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ON1SoftwareOctober 2026 ON1 Recap: Cleaner Backgrounds, Free B&W LUTs & More You framed the shot you wanted, and then a pipe, a sign, and a row of parked cars stole the scene. In October we showed how Photo RAW 2027 clears them away and opens your RAW files closer to your…

11.05

ON1SoftwareNovember in ON1 Plus: 2027 Workflows, AI Presets, & Creative Composites ON1 Plus’s November 2026 lineup covers Photo RAW 2027 workflows, AI presets, creative composites, five looks from one photo, and workflows by genre.

11.04

ON1SoftwareOctober 2026 ON1 Plus Recap: Noise Reduction, Weather Effects, and More Noise shows up when the light runs out, and the right fix depends on what is in your frame. In October, we recorded lessons that match the NoNoise AI 2027 Model Selector to astro, portrait, and…

11.03

ON1SoftwareON1 Photo RAW 2027 Is Available Now: New RAW Engine & More ON1 Photo RAW 2027 is available now for Mac and Windows. It adds a new RAW processing engine, improved NoNoise AI, enhanced masking, a Loupe pane, and faster performance, and the AI Culling Assistant…

11.02

ON1SoftwareCountdown to ON1 Photo RAW 2027 Photo Contest: Share Your Best Edit and Win ON1 Photo RAW 2027 is almost here, and we’re counting down to launch with a photo contest built around your work.

10.27

ON1SoftwareTen Free Color & Mood LUTs for the Looks You See Everywhere I like using LUTs when I’m editing photos because they get me to a good starting point much quicker. Instead of building a look from scratch, I apply a LUT in one click and can set the mood right…

10.22

ON1SoftwareWhat’s New in ON1 Plus: Redesigned Libraries, Forums and Dashboard We’ve been busy updating the member experience for ON1 Plus, from the video library to revamping the forums. Your new ON1 Plus dashboard now shows you what’s new when you sign in.

10.19

ON1SoftwareSeptember 2026 ON1 Recap: Cleaner High-ISO Shots, Photo RAW 2027 & More For a lot of us, the slowest part of a shoot starts once we get home: scrolling through a burst of near-identical frames, rescuing a grizzly shot at ISO 25,600, and rebuilding the same mask each time…

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ON1SoftwareON1 Plus October 2026: Noise Rescue, Smart Masking, & Effects Starting Points ON1 Plus’s October 2026 lineup covers noise rescue, smart masking, starting points, realistic weather, and composition.

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ON1SoftwareSeptember 2026 ON1 Plus Recap: Cinematic Color, Stormy Skies, and More September in ON1 Plus closed with a recorded webinar on cinematic color grading, complete with 20 new cinematic LUTs in the download, and a set of 10 Heavy Weather Skies for Sky Swap AI.

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The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo