Ultra Panavision 70
Panavision65 mm film, anamorphicCombined 65 mm film with anamorphic lenses for some of the widest images ever projected.
CINEMA · LENSES
Cinema cameras and lenses offered for rental only.
Rents rather than sells, and its anamorphic lenses shaped the look of widescreen cinema.
LANDMARKS
Combined 65 mm film with anamorphic lenses for some of the widest images ever projected.
Panavision's spherical 65 mm system, used for epics such as Lawrence of Arabia.
A compact studio 35 mm camera that became the base of Panavision's camera line for decades.
A quieter 65 mm camera that brought large format back for features such as Far and Away.
A light and quiet 35 mm camera that served studio and hand-held work on major features.
A digital camera that accepted standard 35 mm lenses, used for features like Superman Returns.
A large-format 8K camera built with Red and Light Iron for Panavision's rental fleet.
Second DXL, using RED's Monstro sensor.
Lighter, quieter reflex 35 mm studio camera that preceded the Panaflex.
Stripped-down Panaflex for Steadicam and other floating rigs.
Refined Panaflex that replaced the Gold series as the studio flagship.
Gold update with full-fitting registration pins.
Crystal-controlled second Lightweight for floating cameras.
All-new 35 mm design that replaced the Platinum as Panavision's flagship.
Handheld 65 mm camera released by Panavision.
Panavision's 65 mm anamorphic system used for Ben-Hur.
Panavision's high-contrast spherical prime line; the related Primo 3:1 zoom won a technical Oscar.
Panavision's second anamorphic series, restored and returned to service in 2013.
Built with Nikon glass; the fastest anamorphic lenses available, T1.4 to T1.8.