Watson Wu field recording

8 stories

Watson Wu field recordingAudioNew Taiwan Ambience sound effects library Just released is a Taiwan City Life ambience sound effects library! There are 61 files with more than 4 hours of runtime at 8.6 GB.

11.03

Watson Wu field recordingAudioToyota Supra sports car commercial I worked on THE LAST DRIVE is a Toyota Supra sports car commercial I was hired to work on. What’s great about this ad is that sound played a major role.

10.23

Watson Wu field recordingAudioNew Ambisonic sounds store page! By popular requests I just released an Ambisonic Natural Ambience store page . 3 types of sounds are Open Field daytime, Swamp daytime and Swamp Nighttime.

06.30

Watson Wu field recordingAudioNew RAM commercial (new 777 HP Rumble Bee Truck) New major car commercial I was hired to work on just released. This was a top secret project with a serious NDA.

05.23

Watson Wu field recordingAudioMy weapon library in another WW2 movie Was informed that my RIFLES & PISTOLS OF THE WORLD WARS library was used in another WW2 movie. Sound Supervisor Herman Pieëte informed a friend that the gun sounds was used for The Forgotten Battle…

01.26

Watson Wu field recordingAudioNew Chevy Silverado truck 4x4 library This new Chevy Silverado 4x4 truck library contains performances from Road and on Dirt surfaces. Use earphones or studio monitor for best demo listening experience!

01.20

Watson Wu field recordingAudioNew Chevy Silverado Truck commercial I got to work on Love this beautiful Chevy truck commercial I got to be part of. Enjoy the hard work from Sonic Union.

2025.11.23

Watson Wu field recordingAudioNew Suburban SUV library! When you need sounds for Secret Service or VIP scenes. Well, look no further. This is THE SUBURBAN full size SUV sound effects library !

2025.11.14

The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo