Indian Television

5 stories

Indian TelevisionIndiaGodrej takes its Diwali acceptance message from homes to workplaces MUMBAI: This Diwali, Godrej Industries Group is lighting up a conversation that goes beyond diyas and decorations.

11.06

Indian TelevisionIndiaIndia came to buy, not browse: How festive shopping changed in 2026 MUMBAI: India’s festive shoppers were not browsing for bargains this year. They were shopping with a plan, a preferred brand and, increasingly, a willingness to pay for value.

11.06

Indian TelevisionIndiaMondelez posts 2.1 per cent organic growth as India leads emerging markets MUMBAI: Mondelez may have had a mixed bag of chocolates to unwrap in the third quarter, but India added a distinctly sweet note.

11.06

Indian TelevisionIndiaCNN-News18 breaks into YouTube’s global top five during US midterms MUMBAI: The midterm race had plenty of contenders, but CNN-News18 found itself in a different kind of top-five finish.

11.06

Indian TelevisionIndiaSnapdeal’s festive fashion customer base grows 73 per cent, led by Gen Z shoppers MUMBAI: Snapdeal recorded a 73 per cent year-on-year increase in its fashion customer base during the four-week Diwali festive season in 2026, driven by younger shoppers and rising demand from…

11.06

The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo