Photographic Resource Center

9 stories

Photographic Resource CenterCulture2026 Artists-In Residence | Upcoming Exhibition Join us at the PRC from November 20–22, 2026 , for a special pop-up exhibition featuring work by our 2026 Artists-in-Residence: Jill Bemis, John Savoia, and Andrew Zou .

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Photographic Resource CenterCultureOpen Studios with PRC Artists in Residence Join us on Sunday, November 15 , for an Open Studios event with our three PRC Artists in Residence ! Event Schedule: 2:30-3:30PM : Photowalk with John Savoia 3:30-6:00PM : Return to the gallery for a…

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Photographic Resource CenterCultureEric Luden Eric Luden is the founder and CEO of Digital Silver Imaging. Luden started the company after leaving Ilford Photo where he was a VP of Marketing.

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Photographic Resource CenterCultureAmy Lovera Amy Lovera is an artist whose work is rooted in imaginative storytelling and the interplay between reality and fiction.

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Photographic Resource CenterCulture2026 PRC Artists-in-Residence Program We’re excited to welcome three artists to the PRC’s 2026 Artist-in-Residence Program, made possible through the generous support of a PRC donor and a grant from the Mass Cultural Council .

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Photographic Resource CenterCultureJohn Savoia John Savoia is a Boston based photographer who focuses on repeated documentation of his neighborhood through the compression of long expanses of time into still image.

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Photographic Resource CenterCultureJill Bemis Jill is an interdisciplinary artist with roots in analog photography. Growing up along the coastal marshland of Massachusetts has had perhaps the biggest impact on her art-making practice; the tide…

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Photographic Resource CenterCultureAndrew Zou Andrew Zou (b. 1990) is a Chinese artist and educator based in Boston, MA. He graduated from MassArt with an MFA in photography in 2025.

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Photographic Resource CenterCultureJohn Bunzick Treasurer, Fine Art Photographer, Somerville, MA John has been a photographer since the age of 7. Retired from a career writing construction specifications for architecture firms, he is able to spend…

2025.11.15

The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo