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MRashad PhotographyReviewsMastering Camera Stabilization Systems: IBIS, Lens Stabilization, Electronic Stabilization & Real World Techniques Learn camera stabilization systems including IBIS, lens stabilization, and electronic stabilization to shoot sharper photos and smoother video.

MRashad PhotographyReviewsExploring the Photography Services by Mrashad Photography is more than just capturing moments. It is about telling stories, evoking emotions, and creating lasting impressions.

MRashad PhotographyReviewsMastering the Art of Action Photography Techniques Capturing the perfect moment in action photography is both an art and a science. It demands precision, timing, and a deep understanding of your subject’s movement.

MRashad PhotographyReviewsSigma 120-300mm f/2.8 for Sports Photography (APS-C Review) Sigma 120-300mm f/2.8 delivers 192-480mm reach on APS-C, making it a powerful lens for sharp, fast paced sports photography.

MRashad PhotographyReviewsCanon R7 vs Fujifilm X-H2S vs Sony A6700: The APS-C Camera Showdown Comparing the Xh2-S, A6700 & R7 If you’re shopping for a high-performance APS-C camera in 2026, three models consistently rise to the top of the conversation: the Canon EOS R7, Fujifilm X-H2S, and…

MRashad PhotographyReviewsLUMIX S1: The Ultimate Workhorse Camera for Hybrid Creators in 2026 The LUMIX S1 in 2026 is a feature-packed hybrid camera under $1000 with 6K video, 96MP high-res mode, IBIS, HLG, and pro-level audio support.

MRashad PhotographyReviewsHLG Color Profile on LUMIX S1: Real World Experience From a Hybrid Shooter HLG on the Lumix S1 explained how it bridges HDR and SDR for better dynamic range, color, and real world photography results.

MRashad PhotographyReviewsDJI, Creativity, and the Future of Choice in American Tech: A Creator’s Perspective DJI has reshaped creative technology, but growing restrictions raise a bigger question what does the future of choice in American tech look like for creators?

MRashad PhotographyReviewsShooting with the Lumix S1 in 2026 Still the Best Hybrid Camera Value Under $1,000 The Lumix S1 proves in 2026 that great cameras don’t age. With powerful IBIS, full frame image quality, and reliable hybrid performance, it still delivers in real world photography and video work.

MRashad PhotographyReviewsAPS-C Sensors Explained: Why APS-C Cameras Are Still Professional Tools in 2026. APS-C sensors gather about 1⅓ stops less light than full frame. Understanding this difference explains crop factor, exposure, and lens perfo

MRashad PhotographyReviewsOverlooked Photography Techniques That Improve Image Quality in Low Light Struggling with grainy photos? Learn overlooked low light photography techniques that help you shoot sharper images without pushing your ISO too high.

MRashad PhotographyReviewsThe Canon 80D in 2026: A Smart Starter Camera System That Still Makes Sense In 2026, the Canon 80D remains a smart starter system affordable, easy to learn, EF lens friendly, and upgrade-ready to mirrorless Canon R7.

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MRashad PhotographyReviewsWhat’s in My APS-C Kit? (Part 2 – The Update) A casual breakdown of the trades, upgrades, lucky finds, and real world decisions that shaped my APS-C setup.

MRashad PhotographyReviewsMy Honest Take on the LUMIX S1: The Good, The Okay, and The Undesirably LUMIX S1 Review 2025 Panasonic LUMIX S1 is a camera that surprises you. Built like a tank, it delivers gorgeous image quality, superb color, and class leading IBIS yet it's quirky and complex.

On the calendar

· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

On view

This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How pictures get made in 2026 from the industry's own reports

Sources

Fetched every six hours, linked to the original

About

The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo