Kino-Zeit

13 stories

Kino-ZeitGermanyLeica - Ein Jahrhundert in Bildern (2026) Film

11.06

Kino-ZeitGermanyLa libertad doble (2026) Viennale 2026

11.06

Kino-ZeitGermanyThe Gallerist (2026) Film

11.06

Kino-ZeitGermanyKarōshi (2027) Film Manhattan, in naher Zukunft: Unternehmenstreue und kulturelle Traditionen haben den Alltag der Menschen grundlegend verändert.

11.06

Kino-ZeitGermanyLight Memories (2024) Film

11.06

Kino-ZeitGermanyLa chimera (2023) Cannes 2023

11.06

Kino-ZeitGermanyLebewohl, meine Konkubine (1993) Film

11.06

Kino-ZeitGermanyEternity (2026) Viennale 2026

11.06

Kino-ZeitGermanyThe Further Mis-Adventures of Cliff Booth (2026) Film

11.06

Kino-ZeitGermanyFragments of Belonging (2026) Film Im migrantischen Zwiespalt Die kroatisch-niederländische Filmemacherin Tatjana Božić begleitet schon lange das Gefühl, nirgendwo richtig dazuzugehören.

11.06

Kino-ZeitGermanyJouer avec le feu (2024) Venedig 2024

11.06

Kino-ZeitGermanyTender Loving Care Trailer des Tages

11.06

Kino-ZeitGermanyCouchperle: Patricia Highsmith im (Heim-)Kino Themen

11.06

The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo