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· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

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This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How pictures get made in 2026 from the industry's own reports

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Fetched every six hours, linked to the original

About

The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo

← Hot Shoe Archive

FotogramasSpain

Gael García Bernal, actor y director: "Si no hay libertad, no vale la pena hacer cine. Prefiero irme a plantar árboles"

10.30

El actor mexicano presenta 'Hombre al agua', su tercera película como director, en la 71ª Seminci de Valladolid.

Read at Fotogramas ↗

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Spain"Melancólica y estrafalaria": la serie del actor de 'The Office' con Michael Palin que demuestra que las historias más extravagantes y sorprendentes son británicas Fotogramas

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SpainAdrian Chiarella, director de 'Leviticus': "Las religiones hablan de amor, pero paradójicamente condenan ese amor cuando no es entre un hombre y una mujer" Fotogramas

SpainQuentin Tarantino, sobre Pedro Almodóvar: "Me duele reconocerlo, pero cuando en Estados Unidos se habla de los grandes escritores y directores del cine de autor, no se habla lo suficiente de él" Fotogramas

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