Fuji X Passion

8 stories

Fuji X PassionReviewsThe Hunt for Resolution Coming from those far-off days when bigger meant better, well, higher resolution and having used 35mm/120/5×4 to get effects or absolute quality, the digital age for me was liberating.

11.04

Fuji X PassionReviewsIn the moment: Finding mindfulness through seascape photography Discover how Emily Endean finds mindfulness through seascape photography, learning to slow down, embrace the unexpected and capture fleeting moments by the sea.

10.28

Fuji X PassionReviewsFuji X Passion Photography Magazine – October 2026 Fuji X Passion #124 — 115 pages dedicated to travel, creativity, and the beauty of everyday moments Photography has a remarkable ability to transform the way we experience the world.

10.28

Fuji X PassionReviewsDitch the cables: Meet the first app that sends recipes to Fuji cameras Hi Max! Would you like to start by introducing yourself to our readers? I build software for a living. I’ve been in tech my entire career.

10.21

Fuji X PassionReviewsLook Up – Interview with Andy Barrow Introduce yourself and tell us how photography came into your life. Where did the journey begin? Andy, originally from Manchester and living in Amsterdam with my wife & kids.

10.09

Fuji X PassionReviewsLiving Mirror The core role of photography has always rested on a simple triad: the memory of a moment, proof of presence — being “there and then” — and a prompt for emotion.

10.07

Fuji X PassionReviewsHands-on Review: Fujifilm X100VI My name is Alessandro Miceli, I’m 24, and I’m a hobbyist photographer. I picked up my first camera at 14, but over the years I’ve often lost momentum, mostly because I’ve always found editing on a…

09.28

Fuji X PassionReviewsFuji X Passion Photography Magazine – September 2026 Fuji X Passion #123 — 135 pages dedicated to curiosity, observation, and the stories hidden within everyday life Fuji X Passion Magazine #123 celebrates photography as an act of attention.

09.23

The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo