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Sennheiser newsroom

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Sennheiser newsroom

Sennheiser newsroomMakersSennheiser esittelee Scenicon ja Polifonian – uutta potkua autojen immersiiviseen tilaääneen ja personoituun kuuntelukokemukseen Sennheiser laajentaa autoäänentoiston rajoja esittelemällä AMBEO-teknologiaa hyödyntävän Scenicon sekä Polifonian.

Sennheiser newsroom

Sennheiser newsroomMakersSennheiser Debuts Scenico and Polifonia, Advancing Immersive In-car Sound Reproduction and Personalized Audio Delivery Wedemark, Germany, 6 November 2026 – Sennheiser is pushing the boundaries of automotive in-car audio with the introduction of Scenico with AMBEO Technology and Polifonia, two audio innovations that…

Sennheiser newsroom

Sennheiser newsroomMakersSennheiser Debuts Scenico and Polifonia, Advancing Immersive In-car Sound Reproduction and Personalized Audio Delivery Wedemark, Germany, 6 November 2026 – Sennheiser is pushing the boundaries of automotive in-car audio with the introduction of Scenico with AMBEO Technology and Polifonia, two audio innovations that…

Sennheiser newsroom

Sennheiser newsroomMakersPå turné med Foo Fighters: Spectera eliminerer RF-udfordringer Den erfarne monitortekniker Ian Beveridge bruger Spectera til at skabe et klart og præcist lydbillede på stadioner og bevare et kompromisløst stereofelt ved hjælp af Specteras bidirektionelle…

Sennheiser newsroom

Sennheiser newsroomMakersSennheiser lanceert Scenico en Polifonia: de volgende stap in immersieve in-car geluidsweergave en gepersonaliseerde audio Wedemark, Duitsland, 6 november 2026 – Sennheiser verlegt de grenzen van automotive in-car audio met de introductie van Scenico met AMBEO-technologie en Polifonia, twee audio-innovaties die de manier…

Sennheiser newsroom

Sennheiser newsroomMakersSennheiser lanceert Scenico en Polifonia: de volgende stap in immersieve in-car geluidsweergave en gepersonaliseerde audio Wedemark, Duitsland, 6 november 2026 – Sennheiser verlegt de grenzen van automotive in-car audio met de introductie van Scenico met AMBEO-technologie en Polifonia, twee audio-innovaties die de manier…

Sennheiser newsroom

Sennheiser newsroomMakersAvec Scenico et Polifonia, Sennheiser donne une nouvelle dimension au son embarqué Wedemark (Allemagne), le 6 novembre 2026 – À bord d'un véhicule, la qualité de l'expérience sonore ne dépend pas uniquement de la puissance ou du nombre de haut-parleurs.

Sennheiser newsroom

Sennheiser newsroomMakersSpectera poistaa RF-huolet Foo Fightersin kiertueella Alan konkari, monitorimiksaaja Ian Beveridge valjasti Specteran valtaamaan stadionluokan areenat kristallinkirkkaalla soundilla – laitteiston kaksisuuntainen arkkitehtuuri takaa tinkimättömän…

Sennheiser newsroom

Sennheiser newsroomMakersAvec Scenico et Polifonia, Sennheiser donne une nouvelle dimension au son embarqué Cette approche peut notamment permettre de se passer de haut-parleurs dans les portières , facilitant leur démontage et leur recyclage.

Sennheiser newsroom

Sennheiser newsroomMakers森海塞尔发布Scenico与Polifonia，推进沉浸式车载音响和个性化音频体验

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About

The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo