mount, for sport and wildlife, in Canon's professional L series.
An L telephoto zoom with fluorite and UD glass at a lower price.
Canon's 1999 70–200mm f/4 telephoto zoom for the Canon EF mount, with a constant aperture through the range.
A 75–300mm f/4–5.6 telephoto zoom for the Canon EF mount, introduced by Canon in 1999.
A macro-only lens that starts at life size and goes to five times, with no infinity focus.
A 65mm f/2.8 macro lens for the Canon EF mount, introduced by Canon in 1999, for close-up work.
Canon's 1999 65mm f/2.8 macro lens for the Canon EF mount, for close-up work.
Minolta's 1999 28mm f/2 wide-angle prime for the Minolta/Sony A mount.
A 35mm f/2 wide-angle prime for the Minolta/Sony A mount, introduced by Minolta in 1999.
A 200mm f/4 macro lens for the Minolta/Sony A mount, introduced by Minolta in 1999, for close-up work, with apochromatic correction.
A 35–80mm f/4–5.6 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 1999.
Minolta's 1999 70–210mm f/4.5–5.6 telephoto zoom for the Minolta/Sony A mount.
Minolta's 1999 75–300mm f/4.5–5.6 telephoto zoom for the Minolta/Sony A mount.
Uses an apodisation filter to smooth the change from sharp to out-of-focus areas.
A 135mm f/2.8 apodization portrait lens for the Minolta/Sony A mount, introduced by Minolta in 1999, for very smooth background blur.
Nikon's 1999 17–35mm f/2.8 wide-angle zoom for the Nikon F mount, with a constant aperture through the range.
Nikon's 1999 28–70mm f/2.8 standard zoom for the Nikon F mount, with a constant aperture through the range.
A 28–80mm f/3.5–5.6 standard zoom for the Nikon F mount, introduced by Nikon in 1999.
An 85mm f/2.8 perspective-control lens for the Nikon F mount, introduced by Nikon in 1999, for correcting converging lines in architecture.
A fast wide zoom well known as a photojournalists' lens.
A 17–35mm f/2.8 wide-angle zoom for the Nikon F mount, introduced by Nikon in 1999, with a constant aperture through the range.
A 75mm f/2.5 short telephoto for the Leica M / M39 mount, introduced by Cosina Voigtländer in 1999, suited to portraits.
Cosina Voigtländer's 1999 35mm f/2.5 wide-angle prime for the Leica M / M39 mount.
Cosina Voigtländer's 1999 50mm f/1.5 normal prime for the Leica M / M39 mount.
A 25mm f/4 wide-angle prime for the Leica M / M39 mount, introduced by Cosina Voigtländer in 1999.
A 15mm f/4.5 ultra-wide prime for the Leica M / M39 mount, introduced by Cosina Voigtländer in 1999.
Cosina Voigtländer's 1999 35mm f/1.7 wide-angle prime for the Leica M / M39 mount.
Canon's 2000 100mm f/2.8 macro lens for the Canon EF mount, for close-up work.
A 28–105mm f/3.5–4.5 standard zoom for the Canon EF mount, introduced by Canon in 2000.
Canon's 2000 28–200mm f/3.5–5.6 standard zoom for the Canon EF mount.
A 28–90mm f/4–5.6 standard zoom for the Canon EF mount, introduced by Canon in 2000.
A rare fast standard zoom for the R system; only 200 were made.
A rare constant-aperture R zoom; only about 200 were made.
Minolta's 2000 85mm f/1.4 short telephoto for the Minolta/Sony A mount.
A 100–300mm f/4.5–5.6 telephoto zoom for the Minolta/Sony A mount, introduced by Minolta in 2000, with apochromatic correction.
A 100mm f/2.8 macro lens for the Minolta/Sony A mount, introduced by Minolta in 2000, for close-up work.
A 24–105mm f/3.5–4.5 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 2000.
Nikon's 2000 14mm f/2.8 ultra-wide prime for the Nikon F mount.
Nikon's 2000 18–35mm f/3.5–4.5 wide-angle zoom for the Nikon F mount.
A 24–85mm f/2.8–4 standard zoom for the Nikon F mount, introduced by Nikon in 2000.
A 300mm f/4 super-telephoto for the Nikon F mount, introduced by Nikon in 2000, for sport and wildlife.
Nikon's 2000 70–300mm f/4.0–5.6 telephoto zoom for the Nikon F mount.
Nikon's 2000 80–400mm f/4.5–5.6 telephoto zoom for the Nikon F mount, with optical stabilisation.
The first 10x super-telephoto zoom in Sigma's EX series.
Cosina Voigtländer's 2000 12mm f/5.6 ultra-wide prime for the Leica M / M39 mount.
A 35mm f/3.5 wide-angle prime for the Contax G mount, introduced by Zeiss in 2000.
A 35mm f/5.6 wide-angle prime for the Contax G mount, introduced by Zeiss in 2000.
The wide partner of the Optimo 24-290, launched the same year.
A long-range cinema zoom that won a Cinec award in Munich in 2002.
A wider successor to the EF 17-35 mm f/2.8L, aimed at digital cameras.
A 16–35mm f/2.8 wide-angle zoom for the Canon EF mount, introduced by Canon in 2001, with a constant aperture through the range.
The world's first super-telephoto with a multi-layer diffractive optical element.
Canon's 2001 400mm f/4 super-telephoto for the Canon EF mount, for sport and wildlife, using diffractive optics to save size.
Added an Image Stabilizer to Canon's professional fast telephoto zoom.
A 70–200mm f/2.8 telephoto zoom for the Canon EF mount, introduced by Canon in 2001, with a constant aperture through the range.
Sharper, higher-contrast successors to the Hawk C-Series, with fourteen focal lengths from 25 to 250 mm.
A faster, aspherical replacement for the earlier Zeiss-designed 15 mm Super-Elmar-R.
An f/2.8 Elmarit for the Leica R reflex system.
A 50mm f/2.8 macro lens for the Minolta/Sony A mount, introduced by Minolta in 2001, for close-up work.
A 28–80mm f/3.5–5.6 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 2001.
Minolta's 2001 75–300mm f/4.5–5.6 telephoto zoom for the Minolta/Sony A mount.
A 28–80mm f/3.3–5.6 standard zoom for the Nikon F mount, introduced by Nikon in 2001.
A 400mm f/2.8 super-telephoto for the Nikon F mount, introduced by Nikon in 2001, for sport and wildlife.
Nikon's 2001 45mm f/2.8 normal prime for the Nikon F mount.
Nikon's 2001 500mm f/4 super-telephoto for the Nikon F mount, for sport and wildlife.
A 600mm f/4 super-telephoto for the Nikon F mount, introduced by Nikon in 2001, for sport and wildlife.
Cosina Voigtländer's 2001 90mm f/3.5 short telephoto for the Leica M / M39 mount, with apochromatic correction.
Cosina Voigtländer's 2001 21mm f/4 ultra-wide prime for the Leica M / M39 mount.
A 125mm f/2.5 macro lens for multiple SLR mounts, introduced by Cosina Voigtländer in 2001, for close-up work, with apochromatic correction.
A 25mm f/4 wide-angle prime for the Nikon S / Contax rangefinder, introduced by Cosina Voigtländer in 2001.
A 35mm f/2.5 wide-angle prime for the Nikon S / Contax rangefinder, introduced by Cosina Voigtländer in 2001.
A 28mm f/1.9 wide-angle prime for the Leica M / M39 mount, introduced by Cosina Voigtländer in 2001.
Replaced the EF 28-70 mm f/2.8L with a wider 24 mm start for digital use.
A 24–70mm f/2.8 standard zoom for the Canon EF mount, introduced by Canon in 2002, with a constant aperture through the range.
A 28–105mm f/4–5.6 standard zoom for the Canon EF mount, introduced by Canon in 2002.
A 90–300mm f/4.5–5.6 telephoto zoom for the Canon EF mount, introduced by Canon in 2002.
An apochromatic aspherical portrait lens for the R system.
An f/2 Summicron for the Leica R reflex system.
A late wide zoom for the Leica R system.
Minolta's 2002 85mm f/1.4 short telephoto for the Minolta/Sony A mount, fast enough for low light and shallow focus.
A 28–70mm f/2.8 standard zoom for the Minolta/Sony A mount, introduced by Minolta in 2002, with a constant aperture through the range.
A 24–85mm f/3.5–4.5 standard zoom for the Nikon F mount, introduced by Nikon in 2002.
A 28–100mm f/3.3–5.6 standard zoom for the Nikon F mount, introduced by Nikon in 2002.
A double-Gauss normal lens that replaced the earlier non-D 50 mm f/1.8.
A 90mm f/3.5 short telephoto for multiple SLR mounts, introduced by Cosina Voigtländer in 2002, with apochromatic correction.
A 28mm f/3.5 wide-angle prime for the Leica M / M39 mount, introduced by Cosina Voigtländer in 2002.
A 50mm f/2.5 normal prime for the Leica M / M39 mount, introduced by Cosina Voigtländer in 2002.
A 40mm f/2 normal prime for multiple SLR mounts, introduced by Cosina Voigtländer in 2002.
A dust- and water-sealed L-series wide zoom, one of the few parfocal Canon photo lenses.
A 17–40mm f/4 wide-angle zoom for the Canon EF mount, introduced by Canon in 2003, with a constant aperture through the range.
A 28–90mm f/4–5.6 standard zoom for the Canon EF mount, introduced by Canon in 2003.
Canon's 2003 55–200mm f/4.5–5.6 standard zoom for the Canon EF mount.
A 90–300mm f/4.5–5.6 telephoto zoom for the Canon EF mount, introduced by Canon in 2003.
An APS-C 18–55mm f/3.5–5.6 standard zoom for the Canon EF-S mount, introduced by Canon in 2003.
A 1.4mm f/1.4 special-purpose lens for the Minolta/Sony A mount, introduced by Minolta in 2003, with apochromatic correction.
A 2mm f/2 special-purpose lens for the Minolta/Sony A mount, introduced by Minolta in 2003, with apochromatic correction.
Minolta's 2003 300mm f/2.8 super-telephoto for the Minolta/Sony A mount, for sport and wildlife, with apochromatic correction.
A 70–200mm f/2.8 telephoto zoom for the Minolta/Sony A mount, introduced by Minolta in 2003, with a constant aperture through the range.
Minolta's 2003 28–100mm f/3.5–5.6 standard zoom for the Minolta/Sony A mount.
An APS-C 10.5mm f/2.8 fisheye for the Nikon F mount, introduced by Nikon in 2003.
Nikon's 2003 APS-C 17–55mm f/2.8 standard zoom for the Nikon F mount.
Nikon's 2003 200–400mm f/4 telephoto zoom for the Nikon F mount, with a constant aperture through the range, with optical stabilisation.
Nikon's 2003 24–120mm f/3.5–5.6 standard zoom for the Nikon F mount, with optical stabilisation.
A 28–200mm f/3.5–5.6 standard zoom for the Nikon F mount, introduced by Nikon in 2003.
Nikon's 2003 70–200mm f/2.8 telephoto zoom for the Nikon F mount, with a constant aperture through the range, with optical stabilisation.
Nikon's 2003 APS-C 12–24mm f/4 wide-angle zoom for the Nikon F mount.
Gives a full 180-degree view on Nikon DX digital SLRs.
Gives Nikon DX cameras a view similar to an 18-35 mm lens on film.
Olympus's 2003 11–22mm f/2.8–3.5 standard zoom for the Four Thirds mount.
The largest and heaviest Zuiko Digital lens, nicknamed 'Big Tuna'.
Olympus's 2003 50mm f/2.0 macro lens for the Four Thirds mount, for close-up work.
Pentax's 2003 APS-C 16–45mm f/4 standard zoom for the Pentax K mount.
At launch the widest rectilinear lens for full-frame 35 mm SLRs.
A 12–24mm f/4.5–5.6 wide-angle zoom for multiple mounts, introduced by Sigma in 2003.
Cosina Voigtländer's 2003 180mm f/4 telephoto prime for multiple SLR mounts, with apochromatic correction.
Cosina Voigtländer's 2003 35mm f/1.2 wide-angle prime for the Leica M / M39 mount, fast enough for low light and shallow focus.
An 85mm f/3.5 short telephoto for the Nikon S / Contax rangefinder, introduced by Cosina Voigtländer in 2003, with apochromatic correction.
Cosina Voigtländer's 2003 50mm f/1.5 normal prime for the Nikon S / Contax rangefinder.
A 50mm f/2.5 normal prime for the Nikon S / Contax rangefinder, introduced by Cosina Voigtländer in 2003.
A 28mm f/3.5 wide-angle prime for the Nikon S / Contax rangefinder, introduced by Cosina Voigtländer in 2003.
Canon's 2004 28–300mm f/3.5–5.6 superzoom for the Canon EF mount, in Canon's professional L series.
A 28–90mm f/4–5.6 standard zoom for the Canon EF mount, introduced by Canon in 2004.
Canon's second lens with a diffractive optical element, after the 400 mm DO.
A 70–300mm f/4.5–5.6 telephoto zoom for the Canon EF mount, introduced by Canon in 2004, using diffractive optics to save size.
A wide to ultra-wide zoom made for Canon's APS-C SLRs.
Canon's 2004 APS-C 10–22mm f/3.5–4.5 wide-angle zoom for the Canon EF-S mount.
An APS-C 17–85mm f/4–5.6 standard zoom for the Canon EF-S mount, introduced by Canon in 2004, with optical stabilisation.
A 17–35mm f/2.8–4 wide-angle zoom for the Minolta/Sony A mount, introduced by Konica Minolta in 2004.
Konica Minolta's 2004 28–75mm f/2.8 standard zoom for the Minolta/Sony A mount, with a constant aperture through the range.
Replaced the long-running 1961 optical design with an aspherical one.
A bendable bellows lens that moves a sweet spot of focus around the frame by hand.
Nikon's 2004 APS-C 18–70mm f/3.5–4.5 standard zoom for the Nikon F mount.
A 200mm f/2 telephoto prime for the Nikon F mount, introduced by Nikon in 2004, with optical stabilisation.
A 300mm f/2.8 super-telephoto for the Nikon F mount, introduced by Nikon in 2004, for sport and wildlife, with optical stabilisation.
Nikon's 2004 APS-C 17–55mm f/2.8 standard zoom for the Nikon F mount, with a constant aperture through the range.
Olympus's 2004 14–45mm f/3.5–5.6 standard zoom for the Four Thirds mount.
Olympus's 2004 40–150mm f/3.5–4.5 telephoto zoom for the Four Thirds mount.
A fast telephoto for the Four Thirds DSLR system.
A 40–150mm f/4.0–5.6 telephoto zoom for the Four Thirds mount, introduced by Olympus in 2004.
An ultra-wide zoom for Four Thirds DSLRs.
Olympus's 2004 7–14mm f/4.0 wide-angle zoom for the Four Thirds mount, with a constant aperture through the range.
Pentax's 2004 APS-C 14mm f/2.8 ultra-wide prime for the Pentax K mount.
A pancake only 0.6 inches long, for years the smallest Pentax lens.
A 50mm f/2.8 macro lens for the Pentax K mount, introduced by Pentax in 2004, for close-up work.
A T1.3 cine prime series designed to avoid focus breathing and distortion.
Fast T1.3 cine primes designed to avoid focus breathing and distortion.
A stabilised standard zoom that completed Canon's f/4L zoom series.
Canon's 2005 24–105mm f/4 standard zoom for the Canon EF mount, with a constant aperture through the range.
A 70–300mm f/4–5.6 telephoto zoom for the Canon EF mount, introduced by Canon in 2005, with optical stabilisation.
Canon's 2005 APS-C 18–55mm f/3.5–5.6 standard zoom for the Canon EF-S mount.
An APS-C 60mm f/2.8 macro lens for the Canon EF-S mount, introduced by Canon in 2005, for close-up work.
Konica Minolta's 2005 35mm f/1.4 wide-angle prime for the Minolta/Sony A mount.
Konica Minolta's 2005 11–18mm f/4.5–5.6 wide-angle zoom for the Minolta/Sony A mount.
An 18–200mm f/3.5–6.3 superzoom for the Minolta/Sony A mount, introduced by Konica Minolta in 2005.
Konica Minolta's 2005 18–70mm f/3.5–5.6 standard zoom for the Minolta/Sony A mount.
An APS-C 18–200mm f/3.5–5.6 superzoom for the Nikon F mount, introduced by Nikon in 2005, with optical stabilisation.
An APS-C 18–55mm f/3.5–5.6 standard zoom for the Nikon F mount, introduced by Nikon in 2005.
Nikon's 2005 APS-C 55–200mm f/4–5.6 telephoto zoom for the Nikon F mount.
An 18–55mm f/3.5–5.6 standard zoom for the Nikon F mount, introduced by Nikon in 2005.
A 35mm f/3.5 macro lens for the Four Thirds mount, introduced by Olympus in 2005, for close-up work.
A telephoto zoom with a constant f/2 aperture for Four Thirds.
Olympus's 2005 8mm f/3.5 fisheye for the Four Thirds mount.
A fast telephoto zoom for Four Thirds DSLRs.
A 70–200mm f/2.8 telephoto zoom for multiple SLR mounts, introduced by Sigma in 2005, with a constant aperture through the range.
Canon's 2006 50mm f/1.2 normal prime for the Canon EF mount.
Canon's 2006 70–200mm f/4 telephoto zoom for the Canon EF mount, with a constant aperture through the range.
The successor of the 1989 EF 85 mm f/1.2L, a classic portrait lens.
Canon's 2006 85mm f/1.2 short telephoto for the Canon EF mount.
A fast stabilised standard zoom for Canon's APS-C SLRs.
Canon's 2006 APS-C 17–55mm f/2.8 standard zoom for the Canon EF-S mount.
A refined successor to the Hawk V-Series, with the anamorphic element placed mid-lens.
An improved version of the V-Series with better close focus and lower barrel distortion.
A 105mm f/2.8 macro lens for the Nikon F mount, introduced by Nikon in 2006, for close-up work, with optical stabilisation.
Nikon's 2006 APS-C 18–135mm f/3.5–5.6 superzoom for the Nikon F mount.
An APS-C 18–55mm f/3.5–5.6 standard zoom for the Nikon F mount, introduced by Nikon in 2006.
Nikon's 2006 70–300mm f/4.5–5.6 telephoto zoom for the Nikon F mount, with optical stabilisation.
A stabilised macro lens from Nikon's Micro-Nikkor line.
A fisheye zoom with up to 180 degrees of view for Pentax APS-C cameras.
One of the five very compact Limited primes for Pentax APS-C cameras.
Pentax's 2006 APS-C 21mm f/3.2 wide-angle prime for the Pentax K mount.
Sigma's 2006 150mm f/2.8 macro lens for multiple mounts, for close-up work, with apochromatic correction.
Sigma's 2006 APS-C 18–50mm f/2.8 standard zoom for multiple SLR mounts, with a constant aperture through the range.
An APS-C 30mm f/1.4 normal prime for multiple mounts, introduced by Sigma in 2006, fast enough for low light and shallow focus.
A 70–200mm f/2.8 telephoto zoom for multiple SLR mounts, introduced by Sigma in 2006, with a constant aperture through the range.
Sony's continuation of Minolta's apodization lens for smooth out-of-focus rendering.
A 14mm f/2.8 ultra-wide prime for the Canon EF mount, introduced by Canon in 2007, in Canon's professional L series.
Canon's 2007 16–35mm f/2.8 wide-angle zoom for the Canon EF mount, with a constant aperture through the range.
An ultra-large-aperture L standard lens aimed at portrait work.
Canon's 2007 APS-C 18–55mm f/3.5–5.6 standard zoom for the Canon EF-S mount, with optical stabilisation.
An APS-C 55–250mm f/4–5.6 telephoto zoom for the Canon EF-S mount, introduced by Canon in 2007, with optical stabilisation.
A 14–24mm f/2.8 wide-angle zoom for the Nikon F mount, introduced by Nikon in 2007, with a constant aperture through the range.
Nikon's 2007 APS-C 18–55mm f/3.5–5.6 standard zoom for the Nikon F mount, with optical stabilisation.
Nikon's 2007 24–70mm f/2.8 standard zoom for the Nikon F mount, with a constant aperture through the range.
Nikon's 2007 400mm f/2.8 super-telephoto for the Nikon F mount, for sport and wildlife, with optical stabilisation.
A 500mm f/4 super-telephoto for the Nikon F mount, introduced by Nikon in 2007, for sport and wildlife, with optical stabilisation.
Nikon's 2007 APS-C 55–200mm f/4–5.6 telephoto zoom for the Nikon F mount, with optical stabilisation.
A 600mm f/4 super-telephoto for the Nikon F mount, introduced by Nikon in 2007, for sport and wildlife, with optical stabilisation.
Olympus's 2007 50–200mm f/2.8–3.5 telephoto zoom for the Four Thirds mount.
A 70–300mm f/4.0–5.6 telephoto zoom for the Four Thirds mount, introduced by Olympus in 2007.
A Leica-branded fast normal lens for Four Thirds DSLRs.
Pairs Primo-level optical quality with the small size and low weight of the C-Series.
Pentax's 2007 APS-C 16–50mm f/2.8 standard zoom for the Pentax K mount, with a constant aperture through the range.
A fast constant-aperture telephoto zoom for Pentax APS-C cameras.
Pentax's 2007 APS-C 50–135mm f/2.8 telephoto zoom for the Pentax K mount, with a constant aperture through the range.
An APS-C 10mm f/2.8 fisheye for the Nikon F mount, introduced by Sigma in 2007.
Sigma's 2007 APS-C 4.5mm f/2.8 fisheye for the Nikon F mount.
Sigma's 2007 70–200mm f/2.8 telephoto zoom for multiple SLR mounts, with a constant aperture through the range.
A fast telephoto made by Sony in collaboration with Zeiss for the A-mount.
A 135mm f/1.8 short telephoto for the Minolta/Sony A mount, introduced by Sony in 2007, suited to portraits.
An APS-C 16–80mm f/3.5–4.5 standard zoom for the Minolta/Sony A mount, introduced by Sony in 2007.
A 25mm f/4 wide-angle prime for the Leica M / M39 mount, introduced by Cosina Voigtländer in 2007.
Cosina Voigtländer's 2007 58mm f/1.4 normal prime for multiple SLR mounts, fast enough for low light and shallow focus.
Cosina Voigtländer's 2007 40mm f/2 normal prime for multiple SLR mounts.
A 200mm f/2 telephoto prime for the Canon EF mount, introduced by Canon in 2008, in Canon's professional L series.
Canon's 2008 24mm f/1.4 wide-angle prime for the Canon EF mount, fast enough for low light and shallow focus.
A stabilised super-telephoto prime from Canon's L series.
An 800mm f/5.6 super-telephoto for the Canon EF mount, introduced by Canon in 2008, for sport and wildlife.
An APS-C 18–200mm f/3.5–5.6 superzoom for the Canon EF-S mount, introduced by Canon in 2008, with optical stabilisation.
Anamorphic lenses for 16 mm film, in 1.3x squeeze for Super 16 and 2x for standard 16.
Peter Karbe's design, shown at Photokina 2008 and still the flagship of the M range.
Peter Karbe's f/0.95 design, shown at Photokina 2008.
Nikon's 2008 APS-C 16–85mm f/3.5–5.6 standard zoom for the Nikon F mount, with optical stabilisation.
An APS-C 18–105mm f/3.5–5.6 standard zoom for the Nikon F mount, introduced by Nikon in 2008, with optical stabilisation.
Nikon's 2008 50mm f/1.4 normal prime for the Nikon F mount, fast enough for low light and shallow focus.
Nikon's 2008 60mm f/2.8 macro lens for the Nikon F mount, for close-up work.
Nikon's 2008 45mm f/2.8 perspective-control lens for the Nikon F mount, for correcting converging lines in architecture.
An 85mm f/2.8 perspective-control lens for the Nikon F mount, introduced by Nikon in 2008, for correcting converging lines in architecture.
A tilt-shift wide-angle with tilt, shift and rotation for the Nikon F mount.
Olympus's 2008 25mm f/2.8 normal prime for the Four Thirds mount.
Nikon's 2008 24mm f/3.5 perspective-control lens for the Nikon F mount, for correcting converging lines in architecture.
A 14–45mm f/3.5–5.6 standard zoom for the Micro Four Thirds mount, introduced by Panasonic in 2008.
Panasonic's 2008 45–200mm f/4.0 telephoto zoom for the Micro Four Thirds mount, with a constant aperture through the range.
Pentax's 2008 APS-C 17–70mm f/4.0 standard zoom for the Pentax K mount, with a constant aperture through the range.
An APS-C 200mm f/2.8 super-telephoto for the Pentax K mount, introduced by Pentax in 2008, for sport and wildlife.
An APS-C 18–55mm f/3.5–5.6 standard zoom for the Pentax K mount, introduced by Pentax in 2008.
Sigma's 2008 50mm f/1.4 normal prime for the Nikon F mount, fast enough for low light and shallow focus.
Sigma's 2008 APS-C 70–200mm f/2.8 telephoto zoom for multiple SLR mounts, with a constant aperture through the range.
The first lens to combine an f/2.8 aperture with a 500 mm focal length.
A 24–70mm f/2.8 standard zoom for the Minolta/Sony A mount, introduced by Sony in 2008, with a constant aperture through the range.
Tamron's 2008 APS-C 18–270mm f/3.5–6.3 superzoom for multiple mounts, with optical stabilisation.
Cosina Voigtländer's 2008 35mm f/1.4 wide-angle prime for the Leica M / M39 mount, fast enough for low light and shallow focus.
Pentax's 2008 APS-C 55mm f/1.4 short telephoto for the Pentax K mount, fast enough for low light and shallow focus.
The first medium-telephoto macro lens with Hybrid IS against both angle and shift shake.
A 100mm f/2.8 macro lens for the Canon EF mount, introduced by Canon in 2009, for close-up work.
Canon's 2009 APS-C 15–85mm f/3.5–5.6 standard zoom for the Canon EF-S mount, with optical stabilisation.
An APS-C 18–135mm f/3.5–5.6 superzoom for the Canon EF-S mount, introduced by Canon in 2009, with optical stabilisation.
An ultra-wide tilt-shift lens giving view-camera style movements on EOS bodies.
A 17mm f/4.0 perspective-control lens for the Canon EF mount, introduced by Canon in 2009, for correcting converging lines in architecture.
Canon's 2009 24mm f/3.5 perspective-control lens for the Canon EF mount, for correcting converging lines in architecture, in Canon's professional L series.
Nikon's 2009 APS-C 10–24mm f/4.5–5.6 wide-angle zoom for the Nikon F mount.
An APS-C 18–200mm f/3.5–5.6 superzoom for the Nikon F mount, introduced by Nikon in 2009, with optical stabilisation.
A 300mm f/2.8 super-telephoto for the Nikon F mount, introduced by Nikon in 2009, for sport and wildlife, with optical stabilisation.
Nikon's 2009 APS-C 10–24mm f/3.5–4.5 wide-angle zoom for the Nikon F mount.
An APS-C 35mm f/1.8 normal prime for the Nikon F mount, introduced by Nikon in 2009.
An APS-C 85mm f/3.5 macro lens for the Nikon F mount, introduced by Nikon in 2009, for close-up work, with optical stabilisation.
Olympus's 2009 17mm f/2.8 wide-angle prime for the Micro Four Thirds mount.
A 14–42mm f/3.5–5.6 standard zoom for the Micro Four Thirds mount, introduced by Olympus in 2009.
A 14–140mm f/4.0–5.8 superzoom for the Micro Four Thirds mount, introduced by Panasonic in 2009.
A 45mm f/2.8 short telephoto for the Micro Four Thirds mount, introduced by Panasonic in 2009, suited to portraits.
A fast pancake lens, offered as the prime kit option with the Lumix GF1.
A weather-resistant macro lens for the Pentax K mount.
A wide-angle prime from Pentax's compact DA Limited series.
Samyang's ultra-wide manual-focus prime for full-frame cameras.
Samyang's fast manual-focus portrait lens for full-frame cameras.
A 20mm f/3.5 ultra-wide prime for multiple SLR mounts, introduced by Cosina Voigtländer in 2009.
Cosina Voigtländer's 2009 50mm f/1.1 normal prime for the Leica M / M39 mount.
Cosina Voigtländer's 2009 15mm f/4.5 ultra-wide prime for the Leica M / M39 mount.
Cinema zoom series from the ARRI and Fujinon collaboration, passing lens data for visual effects.
Canon's 2010 300mm f/2.8 super-telephoto for the Canon EF mount, for sport and wildlife, in Canon's professional L series.
A redesign with a fluorite element and five UD elements.
A 70–200mm f/2.8 telephoto zoom for the Canon EF mount, introduced by Canon in 2010, with a constant aperture through the range.
A 70–300mm f/4–5.6 telephoto zoom for the Canon EF mount, introduced by Canon in 2010, in Canon's professional L series.
A fisheye zoom giving circular images on full frame and frame-filling 180-degree views on APS-C.
An 8–15mm f/4 fisheye for the Canon EF mount, introduced by Canon in 2010, in Canon's professional L series.
A 16–35mm f/4 wide-angle zoom for the Nikon F mount, introduced by Nikon in 2010, with a constant aperture through the range.
Nikon's 2010 200mm f/2 telephoto prime for the Nikon F mount, with optical stabilisation.
Nikon's 2010 24mm f/1.4 wide-angle prime for the Nikon F mount, fast enough for low light and shallow focus.
Nikon's 2010 24–120mm f/4 standard zoom for the Nikon F mount, with a constant aperture through the range, with optical stabilisation.
Nikon's 2010 28–300mm f/3.5–5.6 superzoom for the Nikon F mount, with optical stabilisation.
Nikon's 2010 35mm f/1.4 wide-angle prime for the Nikon F mount, fast enough for low light and shallow focus.
Nikon's 2010 APS-C 55–300mm f/4.5–5.6 telephoto zoom for the Nikon F mount, with optical stabilisation.
Nikon's 2010 85mm f/1.4 short telephoto for the Nikon F mount.
A 5x standard zoom with a constant f/4 aperture.
A 14–150mm f/4.0–5.6 superzoom for the Micro Four Thirds mount, introduced by Olympus in 2010.
Olympus's 2010 14–42mm f/3.5–5.6 standard zoom for the Micro Four Thirds mount.
Olympus's 2010 40–150mm f/4–5.6 telephoto zoom for the Micro Four Thirds mount.
Panasonic's 2010 14mm f/2.5 wide-angle prime for the Micro Four Thirds mount.
Sigma's 2010 APS-C 17–50mm f/2.8 standard zoom for multiple SLR mounts, with a constant aperture through the range, with optical stabilisation.
A 70–200mm f/2.8 telephoto zoom for multiple SLR mounts, introduced by Sigma in 2010, with a constant aperture through the range.
The first rectilinear zoom starting at 8 mm made for APS-C SLRs.
An APS-C 8–16mm f/4.5–5.6 wide-angle zoom for multiple mounts, introduced by Sigma in 2010.
Sigma's 2010 85mm f/1.4 short telephoto for the Nikon F mount.
Sony's 2010 APS-C 16mm f/2.8 wide-angle prime for the Sony E mount.
Sony's 2010 APS-C 18–200mm f/3.5–6.3 superzoom for the Sony E mount, with optical stabilisation.
An APS-C 18–55mm f/3.5–5.6 standard zoom for the Sony E mount, introduced by Sony in 2010, with optical stabilisation.
A stabilised superzoom for APS-C DSLRs.
Tamron's 2010 18–270mm f/3.5–6.3 superzoom for the Minolta/Sony A mount, with optical stabilisation.
An apochromatic manual-focus short telephoto for several SLR mounts.
A 90mm f/3.5 short telephoto for multiple SLR mounts, introduced by Cosina Voigtländer in 2010, with apochromatic correction.
Cosina Voigtländer's 2010 75mm f/1.8 short telephoto for the Leica M / M39 mount, suited to portraits.
Cosina Voigtländer's 2010 25mm f/0.95 normal prime for the Micro Four Thirds mount.
Cosina Voigtländer's 2010 12mm f/5.6 ultra-wide prime for the Leica M / M39 mount.
Pentax's 2010 APS-C 18–135mm f/3.5–5.6 superzoom for the Pentax K mount.
One of the two zooms launched with the Cinema EOS system in 2011.
One of the first CN-E primes launched with the Cinema EOS system at Paramount in late 2011.
An EF-mount full-frame prime from Canon's CN-E cinema line, built for the Cinema EOS system.
A long Super 35 cinema zoom introduced with the first Cinema EOS cameras.
The standard prime of Canon's first cinema lens set.
An EF-mount full-frame prime from Canon's CN-E cinema line, built for the Cinema EOS system.
The portrait-length member of the original CN-E prime set.
An EF-mount full-frame prime from Canon's CN-E cinema line, built for the Cinema EOS system.
A 400mm f/2.8 super-telephoto for the Canon EF mount, introduced by Canon in 2011, for sport and wildlife.
Canon's 2011 500mm f/4 super-telephoto for the Canon EF mount, for sport and wildlife, in Canon's professional L series.
A 600mm f/4 super-telephoto for the Canon EF mount, introduced by Canon in 2011, for sport and wildlife.
Canon's 2011 APS-C 18–55mm f/3.5–5.6 standard zoom for the Canon EF-S mount.
An APS-C 55–250mm f/4–5.6 telephoto zoom for the Canon EF-S mount, introduced by Canon in 2011, with optical stabilisation.
Nikon's 2011 50mm f/1.8 normal prime for the Nikon F mount.
Nikon's 2011 APS-C 40mm f/2.8 macro lens for the Nikon F mount, for close-up work.
A 10–100mm f/4.5–5.6 superzoom for the Nikon 1 mount, introduced by Nikon in 2011.
Nikon's 2011 10–30mm f/3.5–5.6 standard zoom for the Nikon 1 mount.
The successor of the AF Nikkor 50 mm f/1.8D, with a built-in focus motor.
Olympus's 2011 12–50mm f/3.5–6.3 standard zoom for the Micro Four Thirds mount.
A 14–42mm f/3.5–5.6 standard zoom for the Micro Four Thirds mount, introduced by Olympus in 2011.
A fast short telephoto for Micro Four Thirds, sold alone and in PEN kits.
Olympus's 2011 45mm f/1.8 short telephoto for the Micro Four Thirds mount, suited to portraits.
A fast wide-angle prime for Micro Four Thirds.
Olympus's 2011 12mm f/2 wide-angle prime for the Micro Four Thirds mount.
A Leica co-branded fast normal lens for Micro Four Thirds.
Panasonic's 2011 25mm f/1.4 normal prime for the Micro Four Thirds mount.
Panasonic's 2011 14–42mm f/3.5–5.6 standard zoom for the Micro Four Thirds mount, with a power zoom for video.
A fast manual-focus wide-angle for full-frame and smaller sensors.
Sigma's 2011 105mm f/2.8 macro lens for the Nikon F mount, for close-up work, with optical stabilisation.
An APS-C 24mm f/1.8 normal prime for the Sony E mount, introduced by Sony in 2011.
An APS-C 30mm f/3.5 normal prime for the Sony E mount, introduced by Sony in 2011.
An APS-C 50mm f/1.8 short telephoto for the Sony E mount, introduced by Sony in 2011, suited to portraits, with optical stabilisation.
An APS-C 55–210mm f/4.5–6.3 telephoto zoom for the Sony E mount, introduced by Sony in 2011, with optical stabilisation.
Tamron's 2011 APS-C 18–200mm f/3.5–6.3 superzoom for the Sony E mount, with optical stabilisation.
A T1.9 anamorphic series built for low distortion, debuted by ARRI and Zeiss in 2012.
A clean, fast anamorphic line with the squeeze element at the rear, unveiled in September 2012.
A compact wide cinema zoom for Super 35, lighter than the first Cinema EOS zooms.
Compact mid-range partner to the 15.5–47mm in Canon's cinema line.
A full redesign of Canon's popular professional standard zoom.
A 24mm f/2.8 wide-angle prime for the Canon EF mount, introduced by Canon in 2012, with optical stabilisation.
Canon's 2012 24–70mm f/2.8 standard zoom for the Canon EF mount, with a constant aperture through the range.
A 24–70mm f/4 standard zoom for the Canon EF mount, introduced by Canon in 2012, with a constant aperture through the range.
A 28mm f/2.8 wide-angle prime for the Canon EF mount, introduced by Canon in 2012, with optical stabilisation.
A 35mm f/2 wide-angle prime for the Canon EF mount, introduced by Canon in 2012, with optical stabilisation.
Canon's first EF pancake lens and the first EF lens with a stepping motor.
A 40mm f/2.8 normal prime for the Canon EF mount, introduced by Canon in 2012.
An APS-C 18–55mm f/3.5–5.6 standard zoom for the Canon EF-M mount, introduced by Canon in 2012, with optical stabilisation.
Canon's 2012 APS-C 22mm f/2 normal prime for the Canon EF-M mount.
Canon's 2012 APS-C 18–135mm f/3.5–5.6 superzoom for the Canon EF-S mount, with optical stabilisation.
A fast normal lens for Fujifilm's APS-C X-mount cameras, announced in January 2012.
A close-up lens reaching half life size, announced with the first X-mount camera.
Fujifilm's 2012 APS-C 60mm f/2.4 macro lens for the Fujifilm X mount, for close-up work.
Fujifilm's 2012 APS-C 14mm f/2.8 ultra-wide prime for the Fujifilm X mount.
Fujifilm's 2012 APS-C 18–55mm f/2.8–4 standard zoom for the Fujifilm X mount, with optical stabilisation.
Fujifilm's 2012 APS-C 18mm f/2.0 wide-angle prime for the Fujifilm X mount.
Fujifilm's 2012 APS-C 35mm f/1.4 normal prime for the Fujifilm X mount, fast enough for low light and shallow focus.
Fujifilm's 2012 APS-C 60mm f/2.4 macro lens for the Fujifilm X mount, for close-up work.
A tilting optic with internal aperture that renders a thin slice of sharp focus.
An APS-C 18–300mm f/3.5–5.6 superzoom for the Nikon F mount, introduced by Nikon in 2012, with optical stabilisation.
A 24–85mm f/3.5–4.5 standard zoom for the Nikon F mount, introduced by Nikon in 2012, with optical stabilisation.
Nikon's 2012 28mm f/1.8 wide-angle prime for the Nikon F mount.
Nikon's 2012 70–200mm f/4.0 telephoto zoom for the Nikon F mount, with a constant aperture through the range, with optical stabilisation.
An 85mm f/1.8 short telephoto for the Nikon F mount, introduced by Nikon in 2012, suited to portraits.
A 10–100mm f/4.0–5.6 superzoom for the Nikon 1 mount, introduced by Nikon in 2012.
An 11–27.5mm f/3.5–5.6 standard zoom for the Nikon 1 mount, introduced by Nikon in 2012.
Olympus's 2012 17mm f/1.8 wide-angle prime for the Micro Four Thirds mount.
Announced at Photokina 2012; a fast stabilised portrait lens for Micro Four Thirds.
Panasonic's 2012 45–150mm f/4–5.6 telephoto zoom for the Micro Four Thirds mount.
Panasonic's 2012 12–35mm f/2.8 standard zoom for the Micro Four Thirds mount.
Panasonic's 2012 35–100mm f/2.8 telephoto zoom for the Micro Four Thirds mount.
An APS-C 560mm f/5.6 super-telephoto for the Pentax K mount, introduced by Pentax in 2012, for sport and wildlife.
A telescope-type design and the longest Pentax-branded prime in production in 2015.
An APS-C 50mm f/1.8 short telephoto for the Pentax K mount, introduced by Pentax in 2012, suited to portraits.
An APS-C 20–50mm f/3.5–5.6 standard zoom for the NX mount, introduced by Samsung in 2012.
A wide-angle tilt-shift lens for full-frame and smaller sensors.
A 60mm f/2.4 macro lens for the Micro Four Thirds mount, introduced by Schneider Kreuznach in 2012, for close-up work.
Sigma's 2012 APS-C 19mm f/2.8 wide-angle prime for the Sony E mount.
Sigma's 2012 APS-C 30mm f/2.8 normal prime for the Sony E mount.
Sigma's 2012 35mm f/1.4 wide-angle prime for the Nikon F mount, fast enough for low light and shallow focus.
One of three lines in Sigma's 2012 relaunch, aimed at the highest optical quality.
Sony's 2012 APS-C 10–18mm f/4 wide-angle zoom for the Sony E mount, with a constant aperture through the range, with optical stabilisation.
An APS-C 18–200mm f/3.5–6.3 superzoom for the Sony E mount, introduced by Sony in 2012, with optical stabilisation.
An APS-C 35mm f/1.8 normal prime for the Sony E mount, introduced by Sony in 2012, with optical stabilisation.
A 20mm f/3.5 ultra-wide prime for multiple SLR mounts, introduced by Cosina Voigtländer in 2012.
Cosina Voigtländer's 2012 28mm f/2.8 wide-angle prime for multiple SLR mounts.
Cosina Voigtländer's 2012 58mm f/1.4 normal prime for multiple SLR mounts.
Cosina Voigtländer's 2012 40mm f/2 normal prime for multiple SLR mounts.
Zeiss's 2012 APS-C 32mm f/1.8 normal prime for the Sony E mount.
An ultra-wide autofocus Zeiss prime for APS-C mirrorless cameras.
Zeiss's 2012 APS-C 12mm f/2.8 ultra-wide prime for the Sony E mount.
Zeiss's 2012 APS-C 50mm f/2.8 short telephoto for the Sony E mount, suited to portraits.
An APS-C 18–270mm f/3.5–6.3 superzoom for the Pentax K mount, introduced by Pentax in 2012.
The first Optimo anamorphic compact zoom, bringing zoom flexibility to 2x anamorphic shooting.
A 10x zoom launched alongside the first Optimo anamorphic compact.
The longest CN-E prime, completing the set in 2013.
An EF-mount full-frame prime from Canon's CN-E cinema line, built for the Cinema EOS system.
The widest of the CN-E primes, added in 2013.
An EF-mount full-frame prime from Canon's CN-E cinema line, built for the Cinema EOS system.
The world's first super-telephoto zoom with a built-in extender.
A 200–400mm f/4 telephoto zoom for the Canon EF mount, introduced by Canon in 2013, with a constant aperture through the range.
An APS-C 11–22mm f/4–5.6 wide-angle zoom for the Canon EF-M mount, introduced by Canon in 2013, with optical stabilisation.
An APS-C 18–55mm f/3.5–5.6 standard zoom for the Canon EF-S mount, introduced by Canon in 2013, with optical stabilisation.
An APS-C 55–250mm f/4–5.6 telephoto zoom for the Canon EF-S mount, introduced by Canon in 2013, with optical stabilisation.
Fujifilm's 2013 APS-C 16–50mm f/3.5–5.6 standard zoom for the Fujifilm X mount, with optical stabilisation.
Fujifilm's 2013 APS-C 50–230mm f/4.5–6.7 telephoto zoom for the Fujifilm X mount, with optical stabilisation.
A fast wide-angle prime for Fujifilm X cameras.
A pancake normal lens that sticks out only 23 mm from the camera.
Fujifilm's 2013 APS-C 10–24mm f/4.0 wide-angle zoom for the Fujifilm X mount.
Fujifilm's 2013 APS-C 23mm f/1.4 wide-angle prime for the Fujifilm X mount.
An APS-C 27mm f/2.8 normal prime for the Fujifilm X mount, introduced by Fujifilm in 2013.
Fujifilm's 2013 APS-C 55–200mm f/3.5–4.8 telephoto zoom for the Fujifilm X mount, with optical stabilisation.
Pentax's 2013 APS-C 20–40mm f/2.8–4 standard zoom for the Pentax K mount.
Nikon's 2013 APS-C 18–140mm f/3.5–5.6 superzoom for the Nikon F mount, with optical stabilisation.
Nikon's 2013 18–35mm f/3.5–4.5 wide-angle zoom for the Nikon F mount.
Nikon's 2013 58mm f/1.4 normal prime for the Nikon F mount.
Nikon's 2013 800mm f/5.6 super-telephoto for the Nikon F mount, for sport and wildlife, with optical stabilisation.
An 80–400mm f/4.5–5.6 telephoto zoom for the Nikon F mount, introduced by Nikon in 2013, with optical stabilisation.
Olympus's 2013 12–40mm f/2.8 standard zoom for the Micro Four Thirds mount, with a constant aperture through the range.
Olympus's 2013 40–150mm f/2.8 telephoto zoom for the Micro Four Thirds mount.
Panasonic's 2013 42.5mm f/1.2 short telephoto for the Micro Four Thirds mount, fast enough for low light and shallow focus.
A 15mm f/1.7 wide-angle prime for the Micro Four Thirds mount, introduced by Panasonic in 2013.
Panasonic's 2013 20mm f/1.7 normal prime for the Micro Four Thirds mount.
Panasonic's 2013 12–32mm f/3.5–5.6 standard zoom for the Micro Four Thirds mount.
Panasonic's 2013 14–140mm f/3.5–5.6 superzoom for the Micro Four Thirds mount, with a power zoom for video.
A 14–42mm f/3.5–5.6 standard zoom for the Micro Four Thirds mount, introduced by Panasonic in 2013.
An APS-C 18–55mm f/3.5–5.6 standard zoom for the NX mount, introduced by Samsung in 2013.
Samyang's 2013 APS-C 10mm f/2.8 ultra-wide prime for the Fujifilm X mount.
An APS-C 16mm f/2 wide-angle prime for the Fujifilm X mount, introduced by Samyang in 2013.
A fast constant-aperture wide-to-standard zoom for APS-C cameras.
An APS-C 18–35mm f/1.8 standard zoom for multiple mounts, introduced by Sigma in 2013, with a constant aperture through the range.
An APS-C 19mm f/2.8 wide-angle prime for the Sony E mount, introduced by Sigma in 2013.
Sigma's 2013 APS-C 30mm f/2.8 normal prime for the Sony E mount.
Sigma's 2013 APS-C 30mm f/1.4 normal prime for the Nikon F mount.
Shown at Photokina 2012; reviews found sharpness on a par with Canon and Nikon at a lower price.
Sigma's 2013 APS-C 60mm f/2.8 short telephoto for the Sony E mount, suited to portraits.
Sony's 2013 24–70mm f/4.0 standard zoom for the Sony E mount, with a constant aperture through the range.
Sony's 2013 28–70mm f/3.5–5.6 standard zoom for the Sony E mount.
Sony's 2013 APS-C 16–70mm f/4 standard zoom for the Sony E mount, with a constant aperture through the range, with optical stabilisation.
An APS-C 20mm f/2.8 wide-angle prime for the Sony E mount, introduced by Sony in 2013.
Sony's 2013 APS-C 16–50mm f/3.5–5.6 standard zoom for the Sony E mount, with optical stabilisation.
Sony's 2013 APS-C 18–105mm f/4 standard zoom for the Sony E mount.
Sony's 2013 35mm f/2.8 wide-angle prime for the Sony E mount.
Sony's 2013 55mm f/1.8 normal prime for the Sony E mount.
Sony's 2013 70–200mm f/4.0 telephoto zoom for the Sony E mount, with a constant aperture through the range, with optical stabilisation.
A Zeiss-branded standard prime for Sony full-frame E-mount.
A 14–150mm f/3.5–5.8 superzoom for the Micro Four Thirds mount, introduced by Tamron in 2013, with optical stabilisation.
Cosina Voigtländer's 2013 50mm f/1.5 normal prime for the Leica M / M39 mount.
A manual-focus premium standard prime for Canon and Nikon DSLRs.
A 20x servo cinema zoom that reaches 1000 mm.
A 20x servo zoom reaching 1000mm, with a built-in 1.5x extender for full-frame coverage.
A Super 35 servo zoom offered in EF and PL mounts.
A new 21-element design with fluorite and super UD elements.
Canon's 2014 100–400mm f/4.5–5.6 telephoto zoom for the Canon EF mount, in Canon's professional L series.
Canon's 2014 16–35mm f/4 wide-angle zoom for the Canon EF mount, with a constant aperture through the range.
A 24–105mm f/3.5–5.6 standard zoom for the Canon EF mount, introduced by Canon in 2014, with optical stabilisation.
A 400mm f/4 super-telephoto for the Canon EF mount, introduced by Canon in 2014, for sport and wildlife.
Canon's 2014 APS-C 55–200mm f/4.5–6.3 telephoto zoom for the Canon EF-M mount, with optical stabilisation.
Canon's 2014 APS-C 10–18mm f/4.5–5.6 wide-angle zoom for the Canon EF-S mount, with optical stabilisation.
Canon's 2014 APS-C 24mm f/2.8 normal prime for the Canon EF-S mount.
A fast portrait-length prime, one of the widest-aperture native mirrorless lenses of its time.
A portrait lens with an apodization filter for softer background blur.
Fujifilm's 2014 APS-C 18–135mm f/3.5–5.6 superzoom for the Fujifilm X mount, with optical stabilisation.
Fujifilm's 2014 APS-C 50–140mm f/2.8 telephoto zoom for the Fujifilm X mount.
Pentax's 2014 APS-C 16–85mm f/3.5–5.6 standard zoom for the Pentax K mount.
A medium-format 28–45mm f/4.5 wide-angle zoom for the Pentax 645 mount, introduced by Pentax in 2014.
A 12–45mm f/3.5–6.3 standard zoom for the Micro Four Thirds mount, introduced by Kodak in 2014.
An APS-C 18–56mm f/3.5–5.6 standard zoom for the L-Mount, introduced by Leica in 2014.
An APS-C 18–300mm f/3.5–6.3 superzoom for the Nikon F mount, introduced by Nikon in 2014, with optical stabilisation.
Nikon's 2014 APS-C 18–55mm f/3.5–5.6 standard zoom for the Nikon F mount, with optical stabilisation.
Nikon's 2014 20mm f/1.8 ultra-wide prime for the Nikon F mount.
A 35mm f/1.8 wide-angle prime for the Nikon F mount, introduced by Nikon in 2014.
A 400mm f/2.8 super-telephoto for the Nikon F mount, introduced by Nikon in 2014, for sport and wildlife, with optical stabilisation.
A 10–30mm f/3.5–5.6 standard zoom for the Nikon 1 mount, introduced by Nikon in 2014.
Olympus's 2014 25mm f/1.8 normal prime for the Micro Four Thirds mount.
A 14–42mm f/3.5–5.6 standard zoom for the Micro Four Thirds mount, introduced by Olympus in 2014.
A fast constant-aperture telephoto zoom for Micro Four Thirds.
A Leica-branded f/1.2 lens with built-in image stabilisation for Micro Four Thirds.
Samsung's 2014 APS-C 16–50mm f/2.0–2.8 standard zoom for the NX mount.
An APS-C 16–50mm f/3.5–5.6 standard zoom for the NX mount, introduced by Samsung in 2014.
A 9–27mm f/3.5–5.6 standard zoom for the NX-M mount, introduced by Samsung in 2014.
Samyang's 2014 APS-C 12mm f/2.8 ultra-wide prime for the Fujifilm X mount.
Mitakon Zhongyi's 2014 50mm f/0.95 normal prime for multiple mounts, fast enough for low light and shallow focus.
A stabilised super-telephoto zoom reaching 600 mm.
Aimed, according to reports at the time, at the much costlier Zeiss Otus 55 mm.
Sigma's 2014 50mm f/1.4 normal prime for the Nikon F mount.
Sony's 2014 APS-C 18–50mm f/4–5.6 standard zoom for the Sony E mount.
A 16–35mm f/4 wide-angle zoom for the Sony E mount, introduced by Sony in 2014, with a constant aperture through the range.
A 24–70mm f/4 standard zoom for the Sony E mount, introduced by Sony in 2014, with a constant aperture through the range.
Sony's 2014 70–200mm f/4 telephoto zoom for the Sony E mount, with a constant aperture through the range, with optical stabilisation.
Sony's 2014 28–135mm f/4 standard zoom for the Sony E mount, with a constant aperture through the range, with optical stabilisation.
A 14–150mm f/3.5–5.8 superzoom for the Micro Four Thirds mount, introduced by Tamron in 2014.
An APS-C 18–200mm f/3.5–6.3 superzoom for the Canon EF-M mount, introduced by Tamron in 2014.
Tamron's 2014 28–300mm f/3.5–6.3 superzoom for multiple mounts, with optical stabilisation.
An EF-mount full-frame prime from Canon's CN-E cinema line, built for the Cinema EOS system.
Canon claimed the world's widest angle of view for a zoom of this kind.
An 11–24mm f/4 wide-angle zoom for the Canon EF mount, introduced by Canon in 2015, with a constant aperture through the range.
Canon's 2015 35mm f/1.4 wide-angle prime for the Canon EF mount.
Kept its predecessor's optics but added coatings tuned for digital cameras.
A 50mm f/1.8 normal prime for the Canon EF mount, introduced by Canon in 2015.
An APS-C 15–45mm f/3.5–6.3 standard zoom for the Canon EF-M mount, introduced by Canon in 2015, with optical stabilisation.
An APS-C 16–50mm f/3.5–5.6 standard zoom for the Fujifilm X mount, introduced by Fujifilm in 2015, with optical stabilisation.
An unusually fast weather-sealed wide-angle for Fujifilm X cameras.
Fujifilm's 2015 APS-C 35mm f/2 normal prime for the Fujifilm X mount.
A weather-resistant short telephoto for Fujifilm X cameras.
Fujifilm's 2015 APS-C 16–55mm f/2.8 standard zoom for the Fujifilm X mount.
Fujifilm's 2015 APS-C 16mm f/1.4 wide-angle prime for the Fujifilm X mount, fast enough for low light and shallow focus.
Fujifilm's 2015 APS-C 35mm f/2.0 normal prime for the Fujifilm X mount.
Fujifilm's 2015 APS-C 90mm f/2.0 short telephoto for the Fujifilm X mount, suited to portraits.
Pentax's 2015 APS-C 150–450mm f/4.5–5.6 telephoto zoom for the Pentax K mount.
Pentax's 2015 24–70mm f/2.8 standard zoom for the Pentax K mount, with a constant aperture through the range.
Pentax's 2015 APS-C 70–200mm f/2.8 telephoto zoom for the Pentax K mount, with a constant aperture through the range.
Listed by its maker as the widest-angle macro lens.
A 15mm f/4 special-purpose lens for multiple mounts, introduced by Venus Optics in 2015.
The first 2x macro lens that can also focus to infinity.
Venus Optics's 2015 60mm f/2.8 macro lens for multiple mounts, for close-up work.
A 24–90mm f/2.8–4.0 standard zoom for the L-Mount, introduced by Leica in 2015.
A standard zoom for the Leica L mount, announced with the SL system.
A manual-focus f/0.95 standard lens for Sony E-mount.
Nikon's 2015 APS-C 16–80mm f/2.8–4.0 standard zoom for the Nikon F mount, with optical stabilisation.
Nikon's 2015 200–500mm f/5.6 telephoto zoom for the Nikon F mount, with optical stabilisation.
A 24mm f/1.8 wide-angle prime for the Nikon F mount, introduced by Nikon in 2015.
Nikon's 2015 24–70mm f/2.8 standard zoom for the Nikon F mount, with a constant aperture through the range, with optical stabilisation.
Nikon's 2015 300mm f/4 super-telephoto for the Nikon F mount, for sport and wildlife, with optical stabilisation.
Nikon's 2015 500mm f/4 super-telephoto for the Nikon F mount, for sport and wildlife, with optical stabilisation.
Nikon's 2015 APS-C 55–200mm f/4–5.6 telephoto zoom for the Nikon F mount, with optical stabilisation.
Nikon's 2015 600mm f/4 super-telephoto for the Nikon F mount, for sport and wildlife, with optical stabilisation.
Olympus's 2015 14–150mm f/4–5.6 superzoom for the Micro Four Thirds mount.
A fast fisheye for Micro Four Thirds.
Panasonic's 2015 25mm f/1.7 normal prime for the Micro Four Thirds mount.
Samyang's 2015 APS-C 8mm f/3.5 fisheye for the Fujifilm X mount.
Sigma's 2015 20mm f/1.4 ultra-wide prime for the Nikon F mount.
A fast full-frame 24 mm, two stops faster than most lenses of that length.
A full-frame wide zoom with a constant f/2 aperture.
Sigma's 2015 24mm f/1.4 wide-angle prime for the Nikon F mount, fast enough for low light and shallow focus.
Sony's 2015 24–240mm f/3.5–6.3 superzoom for the Sony E mount, with optical stabilisation.
A 28mm f/2 wide-angle prime for the Sony E mount, introduced by Sony in 2015.
Sony's 2015 35mm f/1.4 wide-angle prime for the Sony E mount.
A stabilised full-frame macro prime for Sony E-mount.
Sony's 2015 90mm f/2.8 short telephoto for the Sony E mount, suited to portraits, with optical stabilisation.
A large-aperture Zeiss-branded wide-angle for Sony full-frame E-mount.
An 85mm f/2.2 cinema prime for the Micro Four Thirds mount, introduced by Veydra in 2015.
Cosina Voigtländer's 2015 35mm f/1.7 wide-angle prime for the Leica M / M39 mount.
Zeiss's 2015 25mm f/2 wide-angle prime for the Sony E mount.
A full-frame autofocus portrait prime for Sony E-mount.
An 85mm f/1.8 short telephoto for the Sony E mount, introduced by Zeiss in 2015, suited to portraits.
A 21mm f/2.8 ultra-wide prime for the Sony E mount, introduced by Zeiss in 2015.
A full-frame manual-focus wide-angle for Sony E-mount.
A compact Super 35 cinema zoom with image stabilisation, in EF mount.
A 16–35mm f/2.8 wide-angle zoom for the Canon EF mount, introduced by Canon in 2016, with a constant aperture through the range.
Canon's 2016 24–105mm f/4 standard zoom for the Canon EF mount, with a constant aperture through the range.
A 70–300mm f/4–5.6 telephoto zoom for the Canon EF mount, introduced by Canon in 2016, with optical stabilisation.
Canon's 2016 APS-C 18–150mm f/3.5–6.3 superzoom for the Canon EF-M mount, with optical stabilisation.
An APS-C 28mm f/3.5 macro lens for the Canon EF-M mount, introduced by Canon in 2016, for close-up work, with optical stabilisation.
An APS-C 18–135mm f/3.5–5.6 superzoom for the Canon EF-S mount, introduced by Canon in 2016, with optical stabilisation.
An APS-C 100–400mm f/4.5–5.6 telephoto zoom for the Fujifilm X mount, introduced by Fujifilm in 2016, with optical stabilisation.
An APS-C 23mm f/2.0 wide-angle prime for the Fujifilm X mount, introduced by Fujifilm in 2016.
A smooth trans focus prime marketed as the 'Bokeh Dreamer'.
Venus Optics's 2016 105mm f/2 apodization portrait lens for multiple mounts, for very smooth background blur.
A fast full-frame ultra-wide with negligible distortion.
A 12mm f/2.8 ultra-wide prime for multiple mounts, introduced by Venus Optics in 2016.
Revived the Summaron name in a tiny wide-angle.
Nikon's 2016 105mm f/1.4 short telephoto for the Nikon F mount.
Nikon's 2016 APS-C 18–55mm f/3.5–5.6 standard zoom for the Nikon F mount.
A 70–200mm f/2.8 telephoto zoom for the Nikon F mount, introduced by Nikon in 2016, with a constant aperture through the range.
An APS-C 70–300mm f/4.5–6.3 telephoto zoom for the Nikon F mount, introduced by Nikon in 2016.
Olympus's 2016 25mm f/1.2 normal prime for the Micro Four Thirds mount.
The longest refracting prime in the Micro Four Thirds system at the end of 2020.
Olympus's 2016 300mm f/4.0 super-telephoto for the Micro Four Thirds mount, for sport and wildlife.
Olympus's 2016 12–100mm f/4.0 superzoom for the Micro Four Thirds mount, with a constant aperture through the range, with optical stabilisation.
Nikon's 2016 19mm f/4 perspective-control lens for the Nikon F mount, for correcting converging lines in architecture.
Panasonic's 2016 12mm f/1.4 wide-angle prime for the Micro Four Thirds mount, fast enough for low light and shallow focus.
A compact long telephoto zoom for Micro Four Thirds.
A 100–400mm f/4.0–6.3 telephoto zoom for the Micro Four Thirds mount, introduced by Panasonic in 2016, with a power zoom for video.
A 12–60mm f/3.5–5.6 standard zoom for the Micro Four Thirds mount, introduced by Panasonic in 2016, with a power zoom for video.
Designed for digital cameras and named after Panavision's first lens engineer, Takuo Miyagishima.
An autofocus ultra-wide prime for Sony full-frame E-mount.
A 14mm f/2.8 ultra-wide prime for the Sony E mount, introduced by Samyang in 2016.
An autofocus standard prime for Sony full-frame E-mount.
Samyang's 2016 50mm f/1.4 normal prime for the Sony E mount, fast enough for low light and shallow focus.
A fast standard prime for several APS-C and Micro Four Thirds mirrorless mounts.
Sigma's 2016 APS-C 30mm f/1.4 normal prime for the Sony E mount, fast enough for low light and shallow focus.
An APS-C 50–100mm f/1.8 telephoto zoom for multiple SLR mounts, introduced by Sigma in 2016, with a constant aperture through the range.
Sigma's 2016 85mm f/1.4 short telephoto for the Nikon F mount, fast enough for low light and shallow focus.
Sigma's entry into cinema glass, with matched primes and zooms for motion picture work.
Sony's 2016 APS-C 18–110mm f/4 standard zoom for the Sony E mount.
A premium constant f/2.8 standard zoom announced at the G Master launch in 2016.
A 24–70mm f/2.8 standard zoom for the Sony E mount, introduced by Sony in 2016, with a constant aperture through the range.
Sony's 2016 50mm f/1.4 normal prime for the Sony E mount.
A 50mm f/1.8 normal prime for the Sony E mount, introduced by Sony in 2016.
A premium constant f/2.8 telephoto zoom announced at the G Master launch in 2016.
A 70–200mm f/2.8 telephoto zoom for the Sony E mount, introduced by Sony in 2016, with a constant aperture through the range.
Sony's 2016 70–300mm f/4.5–5.6 telephoto zoom for the Sony E mount, with optical stabilisation.
A premium short telephoto, released on the day Sony launched its G Master line.
A large-aperture Zeiss Planar for Sony full-frame E-mount.
A 20mm f/2.0 ultra-wide prime for multiple mounts, introduced by Tokina in 2016.
A 7.5mm f/2.0 ultra-wide prime for the Micro Four Thirds mount, introduced by Venus Optics in 2016.
Cosina Voigtländer's 2016 12mm f/5.6 ultra-wide prime for the Leica M / M39 mount.
A 12–40mm f/3.5–5.6 standard zoom for the Micro Four Thirds mount, introduced by YI in 2016.
A full-frame autofocus wide-angle prime for Sony E-mount.
Zeiss's 2016 18mm f/2.8 ultra-wide prime for the Sony E mount.
A long-range cinema zoom built in versions for Super 35, U35 and full-frame sensors.
Telephoto companion to the 18–80mm, also stabilised, in EF mount.
A stabilised fast portrait lens from Canon's L series.
Canon's 2017 85mm f/1.4 short telephoto for the Canon EF mount.
An APS-C 18–55mm f/4–5.6 standard zoom for the Canon EF-S mount, introduced by Canon in 2017, with optical stabilisation.
An APS-C 35mm f/2.8 macro lens for the Canon EF-S mount, introduced by Canon in 2017, for close-up work, with optical stabilisation.
A tilt-shift lens that is also a macro, for EOS cameras.
Canon's 2017 135mm f/4.0 perspective-control lens for the Canon EF mount, for correcting converging lines in architecture, in Canon's professional L series.
A 50mm f/2.8 perspective-control lens for the Canon EF mount, introduced by Canon in 2017, for correcting converging lines in architecture.
Canon's 2017 90mm f/2.8 perspective-control lens for the Canon EF mount, for correcting converging lines in architecture, in Canon's professional L series.
A medium-format 110mm f/2 short telephoto for the Fujifilm G mount, introduced by Fujifilm in 2017, suited to portraits.
Fujifilm's 2017 medium-format 120mm f/4 macro lens for the Fujifilm G mount, for close-up work, with optical stabilisation.
Fujifilm's 2017 medium-format 32–64mm f/4 standard zoom for the Fujifilm G mount, with a constant aperture through the range.
Fujifilm's 2017 medium-format 45mm f/2.8 normal prime for the Fujifilm G mount.
Fujifilm's 2017 medium-format 63mm f/2.8 normal prime for the Fujifilm G mount.
Fujifilm's 2017 medium-format 23mm f/4 ultra-wide prime for the Fujifilm G mount.
An APS-C 50mm f/2.0 short telephoto for the Fujifilm X mount, introduced by Fujifilm in 2017, suited to portraits.
Fujifilm's 2017 APS-C 80mm f/2.8 macro lens for the Fujifilm X mount, for close-up work, with optical stabilisation.
Pentax's 2017 50mm f/1.4 normal prime for the Pentax K mount.
A 15mm f/2 ultra-wide prime for multiple mounts, introduced by Venus Optics in 2017.
A 7.5mm f/2 ultra-wide prime for multiple mounts, introduced by Venus Optics in 2017.
The longest Noctilux, added in 2017 mainly for portrait work on the rangefinder.
Extended the Noctilux name to a longer focal length for portraits.
A selective-focus optic with a central sweet spot and blurred edges.
Nikon's 2017 28mm f/1.4 wide-angle prime for the Nikon F mount, fast enough for low light and shallow focus.
A 70–300mm f/4.5–5.6 telephoto zoom for the Nikon F mount, introduced by Nikon in 2017, with optical stabilisation.
An 8–15mm f/3.5–4.5 fisheye for the Nikon F mount, introduced by Nikon in 2017.
An APS-C 10–20mm f/4.5–5.6 wide-angle zoom for the Nikon F mount, introduced by Nikon in 2017, with optical stabilisation.
Olympus's 2017 17mm f/1.2 wide-angle prime for the Micro Four Thirds mount, fast enough for low light and shallow focus.
Olympus's 2017 45mm f/1.2 short telephoto for the Micro Four Thirds mount, fast enough for low light and shallow focus.
Panasonic's 2017 200mm f/2.8 super-telephoto for the Micro Four Thirds mount, for sport and wildlife, with a power zoom for video.
Panasonic's 2017 8–18mm f/2.8–4 wide-angle zoom for the Micro Four Thirds mount.
A 12–60mm f/2.8–4 standard zoom for the Micro Four Thirds mount, introduced by Panasonic in 2017, with a power zoom for video.
A compact ultra-wide zoom for Micro Four Thirds.
Panasonic's 2017 12–35mm f/2.8 standard zoom for the Micro Four Thirds mount.
Samyang's 2017 35mm f/1.4 wide-angle prime for the Sony E mount.
A 35mm f/2.8 wide-angle prime for the Sony E mount, introduced by Samyang in 2017.
A 100–400mm f/5–6.3 telephoto zoom for multiple SLR mounts, introduced by Sigma in 2017, with optical stabilisation.
Sigma's 2017 135mm f/1.8 short telephoto for the Nikon F mount, suited to portraits.
Sigma's 2017 14mm f/1.8 ultra-wide prime for the Nikon F mount.
Sigma's 2017 APS-C 16mm f/1.4 wide-angle prime for the Sony E mount.
Sigma's 2017 56mm f/1.4 short telephoto for the Micro Four Thirds mount.
An autofocus smooth trans focus prime for Sony E-mount.
A premium telephoto zoom for Sony full-frame E-mount.
A 100–400mm f/4.5–5.6 telephoto zoom for the Sony E mount, introduced by Sony in 2017, in Sony's G Master line.
A constant f/4 ultra-wide zoom for Sony full-frame E-mount.
A 12–24mm f/4 wide-angle zoom for the Sony E mount, introduced by Sony in 2017, with a constant aperture through the range.
A premium constant f/2.8 wide zoom for Sony full-frame E-mount.
A 16–35mm f/2.8 wide-angle zoom for the Sony E mount, introduced by Sony in 2017, with a constant aperture through the range.
Sony's 2017 24–105mm f/4 standard zoom for the Sony E mount, with a constant aperture through the range, with optical stabilisation.
An 85mm f/1.8 short telephoto for the Sony E mount, introduced by Sony in 2017, suited to portraits.
The first lens in Tokina's line made for Sony E-mount.
Zeiss's 2017 135mm f/2.8 short telephoto for the Sony E mount, suited to portraits.
Canon's 2018 400mm f/2.8 super-telephoto for the Canon EF mount, for sport and wildlife, in Canon's professional L series.
A 600mm f/4 super-telephoto for the Canon EF mount, introduced by Canon in 2018, for sport and wildlife.
Canon's 2018 70–200mm f/2.8 telephoto zoom for the Canon EF mount, with a constant aperture through the range.
A 70–200mm f/4 telephoto zoom for the Canon EF mount, introduced by Canon in 2018, with a constant aperture through the range.
A fast prime and the last lens released for Canon's EF-M mirrorless mount.
Canon's 2018 APS-C 32mm f/1.4 normal prime for the Canon EF-M mount, fast enough for low light and shallow focus.
Canon's 2018 24–105mm f/4 standard zoom for the Canon RF mount, with a constant aperture through the range.
A 28–70mm f/2 standard zoom for the Canon RF mount, introduced by Canon in 2018, with a constant aperture through the range.
A 35mm f/1.8 macro lens for the Canon RF mount, introduced by Canon in 2018, for close-up work, with optical stabilisation.
Canon's 2018 50mm f/1.2 normal prime for the Canon RF mount.
A medium-format 250mm f/4 telephoto prime for the Fujifilm G mount, introduced by Fujifilm in 2018, with optical stabilisation.
Fujifilm's 2018 APS-C 18–55mm T2.8 cinema standard zoom for the Fujifilm X mount.
Fujifilm's 2018 APS-C 50–135mm T2.8 cinema telephoto zoom for the Fujifilm X mount, with a constant aperture through the range.
An APS-C 15–45mm f/3.5–5.6 standard zoom for the Fujifilm X mount, introduced by Fujifilm in 2018, with optical stabilisation.
An APS-C 200mm f/2.0 super-telephoto for the Fujifilm X mount, introduced by Fujifilm in 2018, for sport and wildlife, with optical stabilisation.
Fujifilm's 2018 APS-C 8–16mm f/2.8 wide-angle zoom for the Fujifilm X mount, with a constant aperture through the range.
The greatest zoom range of any full-frame wide-angle zoom when it appeared.
A 10–18mm f/4.5–5.6 wide-angle zoom for multiple mounts, introduced by Venus Optics in 2018.
A long, thin probe lens that puts the camera's eye right inside a scene.
A 24mm f/14 special-purpose lens for multiple mounts, introduced by Venus Optics in 2018.
A compact high-magnification macro with about four centimetres of working distance.
Venus Optics's 2018 25mm f/2.8 macro lens for multiple mounts, for close-up work.
An APS-C 9mm f/2.8 ultra-wide prime for multiple mounts, introduced by Venus Optics in 2018.
Mitakon Zhongyi's 2018 medium-format 65mm f/1.4 normal prime for the Fujifilm G mount, fast enough for low light and shallow focus.
Mitakon Zhongyi's 2018 medium-format 85mm f/1.2 normal prime for the Fujifilm G mount.
A 180–400mm f/4 telephoto zoom for the Nikon F mount, introduced by Nikon in 2018, with a constant aperture through the range.
Nikon's 2018 500mm f/5.6 super-telephoto for the Nikon F mount, for sport and wildlife, with optical stabilisation.
A 24–70mm f/4 standard zoom for the Nikon Z mount, introduced by Nikon in 2018, with a constant aperture through the range.
A 35mm f/1.8 wide-angle prime for the Nikon Z mount, introduced by Nikon in 2018, in Nikon's S-Line.
Nikon's 2018 50mm f/1.8 normal prime for the Nikon Z mount, in Nikon's S-Line.
Revived the Noct name as a manual-focus f/0.95 showpiece for the Z mount.
One of the first three lenses announced for the Nikon Z mount in 2018.
One of the first three lenses announced for the Nikon Z mount in 2018.
A 50–200mm f/2.8–4 telephoto zoom for the Micro Four Thirds mount, introduced by Panasonic in 2018, with a power zoom for video.
A professional fast normal prime for the Pentax K mount.
A 24mm f/2.8 wide-angle prime for the Sony E mount, introduced by Samyang in 2018.
Sigma's 2018 105mm f/1.4 short telephoto for the Nikon F mount.
Sigma's 2018 20mm f/1.4 ultra-wide prime for the Sony E mount.
Sigma's 2018 24mm f/1.4 wide-angle prime for the Sony E mount.
Sigma's 2018 28mm f/1.4 wide-angle prime for the Nikon F mount.
Sigma's 2018 35mm f/1.4 wide-angle prime for the Sony E mount, fast enough for low light and shallow focus.
Sigma's 2018 40mm f/1.4 normal prime for the Nikon F mount.
Sigma's 2018 50mm f/1.4 normal prime for the Sony E mount, fast enough for low light and shallow focus.
Sigma's 2018 APS-C 56mm f/1.4 short telephoto for the Sony E mount.
Sigma's 2018 70–200mm f/2.8 telephoto zoom for multiple SLR mounts, with a constant aperture through the range, with optical stabilisation.
Sigma's 2018 70mm f/2.8 macro lens for the Sony E mount, for close-up work.
Sigma's 2018 85mm f/1.4 short telephoto for the Sony E mount.
An APS-C 18–135mm f/3.5–5.6 superzoom for the Sony E mount, introduced by Sony in 2018, with optical stabilisation.
Sony's 2018 24mm f/1.4 wide-angle prime for the Sony E mount, fast enough for low light and shallow focus.
A 400mm f/2.8 super-telephoto for the Sony E mount, introduced by Sony in 2018, for sport and wildlife.
Tamron's 2018 28–75mm f/2.8 standard zoom for the Sony E mount, with a constant aperture through the range.
Tokina's 2018 20mm f/2 ultra-wide prime for the Sony E mount.
Zeiss's 2018 40mm f/2 normal prime for the Sony E mount.
A 15–35mm f/2.8 wide-angle zoom for the Canon RF mount, introduced by Canon in 2019, with a constant aperture through the range.
A 24–240mm f/4–6.3 superzoom for the Canon RF mount, introduced by Canon in 2019, with optical stabilisation.
A 24–70mm f/2.8 standard zoom for the Canon RF mount, introduced by Canon in 2019, with a constant aperture through the range.
Canon's 2019 70–200mm f/2.8 telephoto zoom for the Canon RF mount, with a constant aperture through the range.
Canon's 2019 85mm f/1.2 short telephoto for the Canon RF mount.
A full-frame PL-mount prime from Canon's Sumire cinema set.
A full-frame PL-mount prime from Canon's Sumire cinema set.
A full-frame PL-mount prime from Canon's Sumire cinema set.
A full-frame PL-mount prime from Canon's Sumire cinema set.
A full-frame PL-mount prime from Canon's Sumire cinema set.
A full-frame PL-mount prime from Canon's Sumire cinema set.
A full-frame PL-mount prime from Canon's Sumire cinema set.
Fujifilm's 2019 medium-format 100–200mm f/5.6 telephoto zoom for the Fujifilm G mount, with optical stabilisation.
A medium-format 50mm f/3.5 normal prime for the Fujifilm G mount, introduced by Fujifilm in 2019.
Fujifilm's 2019 APS-C 16–80mm f/4 standard zoom for the Fujifilm X mount, with a constant aperture through the range, with optical stabilisation.
Fujifilm's 2019 APS-C 16mm f/2.8 wide-angle prime for the Fujifilm X mount.
Pentax's 2019 85mm f/1.4 short telephoto for the Pentax K mount, fast enough for low light and shallow focus.
Hasselblad's 2019 35–75mm f/3.5–4.5 standard zoom for the Fujifilm G mount.
KamLan's 2019 APS-C 50mm f/1.1 short telephoto for the Fujifilm X mount.
Kipon's 2019 medium-format 75mm f/2.4 normal prime for the Fujifilm G mount.
Venus Optics's 2019 100mm f/2.8 macro lens for multiple mounts, for close-up work, with apochromatic correction.
A 17mm f/1.8 wide-angle prime for multiple mounts, introduced by Venus Optics in 2019.
The shortest focal length made for Micro Four Thirds, a tiny circular fisheye.
A 4mm f/2.8 fisheye for multiple mounts, introduced by Venus Optics in 2019.
Nikon's 2019 14–30mm f/4 wide-angle zoom for the Nikon Z mount, with a constant aperture through the range, in Nikon's S-Line.
Nikon's 2019 24mm f/1.8 wide-angle prime for the Nikon Z mount, in Nikon's S-Line.
A 24–70mm f/2.8 standard zoom for the Nikon Z mount, introduced by Nikon in 2019, with a constant aperture through the range.
An 85mm f/1.8 short telephoto for the Nikon Z mount, introduced by Nikon in 2019, suited to portraits, in Nikon's S-Line.
An APS-C 16–50mm f/3.5–6.3 standard zoom for the Nikon Z mount, introduced by Nikon in 2019, with optical stabilisation.
Nikon's 2019 APS-C 50–250mm f/4.5–6.3 telephoto zoom for the Nikon Z mount, with optical stabilisation.
A constant f/4 wide-angle zoom for Nikon Z mirrorless cameras.
A constant f/2.8 standard zoom for Nikon Z mirrorless cameras.
One of only two Nikkor lenses with the Noct name, with a very large f/0.95 aperture.
A 12–200mm f/3.5–6.3 superzoom for the Micro Four Thirds mount, introduced by Olympus in 2019.
Olympus's 2019 150–400mm f/4.5 telephoto zoom for the Micro Four Thirds mount, with optical stabilisation.
A 14–140mm f/3.5–5.6 superzoom for the Micro Four Thirds mount, introduced by Panasonic in 2019.
A 24–105mm f/4.0 standard zoom for the L-Mount, introduced by Panasonic in 2019, with a constant aperture through the range.
Panasonic's 2019 10–25mm f/1.7 standard zoom for the Micro Four Thirds mount.
An 18mm f/2.8 ultra-wide prime for the Sony E mount, introduced by Samyang in 2019.
Samyang's 2019 45mm f/1.8 normal prime for the Sony E mount.
Samyang's 2019 14mm f/2.8 ultra-wide prime for the Canon RF mount.
Samyang's 2019 85mm f/1.4 short telephoto for the Canon RF mount.
A 14mm f/2.8 ultra-wide prime for the Canon RF mount, introduced by Samyang in 2019.
Sigma's 2019 14–24mm f/2.8 wide-angle zoom for the Sony E mount, with a constant aperture through the range.
Sigma's 2019 APS-C 16mm f/1.4 wide-angle prime for the Canon EF-M mount, fast enough for low light and shallow focus.
A 24–70mm f/2.8 standard zoom for the Sony E mount, introduced by Sigma in 2019, with a constant aperture through the range.
Sigma's 2019 APS-C 30mm f/1.4 normal prime for the Canon EF-M mount.
Sigma's 2019 35mm f/1.2 wide-angle prime for the Sony E mount.
A 45mm f/2.8 normal prime for the Sony E mount, introduced by Sigma in 2019.
Sigma's 2019 APS-C 56mm f/1.4 short telephoto for the Canon EF-M mount, fast enough for low light and shallow focus.
Sirui's 2019 24mm f/2.8 anamorphic lens for the Micro Four Thirds mount.
A 50mm f/1.8 anamorphic lens for the Micro Four Thirds mount, introduced by Sirui in 2019.
Sirui's 2019 75mm f/1.8 anamorphic lens for the Micro Four Thirds mount.
Sony's 2019 APS-C 16–55mm f/2.8 standard zoom for the Sony E mount.
An APS-C 70–350mm f/4.5–6.3 telephoto zoom for the Sony E mount, introduced by Sony in 2019, with optical stabilisation.
A 135mm f/1.8 short telephoto for the Sony E mount, introduced by Sony in 2019, suited to portraits.
A premium super-telephoto zoom for Sony full-frame E-mount.
A 200–600mm f/5.6–6.3 telephoto zoom for the Sony E mount, introduced by Sony in 2019, with optical stabilisation.
Sony's 2019 35mm f/1.8 wide-angle prime for the Sony E mount.
A 600mm f/4 super-telephoto for the Sony E mount, introduced by Sony in 2019, for sport and wildlife.
Sony's 2019 16–35mm T3.1 cinema wide-angle zoom for the Sony E mount.
A 17–28mm f/2.8 wide-angle zoom for the Sony E mount, introduced by Tamron in 2019, with a constant aperture through the range.
Tamron's 2019 20mm f/2.8 ultra-wide prime for the Sony E mount.
A 24mm f/2.8 wide-angle prime for the Sony E mount, introduced by Tamron in 2019.
Tamron's 2019 35mm f/2.8 wide-angle prime for the Sony E mount.
Tamron's 2019 70–180mm f/2.8 telephoto zoom for the Sony E mount, with a constant aperture through the range.
Tokina's 2019 100mm f/2.8 macro lens for the Sony E mount, for close-up work.
A medium-format 17mm f/4 ultra-wide prime for the Fujifilm G mount, introduced by Venus Optics in 2019.
Viltrox's 2019 APS-C 23mm f/1.4 wide-angle prime for the Sony E mount.
Viltrox's 2019 APS-C 33mm f/1.4 normal prime for the Sony E mount.
Viltrox's 2019 APS-C 56mm f/1.4 short telephoto for the Sony E mount, fast enough for low light and shallow focus.
An 85mm f/1.8 short telephoto for the Sony E mount, introduced by Viltrox in 2019, suited to portraits.
A 10x servo zoom whose built-in 1.5x extender lets it cover full frame.
Canon's 2020 100–500mm f/4.5–7.1 telephoto zoom for the Canon RF mount, in Canon's professional L series.
A 24–105mm f/4–7.1 standard zoom for the Canon RF mount, introduced by Canon in 2020, with optical stabilisation.
Canon's 2020 50mm f/1.8 normal prime for the Canon RF mount.
A 600mm f/11 super-telephoto for the Canon RF mount, introduced by Canon in 2020, for sport and wildlife, with optical stabilisation.
A 70–200mm f/4 telephoto zoom for the Canon RF mount, introduced by Canon in 2020, with a constant aperture through the range.
Canon's 2020 800mm f/11 super-telephoto for the Canon RF mount, for sport and wildlife, with optical stabilisation.
Canon's 2020 85mm f/2 macro lens for the Canon RF mount, for close-up work, with optical stabilisation.
Fujifilm's 2020 medium-format 30mm f/3.5 ultra-wide prime for the Fujifilm G mount.
Fujifilm's 2020 medium-format 45–100mm f/4 standard zoom for the Fujifilm G mount.
Fujifilm's 2020 APS-C 35mm f/2.0 normal prime for the Fujifilm X mount.
Fujifilm's 2020 APS-C 10–24mm f/4.0 wide-angle zoom for the Fujifilm X mount.
Fujifilm's 2020 APS-C 50mm f/1.0 short telephoto for the Fujifilm X mount, fast enough for low light and shallow focus.
A 70–210mm f/4.0 telephoto zoom for the Pentax K mount, introduced by Pentax in 2020, with a constant aperture through the range.
Venus Optics's 2020 12mm T2.9 cinema prime for multiple mounts.
Venus Optics's 2020 15mm T2.1 cinema prime for multiple mounts.
Venus Optics's 2020 15mm f/4.5 special-purpose lens for multiple mounts.
Laowa's 2020 APS-C 65mm f/2.8 macro lens for the Fujifilm X mount, for close-up work, with apochromatic correction.
An APS-C 65mm f/2.8 macro lens for multiple mounts, introduced by Venus Optics in 2020, for close-up work, with apochromatic correction.
Listed as the widest rectilinear full-frame lens with negligible distortion.
Venus Optics's 2020 APS-C 9mm T2.9 cinema prime for multiple mounts.
A 9mm f/5.6 ultra-wide prime for multiple mounts, introduced by Venus Optics in 2020.
Nikon's 2020 120–300mm f/2.8 telephoto zoom for the Nikon F mount, with a constant aperture through the range, with optical stabilisation.
A 14–24mm f/2.8 wide-angle zoom for the Nikon Z mount, introduced by Nikon in 2020, with a constant aperture through the range.
