Raindance

10 stories

RaindanceCinemaAi Previs And B-Roll On A Micro-Budget — Comparing Models Without Burning The Schedule Call sheets are almost locked. You still need a previs board the DP can mark up, and a temp cut so the editor can feel the rhythm before day one.

11.05

RaindanceCinemaCan They Read It in Time? Subtitle Timing Checks to Run Before a Festival or Distributor Sees Your Film A subtitle file can pass every technical check and still lose the viewer. Timecodes, encoding, naming and format all matter, and Raindance’s recent post “ The Subtitle File Checks to Run Before a…

11.04

RaindanceCinemaBIFA Raindance Maverick Award Nominees 2026 Presenting the BIFA 2026 Raindance Maverick Award Nominees. ACT 3 dir. Christine Molloy, Joe Lawlor CHATLINES dir. Lloyd Eyre-Morgan, Neil Ely MASC dir. Bertil Nilsson THE PERIL AT PINCER POINT dir.

11.03

RaindanceCinemaWhat Acting Teaches Novelists About Writing Characters for the Screen A character can command an entire novel and still fail on screen. The problem isn’t necessarily the character. It’s how the writer brings that character to life. Novelists have extraordinary freedom.

11.03

RaindanceCinema7 Blockchain Development Companies Reshaping Film Production A blockchain is a shared digital ledger. It stores records across a network of computers. In film, blockchain companies build systems to track film rights , manage contracts , and record payments .

11.02

RaindanceCinemaAn Unexpected Twist: A Halloween Short Film Competition Winner Everybody loves a good twist. This time our horror competition theme was “An Unexpected Twist”. We wanted to see your original and creative one-minute films that spook and scare.

10.31

RaindanceCinemaSeven Rooms. Seven Nightmares. Seven Days to Shoot. Tomorrow’s Halloween, and we will celebrate the winners of our Raindance One-Minute Horror Short competition .

10.30

RaindanceCinemaEditing for Clients Between Your Own Films: How to Scope, Price and Protect Your Time A lot of filmmakers pay for their own projects with someone else’s footage: a brand video, a wedding, a YouTube channel that needs a weekly edit.

10.29

RaindanceCinemaCaptions vs Subtitles: The Accessibility Deliverables Festivals and Distributors Now Expect “Subtitles” used to mean one file. Now a festival or distributor may ask for closed captions, open captions, SDH and audio description as well, each a separate deliverable.

10.28

RaindanceCinemaHalloween Horrors in Broad Daylight Everyone loves a good Halloween-themed horror, preferably set in the dead of night in a haunted house, midnight graveyard or similar deserted location.

10.27

The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo