Skip to content

Hot Shoe

Latest

On the calendar

· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

On view

This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How pictures get made in 2026 from the industry's own reports

Sources

Fetched every six hours, linked to the original

About

The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo

← Hot Shoe Archive

Cinephilia & BeyondCinema

‘The Fisher King’ at 35: Terry Gilliam’s Touching Film About Grief, Trauma and Hope

09.27

By Koraljka Suton I started reading and I stayed up till—I don’t know what time in the morning

Cinematography Documentary Filmmaking Screenwriting

Read at Cinephilia & Beyond ↗

More from Cinephilia & Beyond on Hot Shoe

CinemaTake It to the Limit One More Time: Michael Mann’s ‘Miami Vice’ at 20 Cinephilia & Beyond

Cinema‘Midnight Run’ at 38: Martin Brest’s Cult-Action Comedy that Just Doesn’t Seem to Get Old Cinephilia & Beyond

Cinema‘Escape from New York’ at 45: John Carpenter’s Thrilling, Pumped-Up Ride through the Streets of a Dystopian New York City Cinephilia & Beyond

CinemaNew Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template Cinephilia & Beyond

CinemaHow Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine Cinephilia & Beyond

Cinema“It Ain’t Like It Used to Be. But It’ll Do:” How Sam Peckinpah’s ‘The Wild Bunch’ Became Both a Eulogy for a Mythic Past and a Template for a New Kind of Action Cinephilia & Beyond

More from Cinephilia & Beyond on Hot Shoe.