A 20mm f/1.8 ultra-wide prime for the Nikon Z mount, introduced by Nikon in 2020, in Nikon's S-Line.
Nikon's 2020 24–200mm f/4–6.3 superzoom for the Nikon Z mount, with optical stabilisation.
Nikon's 2020 24–50mm f/4–6.3 standard zoom for the Nikon Z mount.
Nikon's 2020 50mm f/1.2 normal prime for the Nikon Z mount, fast enough for low light and shallow focus, in Nikon's S-Line.
A 70–200mm f/2.8 telephoto zoom for the Nikon Z mount, introduced by Nikon in 2020, with a constant aperture through the range.
A full-frame fast standard prime for the Nikon Z mount.
A constant f/2.8 telephoto zoom for Nikon Z mirrorless cameras.
Olympus's 2020 100–400mm f/5.0–6.3 telephoto zoom for the Micro Four Thirds mount, with optical stabilisation.
Olympus's 2020 12–45mm f/4 standard zoom for the Micro Four Thirds mount.
A 20–60mm f/3.5–5.6 standard zoom for the L-Mount, introduced by Panasonic in 2020.
A professional fast short telephoto for the Pentax K mount.
Samyang's 2020 35mm f/1.8 wide-angle prime for the Sony E mount.
A 75mm f/1.8 short telephoto for the Sony E mount, introduced by Samyang in 2020, suited to portraits.
Samyang's 2020 85mm f/1.4 short telephoto for the Canon RF mount.
A 100–400mm f/5–6.3 telephoto zoom for the Sony E mount, introduced by Sigma in 2020, with optical stabilisation.
Sigma's 2020 105mm f/2.8 macro lens for the Sony E mount, for close-up work.
A 24mm f/3.5 wide-angle prime for the Sony E mount, introduced by Sigma in 2020.
Sigma's 2020 35mm f/2 wide-angle prime for the Sony E mount.
A 65mm f/2 normal prime for the Sony E mount, introduced by Sigma in 2020.
Sigma's 2020 85mm f/1.4 short telephoto for the Sony E mount, fast enough for low light and shallow focus.
Sirui's 2020 35mm f/1.8 anamorphic lens for the Micro Four Thirds mount.
Sony's 2020 12–24mm f/2.8 wide-angle zoom for the Sony E mount, with a constant aperture through the range.
Sony's 2020 20mm f/1.8 ultra-wide prime for the Sony E mount.
A 28–60mm f/4–5.6 standard zoom for the Sony E mount, introduced by Sony in 2020.
Tamron's 2020 APS-C 17–70mm f/2.8 standard zoom for multiple mounts (E, X).
A 28–200mm f/2.8–5.6 standard zoom for the Sony E mount, introduced by Tamron in 2020.
Tokina's 2020 APS-C 23mm f/1.4 wide-angle prime for the Fujifilm X mount, fast enough for low light and shallow focus.
Tokina's 2020 APS-C 33mm f/1.4 normal prime for the Fujifilm X mount.
Tokina's 2020 APS-C 56mm f/1.4 short telephoto for the Fujifilm X mount.
An 85mm f/1.8 short telephoto for the Sony E mount, introduced by Tokina in 2020, suited to portraits.
Venus Optics's 2020 50mm f/2.8 macro lens for the Micro Four Thirds mount, for close-up work, with apochromatic correction.
Viltrox's 2020 APS-C 23mm f/1.4 normal prime for the Canon EF-M mount, fast enough for low light and shallow focus.
Viltrox's 2020 APS-C 33mm f/1.4 normal prime for the Canon EF-M mount.
Viltrox's 2020 APS-C 56mm f/1.4 short telephoto for the Canon EF-M mount.
Viltrox's 2020 85mm f/1.8 short telephoto for the Nikon Z mount, suited to portraits.
A 24mm f/1.8 wide-angle prime for the Sony E mount, introduced by Viltrox in 2020.
Yongnuo's 2020 35mm f/2 wide-angle prime for the Sony E mount.
Yongnuo's 2020 APS-C 50mm f/1.8 short telephoto for the Sony E mount, suited to portraits.
An 85mm f/1.8 short telephoto for the Sony E mount, introduced by Yongnuo in 2020, suited to portraits.
Compact full-frame cinema zooms that completed the Optimo large-format offer.
Canon's 2021 100mm f/2.8 macro lens for the Canon RF mount, for close-up work, in Canon's professional L series.
Canon's 2021 100–400mm f/5.6–8 telephoto zoom for the Canon RF mount, with optical stabilisation.
A 14–35mm f/4 wide-angle zoom for the Canon RF mount, introduced by Canon in 2021, with a constant aperture through the range.
Canon's 2021 16mm f/2.8 ultra-wide prime for the Canon RF mount.
A 400mm f/2.8 super-telephoto for the Canon RF mount, introduced by Canon in 2021, for sport and wildlife.
Canon's 2021 5.2mm f/2.8 fisheye for the Canon RF mount, in Canon's professional L series.
A 600mm f/4 super-telephoto for the Canon RF mount, introduced by Canon in 2021, for sport and wildlife.
A medium-format 80mm f/1.7 normal prime for the Fujifilm G mount, introduced by Fujifilm in 2021.
A medium-format 35–70mm f/4.5 standard zoom for the Fujifilm G mount, introduced by Fujifilm in 2021.
Fujifilm's 2021 APS-C 18mm f/1.4 wide-angle prime for the Fujifilm X mount.
Fujifilm's 2021 APS-C 23mm f/1.4 wide-angle prime for the Fujifilm X mount, fast enough for low light and shallow focus.
Fujifilm's 2021 APS-C 27mm f/2.8 normal prime for the Fujifilm X mount.
Fujifilm's 2021 APS-C 33mm f/1.4 normal prime for the Fujifilm X mount, fast enough for low light and shallow focus.
Fujifilm's 2021 APS-C 70–300mm f/4–5.6 telephoto zoom for the Fujifilm X mount, with optical stabilisation.
IRIX's 2021 medium-format 45mm f/1.4 normal prime for the Fujifilm G mount.
A 24–70mm f/2.8 standard zoom for the L-Mount, introduced by Leica in 2021, with a constant aperture through the range.
A close remake of the 1966 Noctilux, built to reproduce its rendering.
Nikon's 2021 100–400mm f/4.5–5.6 telephoto zoom for the Nikon Z mount, in Nikon's S-Line.
A 105mm f/2.8 short telephoto for the Nikon Z mount, introduced by Nikon in 2021, suited to portraits, in Nikon's S-Line.
A 24–120mm f/4 standard zoom for the Nikon Z mount, introduced by Nikon in 2021, with a constant aperture through the range.
A 28mm f/2.8 wide-angle prime for the Nikon Z mount, introduced by Nikon in 2021.
Nikon's 2021 28–75mm f/2.8 standard zoom for the Nikon Z mount, with a constant aperture through the range.
A 50mm f/2.8 macro lens for the Nikon Z mount, introduced by Nikon in 2021, for close-up work.
An APS-C 16–50mm f/3.5–6.3 standard zoom for the Nikon Z mount, introduced by Nikon in 2021, with optical stabilisation.
Nikon's 2021 APS-C 18–140mm f/3.5–6.3 superzoom for the Nikon Z mount, with optical stabilisation.
A full-frame super-telephoto zoom for Nikon Z cameras.
A full-frame prime for Nikon Z mirrorless cameras.
The Z-mount successor of the AF-S VR 105 mm Micro-Nikkor.
OM System's 2021 20mm f/1.4 normal prime for the Micro Four Thirds mount, fast enough for low light and shallow focus.
Olympus's 2021 8–25mm f/4 standard zoom for the Micro Four Thirds mount.
A 24–70mm f/2.8 standard zoom for the L-Mount, introduced by Panasonic in 2021, with a constant aperture through the range.
Panasonic's 2021 25–50mm f/1.7 standard zoom for the Micro Four Thirds mount.
An APS-C 12mm f/2 ultra-wide prime for the Sony E mount, introduced by Samyang in 2021.
A 24–70mm f/2.8 standard zoom for the Sony E mount, introduced by Samyang in 2021, with a constant aperture through the range.
A 24mm f/1.8 wide-angle prime for the Sony E mount, introduced by Samyang in 2021.
Samyang's 2021 50mm f/1.4 normal prime for the Sony E mount, fast enough for low light and shallow focus.
A 150–600mm f/5–6.3 telephoto zoom for the Sony E mount, introduced by Sigma in 2021, with optical stabilisation.
Sigma's 2021 APS-C 18–50mm f/2.8 standard zoom for the Sony E mount, with a constant aperture through the range.
A 24mm f/2 wide-angle prime for the Sony E mount, introduced by Sigma in 2021.
Sigma's 2021 28–70mm f/2.8 standard zoom for the Sony E mount, with a constant aperture through the range.
Sigma's 2021 35mm f/1.4 wide-angle prime for the Sony E mount.
A 90mm f/2.8 short telephoto for the Sony E mount, introduced by Sigma in 2021, suited to portraits.
A 14mm f/1.8 ultra-wide prime for the Sony E mount, introduced by Sony in 2021, in Sony's G Master line.
A 24mm f/2.8 wide-angle prime for the Sony E mount, introduced by Sony in 2021.
Sony's 2021 35mm f/1.4 wide-angle prime for the Sony E mount, fast enough for low light and shallow focus.
A 40mm f/2.5 normal prime for the Sony E mount, introduced by Sony in 2021.
Sony's 2021 50mm f/1.2 normal prime for the Sony E mount.
Sony's 2021 50mm f/2.5 normal prime for the Sony E mount.
Tamron's 2021 APS-C 11–20mm f/2.8 wide-angle zoom for the Sony E mount.
A super-telephoto zoom designed for Sony full-frame E-mount.
An APS-C 18–300mm f/3.5 superzoom for the Fujifilm X mount, introduced by Tamron in 2021, with a constant aperture through the range.
Tamron's 2021 20–40mm f/2.8 wide-angle zoom for the Sony E mount, with a constant aperture through the range.
A 28–75mm f/2.8 standard zoom for multiple mounts (E, Z), introduced by Tamron in 2021, with a constant aperture through the range.
Tamron's 2021 35–150mm f/2.0–2.8 standard zoom for multiple mounts (E, Z).
Tokina's 2021 APS-C 23mm f/1.4 wide-angle prime for the Sony E mount, fast enough for low light and shallow focus.
Tokina's 2021 APS-C 33mm f/1.4 normal prime for the Sony E mount, fast enough for low light and shallow focus.
Tokina's 2021 APS-C 56mm f/1.4 short telephoto for the Sony E mount.
Viltrox's 2021 APS-C 23mm f/1.4 wide-angle prime for the Nikon Z mount, fast enough for low light and shallow focus.
Viltrox's 2021 24mm f/1.8 wide-angle prime for the Nikon Z mount.
Viltrox's 2021 APS-C 33mm f/1.4 normal prime for the Nikon Z mount.
A 35mm f/1.8 wide-angle prime for the Nikon Z mount, introduced by Viltrox in 2021.
Viltrox's 2021 50mm f/1.8 normal prime for the Nikon Z mount.
Viltrox's 2021 APS-C 56mm f/1.4 short telephoto for the Nikon Z mount, fast enough for low light and shallow focus.
An 85mm f/1.8 short telephoto for the Canon RF mount, introduced by Viltrox in 2021, suited to portraits.
Voigtländer's 2021 APS-C 35mm f/1.2 normal prime for the Fujifilm X mount, fast enough for low light and shallow focus.
A 35mm f/2.0 wide-angle prime for the Canon RF mount, introduced by Yongnuo in 2021.
A 50mm f/1.8 normal prime for the Sony E mount, introduced by Yongnuo in 2021.
Yongnuo's 2021 85mm f/1.8 short telephoto for the Canon RF mount, suited to portraits.
AstrHori's 2022 medium-format 40mm f/5.6 wide-angle prime for the Fujifilm G mount.
A medium-format 55mm f/5.6 normal prime for the Fujifilm G mount, introduced by AstrHori in 2022.
A medium-format 75mm f/4 normal prime for the Fujifilm G mount, introduced by AstrHori in 2022.
AstrHori's 2022 85mm f/1.8 short telephoto for the Sony E mount, suited to portraits.
A full-frame cinema zoom for large-format sensors.
Longer full-frame companion to the 20–50mm T2.4.
A Super 35 servo zoom whose built-in 1.5x extender lets it cover full frame.
A 1200mm f/8 super-telephoto for the Canon RF mount, introduced by Canon in 2022, for sport and wildlife.
A 135mm f/1.8 short telephoto for the Canon RF mount, introduced by Canon in 2022, suited to portraits.
A 15–30mm f/4.5–6.3 wide-angle zoom for the Canon RF mount, introduced by Canon in 2022, with optical stabilisation.
Canon's 2022 24mm f/1.8 macro lens for the Canon RF mount, for close-up work, with optical stabilisation.
An 800mm f/5.6 super-telephoto for the Canon RF mount, introduced by Canon in 2022, for sport and wildlife.
Canon's 2022 APS-C 18–150mm f/3.5–6.3 superzoom for the Canon RF mount, with optical stabilisation.
An APS-C 18–45mm f/4.5–6.3 standard zoom for the Canon RF mount, introduced by Canon in 2022, with optical stabilisation.
Fujifilm's 2022 medium-format 20–35mm f/4 wide-angle zoom for the Fujifilm G mount.
An APS-C 150–600mm f/5.6–8.0 telephoto zoom for the Fujifilm X mount, introduced by Fujifilm in 2022, with optical stabilisation.
Fujifilm's 2022 APS-C 18–120mm f/4.0 standard zoom for the Fujifilm X mount, with a constant aperture through the range.
An APS-C 30mm f/2.8 macro lens for the Fujifilm X mount, introduced by Fujifilm in 2022, for close-up work.
Fujifilm's 2022 APS-C 56mm f/1.2 short telephoto for the Fujifilm X mount, fast enough for low light and shallow focus.
An APS-C 35mm f/2.4 normal prime for the Fujifilm X mount, introduced by Kipon in 2022.
Meike's 2022 85mm f/1.8 short telephoto for the Sony E mount, suited to portraits.
A 17–28mm f/2.8 wide-angle zoom for the Nikon Z mount, introduced by Nikon in 2022, with a constant aperture through the range.
Nikon's 2022 400mm f/2.8 super-telephoto for the Nikon Z mount, for sport and wildlife, in Nikon's S-Line.
Nikon's 2022 400mm f/4.5 super-telephoto for the Nikon Z mount, for sport and wildlife, in Nikon's S-Line.
Nikon's 2022 40mm f/2 normal prime for the Nikon Z mount.
Nikon's 2022 600mm f/4 super-telephoto for the Nikon Z mount, for sport and wildlife, in Nikon's S-Line.
An 800mm f/6.3 super-telephoto for the Nikon Z mount, introduced by Nikon in 2022, for sport and wildlife, in Nikon's S-Line.
OM System's 2022 12–40mm f/2.8 standard zoom for the Micro Four Thirds mount.
OM System's 2022 40–150mm f/4 telephoto zoom for the Micro Four Thirds mount, with a constant aperture through the range.
Olympus's 2022 12–40mm f/2.8 standard zoom for the Micro Four Thirds mount, with a constant aperture through the range.
A 9mm f/1.7 ultra-wide prime for the Micro Four Thirds mount, introduced by Panasonic in 2022.
Panasonic's 2022 12–35mm f/2.8 standard zoom for the Micro Four Thirds mount, with a constant aperture through the range.
A 135mm f/1.8 short telephoto for the Sony E mount, introduced by Samyang in 2022, suited to portraits.
Samyang's 2022 35mm f/1.4 wide-angle prime for the Sony E mount.
Samyang's 2022 85mm f/1.4 short telephoto for the Sony E mount.
Samyang's 2022 24mm T1.9 cinema prime for the Sony E mount.
Samyang's 2022 35mm T1.9 cinema prime for the Sony E mount.
Samyang's 2022 75mm T1.9 cinema prime for the Sony E mount.
A 16–28mm f/2.8 wide-angle zoom for the Sony E mount, introduced by Sigma in 2022, with a constant aperture through the range.
Sigma's 2022 APS-C 18–50mm f/2.8 standard zoom for the Fujifilm X mount.
Sigma's 2022 20mm f/1.4 ultra-wide prime for the Sony E mount.
Sigma's 2022 20mm f/2 ultra-wide prime for the Sony E mount.
Sigma's 2022 24mm f/1.4 wide-angle prime for the Sony E mount.
Sony's 2022 24–70mm f/2.8 standard zoom for the Sony E mount, with a constant aperture through the range.
An APS-C 11mm f/1.8 ultra-wide prime for the Sony E mount, introduced by Sony in 2022.
Sony's 2022 APS-C 15mm f/1.4 ultra-wide prime for the Sony E mount.
Sony's 2022 APS-C 10–20mm f/4 wide-angle zoom for the Sony E mount, with a constant aperture through the range.
The second generation of Sony's premium f/2.8 standard zoom.
A 16–35mm f/4 wide-angle zoom for the Sony E mount, introduced by Sony in 2022, with a constant aperture through the range.
A 32mm f/2.8 wide-angle prime for the Nikon Z mount, introduced by TTArtisan in 2022.
A 70–300mm f/4.5–6.3 telephoto zoom for the Nikon Z mount, introduced by Tamron in 2022.
Tokina's 2022 APS-C 11–18mm f/2.8 wide-angle zoom for the Sony E mount, with a constant aperture through the range.
Viltrox's 2022 APS-C 13mm f/1.4 ultra-wide prime for the Nikon Z mount, fast enough for low light and shallow focus.
Viltrox's 2022 APS-C 75mm f/1.2 short telephoto for the Fujifilm X mount, fast enough for low light and shallow focus.
Yongnuo's 2022 35mm f/2 wide-angle prime for the Nikon Z mount.
Yongnuo's 2022 50mm f/1.8 normal prime for the Nikon Z mount.
An 85mm f/1.8 short telephoto for the Nikon Z mount, introduced by Yongnuo in 2022, suited to portraits.
An APS-C 16mm f/1.8 wide-angle prime for the Sony E mount, introduced by Yongnuo in 2022.
A T1.7 cinema zoom fast enough to work beside primes, in EF or PL mount.
Longer half of Canon's T1.7 Flex Zoom pair, in EF or PL mount.
An RF-mount full-frame prime in Canon's CN-R cinema line.
An RF-mount full-frame prime in Canon's CN-R cinema line.
An RF-mount full-frame prime in Canon's CN-R cinema line.
An RF-mount full-frame prime in Canon's CN-R cinema line.
An RF-mount full-frame prime in Canon's CN-R cinema line.
An RF-mount full-frame prime in Canon's CN-R cinema line.
An RF-mount full-frame prime in Canon's CN-R cinema line.
Canon's 2023 100–300mm f/2.8 telephoto zoom for the Canon RF mount, with a constant aperture through the range.
A 10–20mm f/4 wide-angle zoom for the Canon RF mount, introduced by Canon in 2023, with a constant aperture through the range.
A 200–800mm f/6.3–9 telephoto zoom for the Canon RF mount, introduced by Canon in 2023, with optical stabilisation.
A 24–105mm f/2.8 standard zoom for the Canon RF mount, introduced by Canon in 2023, with a constant aperture through the range.
Canon's 2023 24–50mm f/4.5–6.3 standard zoom for the Canon RF mount, with optical stabilisation.
A 28mm f/2.8 wide-angle prime for the Canon RF mount, introduced by Canon in 2023.
Canon's 2023 APS-C 10–18mm f/4.5–6.3 wide-angle zoom for the Canon RF mount, with optical stabilisation.
Canon's 2023 APS-C 55–210mm f/5.0–7.1 telephoto zoom for the Canon RF mount, with optical stabilisation.
Fujifilm's 2023 medium-format 110mm f/5.6 macro lens for the Fujifilm G mount, for close-up work.
Fujifilm's 2023 medium-format 30mm f/5.6 ultra-wide prime for the Fujifilm G mount.
A medium-format 55mm f/1.7 normal prime for the Fujifilm G mount, introduced by Fujifilm in 2023.
An APS-C 8mm f/3.5 ultra-wide prime for the Fujifilm X mount, introduced by Fujifilm in 2023.
Laowa's 2023 APS-C 8–16mm f/3.5 wide-angle zoom for the Fujifilm X mount, with a constant aperture through the range.
Meike's 2023 85mm f/1.4 short telephoto for the Nikon Z mount, fast enough for low light and shallow focus.
Meike's 2023 85mm f/1.8 short telephoto for the Nikon Z mount, suited to portraits.
A 135mm f/1.8 short telephoto for the Nikon Z mount, introduced by Nikon in 2023, suited to portraits, in Nikon's S-Line.
A 180–600mm f/5.6–6.3 telephoto zoom for the Nikon Z mount, introduced by Nikon in 2023, with optical stabilisation.
Nikon's 2023 26mm f/2.8 wide-angle prime for the Nikon Z mount.
Nikon's 2023 600mm f/6.3 super-telephoto for the Nikon Z mount, for sport and wildlife, in Nikon's S-Line.
A 70–180mm f/2.8 telephoto zoom for the Nikon Z mount, introduced by Nikon in 2023, with a constant aperture through the range.
Nikon's 2023 85mm f/1.2 short telephoto for the Nikon Z mount, fast enough for low light and shallow focus, in Nikon's S-Line.
Nikon's 2023 APS-C 12–28mm f/3.5–5.6 standard zoom for the Nikon Z mount, with optical stabilisation.
An APS-C 24mm f/1.7 normal prime for the Nikon Z mount, introduced by Nikon in 2023.
A fast full-frame telephoto prime for the Nikon Z mount.
A full-frame super-telephoto zoom for Nikon Z cameras.
A full-frame wide-angle prime for the Nikon Z mount.
A fast short telephoto prime for the Nikon Z mount.
A 35–150mm f/2–2.8 standard zoom for the Sony E mount, introduced by Samyang in 2023.
Samyang's 2023 20mm T1.9 cinema prime for the Sony E mount.
Samyang's 2023 45mm T1.9 cinema prime for the Sony E mount.
Sigma's 2023 APS-C 10–18mm f/2.8 wide-angle zoom for the Sony E mount.
Sigma's 2023 14mm f/1.4 ultra-wide prime for the Sony E mount.
Sigma's 2023 APS-C 16mm f/1.4 wide-angle prime for the Nikon Z mount, fast enough for low light and shallow focus.
Sigma's 2023 17mm f/4 ultra-wide prime for the Sony E mount.
Sigma's 2023 APS-C 30mm f/1.4 normal prime for the Nikon Z mount.
Sigma's 2023 50mm f/1.4 normal prime for the Sony E mount, fast enough for low light and shallow focus.
Sigma's 2023 50mm f/2 normal prime for the Sony E mount.
Sigma's 2023 APS-C 56mm f/1.4 short telephoto for the Nikon Z mount.
A 60–600mm f/4.5–6.3 superzoom for the Sony E mount, introduced by Sigma in 2023, with optical stabilisation.
Sigma's 2023 70–200mm f/2.8 telephoto zoom for the Sony E mount, with a constant aperture through the range, with optical stabilisation.
Sigma's 2023 23mm f/1.4 ultra-wide prime for the Canon RF mount.
Sirui's 2023 APS-C 23mm f/1.2 wide-angle prime for the Nikon Z mount.
Sirui's 2023 APS-C 33mm f/1.2 normal prime for the Nikon Z mount.
Sirui's 2023 APS-C 56mm f/1.2 short telephoto for the Nikon Z mount, fast enough for low light and shallow focus.
The second generation of Sony's premium f/2.8 wide zoom.
Sony's 2023 20–70mm f/4 standard zoom for the Sony E mount, with a constant aperture through the range.
Sony's 2023 300mm f/2.8 super-telephoto for the Sony E mount, for sport and wildlife, in Sony's G Master line.
Sony's 2023 50mm f/1.4 normal prime for the Sony E mount.
An APS-C 27mm f/2.8 normal prime for the Nikon Z mount, introduced by TTArtisan in 2023.
TTArtisan's 2023 APS-C 35mm f/1.8 normal prime for the Nikon Z mount.
TTArtisan's 2023 APS-C 56mm f/1.8 short telephoto for the Nikon Z mount, suited to portraits.
Tamron's 2023 150–500mm f/5–6.7 telephoto zoom for the Nikon Z mount, with optical stabilisation.
A 17–50mm f/4 standard zoom for the Sony E mount, introduced by Tamron in 2023, with a constant aperture through the range.
A 35–150mm f/2–2.8 standard zoom for the Nikon Z mount, introduced by Tamron in 2023.
A 28mm f/1.8 wide-angle prime for the Nikon Z mount, introduced by Viltrox in 2023.
Viltrox's 2023 APS-C 75mm f/1.2 short telephoto for the Nikon Z mount.
Viltrox's 2023 16mm f/1.8 ultra-wide prime for the Sony E mount.
Viltrox's 2023 20mm f/2.8 ultra-wide prime for the Sony E mount.
Viltrox's 2023 APS-C 27mm f/1.2 normal prime for the Fujifilm X mount.
Voigtländer's 2023 50mm f/1.0 normal prime for the Canon RF mount.
A 12–35mm f/2.8–4.0 standard zoom for the Micro Four Thirds mount, introduced by Yongnuo in 2023.
An APS-C 27mm f/2.8 normal prime for the Nikon Z mount, introduced by 7Artisans in 2024.
A 50mm f/1.8 normal prime for the Nikon Z mount, introduced by 7Artisans in 2024.
7Artisans's 2024 85mm f/1.8 short telephoto for the Nikon Z mount, suited to portraits.
AstrHori's 2024 APS-C 27mm f/2.8 normal prime for the Nikon Z mount.
An 85mm f/1.8 short telephoto for the Nikon Z mount, introduced by AstrHori in 2024, suited to portraits.
The RF-mount version of Canon's 17–120mm servo cinema zoom.
Canon's 2024 24mm f/1.4 wide-angle prime for the Canon RF mount.
Canon's 2024 28–70mm f/2.8 standard zoom for the Canon RF mount, with a constant aperture through the range, with optical stabilisation.
Canon's 2024 35mm f/1.4 wide-angle prime for the Canon RF mount, fast enough for low light and shallow focus.
Canon's 2024 50mm f/1.4 normal prime for the Canon RF mount.
Canon's 2024 70–200mm f/2.8 telephoto zoom for the Canon RF mount, with a constant aperture through the range.
Canon's 2024 APS-C 3.9mm f/3.5 fisheye for the Canon RF mount.
Canon's 2024 APS-C 7.8mm f/4.0 fisheye for the Canon RF mount.
An APS-C 16–50mm f/2.8–4.8 standard zoom for the Fujifilm X mount, introduced by Fujifilm in 2024.
Fujifilm's 2024 APS-C 16–55mm f/2.8 standard zoom for the Fujifilm X mount.
Fujifilm's 2024 APS-C 500mm f/5.6 super-telephoto for the Fujifilm X mount, for sport and wildlife, with optical stabilisation.
A 10mm f/2.8 ultra-wide prime for the Nikon Z mount, introduced by Laowa in 2024.
Meike's 2024 APS-C 33mm f/1.4 normal prime for the Nikon Z mount, fast enough for low light and shallow focus.
A 35mm f/2 wide-angle prime for the Nikon Z mount, introduced by Meike in 2024.
A 50mm f/1.8 normal prime for the Nikon Z mount, introduced by Meike in 2024.
Meike's 2024 APS-C 55mm f/1.4 short telephoto for the Nikon Z mount, fast enough for low light and shallow focus.
A 55mm f/1.8 normal prime for the Nikon Z mount, introduced by Meike in 2024.
Meike's 2024 85mm f/1.8 short telephoto for the Nikon Z mount, suited to portraits.
A 28–400mm f/4–8 superzoom for the Nikon Z mount, introduced by Nikon in 2024, with optical stabilisation.
Nikon's 2024 35mm f/1.4 wide-angle prime for the Nikon Z mount, fast enough for low light and shallow focus.
Nikon's 2024 50mm f/1.4 normal prime for the Nikon Z mount, fast enough for low light and shallow focus.
A full-frame superzoom for Nikon Z cameras.
A full-frame fast standard prime for the Nikon Z mount.
An 18–40mm f/4.5–6.3 wide-angle zoom for the L-Mount, introduced by Panasonic in 2024.
A 55mm f/1.8 normal prime for the Nikon Z mount, introduced by SG-Image in 2024.
Samyang's 2024 35mm f/1.4 wide-angle prime for the Sony E mount.
A 15mm f/1.4 fisheye for the Sony E mount, introduced by Sigma in 2024.
Sigma's 2024 24–70mm f/2.8 standard zoom for the Sony E mount, with a constant aperture through the range.
A 28–105mm f/2.8 standard zoom for the Sony E mount, introduced by Sigma in 2024, with a constant aperture through the range.
A 28–45mm f/1.8 standard zoom for the Sony E mount, introduced by Sigma in 2024, with a constant aperture through the range.
A 500mm f/5.6 super-telephoto for the Sony E mount, introduced by Sigma in 2024, for sport and wildlife, with optical stabilisation.
Sigma's 2024 50mm f/1.2 normal prime for the Sony E mount.
A 10–18mm f/2.8 wide-angle zoom for the Canon RF mount, introduced by Sigma in 2024, with a constant aperture through the range.
Sigma's 2024 18–50mm f/2.8 standard zoom for the Canon RF mount, with a constant aperture through the range.
Sigma's 2024 30mm f/1.4 wide-angle prime for the Canon RF mount.
Sigma's 2024 56mm f/1.4 normal prime for the Canon RF mount.
Sirui's 2024 APS-C 16mm f/1.2 wide-angle prime for the Nikon Z mount, fast enough for low light and shallow focus.
Sirui's 2024 APS-C 40mm T1.8 anamorphic lens for the Nikon Z mount.
Sirui's 2024 APS-C 75mm f/1.2 short telephoto for the Nikon Z mount, fast enough for low light and shallow focus.
Sirui's 2024 85mm f/1.4 short telephoto for the Nikon Z mount, fast enough for low light and shallow focus.
An APS-C 16–50mm f/3.5–5.6 standard zoom for the Sony E mount, introduced by Sony in 2024.
A 16–25mm f/2.8 wide-angle zoom for the Sony E mount, introduced by Sony in 2024, with a constant aperture through the range.
Sony's 2024 24–50mm f/2.8 standard zoom for the Sony E mount, with a constant aperture through the range.
Sony's 2024 28–70mm f/2 standard zoom for the Sony E mount, with a constant aperture through the range.
Sony's 2024 85mm f/1.4 short telephoto for the Sony E mount, fast enough for low light and shallow focus.
TTArtisan's 2024 APS-C 35mm f/1.8 normal prime for the Nikon Z mount.
TTArtisan's 2024 75mm f/2 short telephoto for the Nikon Z mount, suited to portraits.
Tamron's 2024 11–20mm f/2.8 wide-angle zoom for the Canon RF mount, with a constant aperture through the range.
Tamron's 2024 28–300mm f/4–7.1 superzoom for the Sony E mount, with optical stabilisation.
Tamron's 2024 28–75mm f/2.8 standard zoom for the Nikon Z mount, with a constant aperture through the range.
Tamron's 2024 50–300mm f/4.5–6.3 standard zoom for the Sony E mount, with optical stabilisation.
Tamron's 2024 50–400mm f/4.5–6.3 superzoom for the Nikon Z mount, with optical stabilisation.
Tamron's 2024 90mm f/2.8 macro lens for the Nikon Z mount, for close-up work.
A 16mm f/1.8 ultra-wide prime for the Nikon Z mount, introduced by Viltrox in 2024.
A 20mm f/2.8 ultra-wide prime for the Nikon Z mount, introduced by Viltrox in 2024.
Viltrox's 2024 APS-C 27mm f/1.2 normal prime for the Nikon Z mount, fast enough for low light and shallow focus.
Viltrox's 2024 APS-C 35mm f/1.7 normal prime for the Nikon Z mount.
Viltrox's 2024 40mm f/2.5 normal prime for the Nikon Z mount.
An APS-C 56mm f/1.7 short telephoto for the Nikon Z mount, introduced by Viltrox in 2024, suited to portraits.
Viltrox's 2024 135mm f/1.8 short telephoto for the Sony E mount, suited to portraits.
A 28mm f/4.5 wide-angle prime for the Sony E mount, introduced by Viltrox in 2024.
Voigtländer's 2024 75mm f/1.5 short telephoto for the Canon RF mount, suited to portraits.
An APS-C 11mm f/1.8 ultra-wide prime for the Nikon Z mount, introduced by Yongnuo in 2024.
Yongnuo's 2024 APS-C 23mm f/1.4 wide-angle prime for the Nikon Z mount, fast enough for low light and shallow focus.
Yongnuo's 2024 APS-C 33mm f/1.4 normal prime for the Nikon Z mount, fast enough for low light and shallow focus.
An APS-C 35mm f/1.8 normal prime for the Nikon Z mount, introduced by Yongnuo in 2024.
Yongnuo's 2024 APS-C 50mm f/1.8 short telephoto for the Nikon Z mount, suited to portraits.
Yongnuo's 2024 APS-C 56mm f/1.4 short telephoto for the Nikon Z mount.
Zhongyi Optics's 2024 APS-C 20mm f/0.95 wide-angle prime for the Fujifilm X mount.
7Artisans's 2025 APS-C 10mm f/2.8 ultra-wide prime for the Nikon Z mount.
7Artisans's 2025 24mm f/1.8 wide-angle prime for the Nikon Z mount.
7Artisans's 2025 35mm f/1.8 wide-angle prime for the Nikon Z mount.
7Artisans's 2025 APS-C 35mm f/1.4 normal prime for the Fujifilm X mount.
An APS-C 18mm f/5.6 perspective-control lens for the Fujifilm X mount, introduced by AstrHori in 2025, for correcting converging lines in architecture.
AstrHori's 2025 85mm f/1.8 short telephoto for the Nikon Z mount, suited to portraits.
Brightin Star's 2025 24mm f/1.8 wide-angle prime for the Nikon Z mount.
Brightin Star's 2025 35mm f/1.8 wide-angle prime for the Nikon Z mount.
An 85mm f/1.8 short telephoto for the Nikon Z mount, introduced by Brightin Star in 2025, suited to portraits.
A 16–28mm f/2.8 wide-angle zoom for the Canon RF mount, introduced by Canon in 2025, with a constant aperture through the range.
Canon's 2025 20mm f/1.4 ultra-wide prime for the Canon RF mount.
Canon's 2025 45mm f/1.2 normal prime for the Canon RF mount, fast enough for low light and shallow focus.
A 75–300mm f/4–5.6 telephoto zoom for the Canon RF mount, introduced by Canon in 2025.
Canon's 2025 85mm f/1.4 short telephoto for the Canon RF mount, fast enough for low light and shallow focus.
Canon's 2025 APS-C 14–30mm f/3.5–6.3 standard zoom for the Canon RF mount, with optical stabilisation.
Fujifilm's 2025 medium-format 32–90mm T3.5 cinema standard zoom for the Fujifilm G mount, with a constant aperture through the range.
Fujifilm's 2025 APS-C 13–33mm f/3.5 standard zoom for the Fujifilm X mount.
Fujifilm's 2025 APS-C 23mm f/2.8 wide-angle prime for the Fujifilm X mount.
A medium-format 35–100mm f/2.8–4.0 standard zoom for the Hasselblad XCD mount, introduced by Hasselblad in 2025.
Kase's 2025 85mm f/1.4 short telephoto for the Nikon Z mount.
Laowa's 2025 12mm f/2.8 ultra-wide prime for the Nikon Z mount.
Laowa's 2025 180mm f/4.5 macro lens for the Nikon Z mount, for close-up work, with apochromatic correction.
Laowa's 2025 200mm f/2 telephoto prime for the Nikon Z mount.
Leica's 2025 28–70mm f/2.8 standard zoom for the L-Mount, with a constant aperture through the range.
Meike's 2025 24mm f/1.4 wide-angle prime for the Nikon Z mount, fast enough for low light and shallow focus.
Meike's 2025 35mm f/1.8 wide-angle prime for the Nikon Z mount.
An 85mm f/1.8 short telephoto for the Nikon Z mount, introduced by Meike in 2025, suited to portraits.
A 24–70mm f/2.8 standard zoom for the Nikon Z mount, introduced by Nikon in 2025, with a constant aperture through the range.
Nikon's 2025 28–135mm f/4 standard zoom for the Nikon Z mount, with a constant aperture through the range.
Nikon's 2025 35mm f/1.2 wide-angle prime for the Nikon Z mount.
Nikon's 2025 APS-C 16–50mm f/2.8 standard zoom for the Nikon Z mount, with a constant aperture through the range, with optical stabilisation.
An APS-C 35mm f/1.7 macro lens for the Nikon Z mount, introduced by Nikon in 2025, for close-up work.
OM System's 2025 50–200mm f/2.8 telephoto zoom for the Micro Four Thirds mount.
A 24–60mm f/2.8 standard zoom for the L-Mount, introduced by Panasonic in 2025, with a constant aperture through the range.
Rollei's 2025 85mm f/1.8 short telephoto for the Nikon Z mount, suited to portraits.
SG-Image's 2025 APS-C 25mm f/1.8 normal prime for the Nikon Z mount.
SG-Image's 2025 85mm f/1.8 short telephoto for the Nikon Z mount, suited to portraits.
Samyang & Schneider Kreuznach's 2025 14–24mm f/2.8 wide-angle zoom for the Sony E mount, with a constant aperture through the range.
A 16mm f/2.8 ultra-wide prime for the Sony E mount, introduced by Samyang in 2025.
An 85mm f/1.8 short telephoto for the Sony E mount, introduced by Samyang in 2025, suited to portraits.
Sigma's 2025 135mm f/1.4 short telephoto for the Sony E mount, fast enough for low light and shallow focus.
Sigma's 2025 20–200mm f/3.5–6.3 superzoom for the Sony E mount.
Sigma's 2025 200mm f/2 telephoto prime for the Sony E mount, with optical stabilisation.
Sigma's 2025 300–600mm f/4 telephoto zoom for the Sony E mount, with a constant aperture through the range, with optical stabilisation.
Sigma's 2025 35mm f/1.2 wide-angle prime for the Sony E mount, fast enough for low light and shallow focus.
Sigma's 2025 17–40mm f/1.8 wide-angle zoom for the Canon RF mount, with a constant aperture through the range.
Sigma's 2025 12mm f/1.4 ultra-wide prime for the Canon RF mount, fast enough for low light and shallow focus.
Sigma's 2025 16mm f/1.4 ultra-wide prime for the Canon RF mount.
Sigma's 2025 16–300mm f/3.5–6.7 superzoom for the Canon RF mount, with optical stabilisation.
Sirui's 2025 100mm T1.8 anamorphic lens for the Nikon Z mount.
Sirui's 2025 APS-C 20mm T1.8 anamorphic lens for the Nikon Z mount.
Sirui's 2025 35mm f/1.4 wide-angle prime for the Nikon Z mount, fast enough for low light and shallow focus.
Sirui's 2025 50mm T1.8 anamorphic lens for the Nikon Z mount.
A 75mm T1.8 anamorphic lens for the Nikon Z mount, introduced by Sirui in 2025.
SongRaw's 2025 50mm f/1.2 normal prime for the Nikon Z mount.
A full-frame macro prime from Sony's G Master line.
A 100mm f/2.8 short telephoto for the Sony E mount, introduced by Sony in 2025, suited to portraits.
Sony's 2025 16mm f/1.8 ultra-wide prime for the Sony E mount.
A 28–70mm f/3.5–5.6 standard zoom for the Sony E mount, introduced by Sony in 2025, with optical stabilisation.
A 400–800mm f/6.3–8 telephoto zoom for the Sony E mount, introduced by Sony in 2025, with optical stabilisation.
A full-frame telephoto zoom with a constant f/2 aperture.
A 50–150mm f/2 standard zoom for the Sony E mount, introduced by Sony in 2025, with a constant aperture through the range.
TTArtisan's 2025 APS-C 23mm f/1.8 wide-angle prime for the Nikon Z mount.
An APS-C 35mm T2.1 cinema prime for the Fujifilm X mount, introduced by TTArtisan in 2025.
A 40mm f/2 normal prime for the Nikon Z mount, introduced by TTArtisan in 2025.
An APS-C 14mm f/3.5 ultra-wide prime for the Fujifilm X mount, introduced by TTArtisan in 2025.
An APS-C 35mm f/1.8 normal prime for the Fujifilm X mount, introduced by TTArtisan in 2025.
TTArtisan's 2025 APS-C 75mm f/2 short telephoto for the Fujifilm X mount, suited to portraits.
TTArtisan's 2025 medium-format 17mm f/4 perspective-control lens for the Fujifilm G mount, for correcting converging lines in architecture.
A 16–30mm f/2.8 wide-angle zoom for the Nikon Z mount, introduced by Tamron in 2025, with a constant aperture through the range.
An APS-C 18–300mm f/3.5–6.3 superzoom for the Nikon Z mount, introduced by Tamron in 2025, with optical stabilisation.
A 25–200mm f/2.8–5.6 superzoom for the Sony E mount, introduced by Tamron in 2025.
Tamron's 2025 70–180mm f/2.8 telephoto zoom for the Nikon Z mount, with a constant aperture through the range, with optical stabilisation.
Tokina's 2025 APS-C 11–18mm f/2.8 wide-angle zoom for the Fujifilm X mount.
Venus Optics's 2025 APS-C 8–15mm T2.9 cinema wide-angle zoom for the Fujifilm X mount.
A medium-format 10–19mm f/2.8 fisheye for the Fujifilm G mount, introduced by Venus Optics in 2025.
Viltrox's 2025 135mm f/1.8 short telephoto for the Nikon Z mount, suited to portraits.
A 14mm f/4 ultra-wide prime for the Nikon Z mount, introduced by Viltrox in 2025.
An APS-C 15mm f/1.7 ultra-wide prime for the Nikon Z mount, introduced by Viltrox in 2025.
An APS-C 25mm f/1.7 normal prime for the Nikon Z mount, introduced by Viltrox in 2025.
Viltrox's 2025 28mm f/4.5 wide-angle prime for the Nikon Z mount.
Viltrox's 2025 35mm f/1.2 wide-angle prime for the Nikon Z mount.
A 50mm f/2 normal prime for the Nikon Z mount, introduced by Viltrox in 2025.
Viltrox's 2025 85mm f/1.4 short telephoto for the Nikon Z mount, fast enough for low light and shallow focus.
An 85mm f/2 short telephoto for the Nikon Z mount, introduced by Viltrox in 2025, suited to portraits.
Viltrox's 2025 APS-C 9mm f/2.8 ultra-wide prime for the Nikon Z mount.
Viltrox's 2025 50mm f/1.4 normal prime for the Sony E mount.
Viltrox's 2025 APS-C 56mm f/1.2 short telephoto for the Sony E mount, fast enough for low light and shallow focus.
Yongnuo's 2025 50mm f/1.8 normal prime for the Nikon Z mount.
A 10mm f/2.5 ultra-wide prime for the Nikon Z mount, introduced by 7Artisans in 2026.
A 135mm f/1.8 short telephoto for the Nikon Z mount, introduced by 7Artisans in 2026, suited to portraits.
An APS-C 25mm f/1.8 normal prime for the Nikon Z mount, introduced by 7Artisans in 2026.
7Artisans's 2026 APS-C 35mm f/1.8 normal prime for the Nikon Z mount.
7Artisans's 2026 40mm f/2.5 normal prime for the Nikon Z mount.
An APS-C 50mm f/1.8 short telephoto for the Nikon Z mount, introduced by 7Artisans in 2026, suited to portraits.
7Artisans's 2026 APS-C 18mm f/2 wide-angle prime for the Sony E mount.
Canon's 2026 14mm f/1.4 ultra-wide prime for the Canon RF mount.
Canon's 2026 20–50mm f/4.0 standard zoom for the Canon RF mount, with a constant aperture through the range.
Canon's 2026 7–14mm f/2.8–3.5 fisheye for the Canon RF mount, in Canon's professional L series.
Fujifilm's 2026 medium-format 19–35mm T3.5 cinema wide-angle zoom for the Fujifilm G mount, with a constant aperture through the range.
Fujifilm's 2026 APS-C 400mm f/4.5 super-telephoto for the Fujifilm X mount, for sport and wildlife, with optical stabilisation.
Kase's 2026 medium-format 150mm f/5.6 mirror lens for the Fujifilm G mount, folding a long focal length into a short barrel.
Laowa's 2026 35mm f/2.8 macro lens for the Nikon Z mount, for close-up work.
An APS-C 7.5mm f/2.8 ultra-wide prime for the Fujifilm X mount, introduced by Laowa in 2026.
Announced in January 2026, the first wide-angle lens to carry the Noctilux name.
Leitz's 2026 medium-format 100mm T2.1 cinema prime for the Fujifilm G mount.
Leitz's 2026 medium-format 18mm T2.1 cinema prime for the Fujifilm G mount.
A medium-format 25mm T2.1 cinema prime for the Fujifilm G mount, introduced by Leitz in 2026.
Leitz's 2026 medium-format 35mm T2.1 cinema prime for the Fujifilm G mount.
Leitz's 2026 medium-format 50mm T2.1 cinema prime for the Fujifilm G mount.
Leitz's 2026 medium-format 73mm T2.1 cinema prime for the Fujifilm G mount.
Meike's 2026 APS-C 23mm f/1.4 wide-angle prime for the Nikon Z mount.
An APS-C 56mm f/1.7 short telephoto for the Nikon Z mount, introduced by Meike in 2026, suited to portraits.
Meike's 2026 85mm f/1.4 short telephoto for the Nikon Z mount, fast enough for low light and shallow focus.
An APS-C 25mm f/1.7 normal prime for the Fujifilm X mount, introduced by Meike in 2026.
Meike's 2026 APS-C 35mm f/1.7 normal prime for the Fujifilm X mount.
A medium-format 85mm f/1.8 normal prime for the Fujifilm G mount, introduced by Meike in 2026.
Mitakon Zhongyi's 2026 medium-format 30mm f/2.4 ultra-wide prime for the Fujifilm G mount.
NiSi's 2026 medium-format 16mm f/2.8 ultra-wide prime for the Fujifilm G mount.
Nikon's 2026 24–105mm f/4–7.1 standard zoom for the Nikon Z mount.
A 70–200mm f/2.8 telephoto zoom for the Nikon Z mount, introduced by Nikon in 2026, with a constant aperture through the range.
A 24mm f/1.8 wide-angle prime for the Nikon Z mount, introduced by Rollei in 2026.
Rollei's 2026 35mm f/1.8 wide-angle prime for the Nikon Z mount.
SG-Image's 2026 35mm f/2.2 wide-angle prime for the Nikon Z mount.
SG-Image's 2026 APS-C 18mm f/2.2 wide-angle prime for the Fujifilm X mount.
SG-Image's 2026 APS-C 35mm f/1.4 normal prime for the Fujifilm X mount, fast enough for low light and shallow focus.
A 35mm f/1.8 wide-angle prime for the Sony E mount, introduced by Samyang in 2026.
An APS-C 16–300mm f/3.5–6.7 superzoom for the Nikon Z mount, introduced by Sigma in 2026, with optical stabilisation.
A 20–60mm f/2.8–4 standard zoom for the Sony E mount, introduced by Sigma in 2026.
Sigma's 2026 35mm f/1.4 wide-angle prime for the Sony E mount, fast enough for low light and shallow focus.
Sigma's 2026 APS-C 50–120mm f/2.8 telephoto zoom for the Sony E mount.
Sigma's 2026 50mm f/1.4 normal prime for the Sony E mount, fast enough for low light and shallow focus.
Sigma's 2026 85mm f/1.2 short telephoto for the Sony E mount.
Sigma's 2026 15mm f/1.4 ultra-wide prime for the Canon RF mount, fast enough for low light and shallow focus.
Sony's 2026 100–400mm f/4.5 telephoto zoom for the Sony E mount, in Sony's G Master line.
A 100–400mm f/5.6–8 telephoto zoom for the Sony E mount, introduced by Sony in 2026, with optical stabilisation.
Sony's 2026 400mm f/4.5 super-telephoto for the Sony E mount, for sport and wildlife, in Sony's G Master line.
Sony's 2026 600mm f/6.3 super-telephoto for the Sony E mount, for sport and wildlife, in Sony's G Master line.
Sony's 2026 8–14mm f/3.5 wide-angle zoom for the Sony E mount, with a constant aperture through the range.
TTArtisan's 2026 APS-C 17mm f/1.8 wide-angle prime for the Nikon Z mount.
A 50mm f/1.8 normal prime for the Nikon Z mount, introduced by TTArtisan in 2026.
TTArtisan's 2026 85mm f/1.8 short telephoto for the Nikon Z mount, suited to portraits.
A 24mm f/3.8 wide-angle prime for the Sony E mount, introduced by TTArtisan in 2026.
Tamron's 2026 12–20mm f/2.8 wide-angle zoom for the Nikon Z mount, with a constant aperture through the range.
Tamron's 2026 APS-C 16–50mm f/2.8 standard zoom for the Nikon Z mount.
Tamron's 2026 APS-C 17–70mm f/2.8 standard zoom for the Nikon Z mount.
A 20–40mm f/2.8 wide-angle zoom for the Nikon Z mount, introduced by Tamron in 2026, with a constant aperture through the range.
Tamron's 2026 35–100mm f/2.8 standard zoom for the Nikon Z mount, with a constant aperture through the range.
Thypoch's 2026 APS-C 23mm f/1.4 wide-angle prime for the Fujifilm X mount.
A 24–50mm f/2.8 standard zoom for the Sony E mount, introduced by Thypoch in 2026, with a constant aperture through the range.
Viltrox's 2026 26mm f/2.8 wide-angle prime for the Nikon Z mount.
Viltrox's 2026 35mm f/1.8 wide-angle prime for the Nikon Z mount.
Viltrox's 2026 50mm f/1.4 normal prime for the Nikon Z mount, fast enough for low light and shallow focus.
A 55mm f/1.8 normal prime for the Nikon Z mount, introduced by Viltrox in 2026.
Viltrox's 2026 APS-C 56mm f/1.2 short telephoto for the Nikon Z mount, fast enough for low light and shallow focus.
Viltrox's 2026 APS-C 75mm f/1.8 short telephoto for the Nikon Z mount, suited to portraits.
An APS-C 90mm f/2.2 short telephoto for the Nikon Z mount, introduced by Viltrox in 2026, suited to portraits.
Viltrox's 2026 APS-C 18mm f/1.2 wide-angle prime for the Fujifilm X mount.
Viltrox's 2026 APS-C 40mm f/1.2 normal prime for the Fujifilm X mount.
Zeiss's 2026 35mm f/1.4 wide-angle prime for the Canon RF mount.
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