Fotobeginner

6 stories

FotobeginnerHong Kong【中秋節必拍】8個拍攝月亮的技巧拍攝月光時我們通常都是處於黑暗的環境，因此如果拍攝時使用半自動或先決模式，相機有可能會被四周漆黑的環境誤導，誤以為需要很多光而將快門較慢或將光圈調大。照片就會因為過導曝光，所以拍攝月光的第一個竅門就是把相機設定為全手動模式！這篇文章【中秋節必拍】8個拍攝月亮的技巧最早出現於攝影入門 Fotobeginner 。

09.15

FotobeginnerHong Kong超實用人臉補光法！3 個免費補光小技巧秒殺面部死黑在太陽下拍人像相片，最怕便是頭頂強烈的陽光在臉上留下深沉的「熊貓眼」與鼻下陰影。要在烈日下拍出面部明亮的人像，不需要花大錢購買昂貴的閃光燈或攜帶笨重的反光板。只要善用現場環境的反射與站立位置，掌握以下3個完全免費的補光小技巧，就能輕鬆解決！這篇文章超實用人臉補光法！3 個免費補光小技巧秒殺面部死黑最早出現於攝影入門 Fotobeginner 。

09.07

FotobeginnerHong Kong海邊極低光夜景如何拍？專業攝影師不想你知道的 3 個秘技在海邊拍攝夜景，許多新手遇到的最大困難在於「極致的暗度」。在這種極低光環境下，光靠相機的自動模式幾乎肯定拍不出理想的相片，不是拍出一片漆黑，就是未能成功對焦，甚至拍出滿是雜訊的模糊照片。要在海邊極低光環境下拍出細節豐富的夜景，同學必須掌握手動曝光和「曝光鐵三角」的最佳組合。這篇文章海邊極低光夜景如何拍？專業攝影師不想你知道的 3 個秘技最早出現於攝影入門 Fotobeginner 。

09.01

FotobeginnerHong Kong【輕鬆遊日韓！】學會這 5 個「輕便攝影」，不帶腳架也能拍出高質大作！前往日本或韓國旅遊時，每天步行萬步以上很常見。如果攜帶過於沉重的相機器材，往往會讓攝影變成負擔而不是樂趣。想要輕鬆記錄日韓的美景，同時維持輕裝上陣？學習這 5 個極具實用性的輕便攝影建議！這篇文章【輕鬆遊日韓！】學會這 5 個「輕便攝影」，不帶腳架也能拍出高質大作！最早出現於攝影入門 Fotobeginner 。

08.25

FotobeginnerHong Kong【別再多花冤枉錢！】買第一部相機最常犯的 5 個致命錯誤（第 1 個 90% 的人都踩雷！）對於新手來說，購買第一部相機通常充滿期待，但市面上的相機款式繁多、規格複雜，很容易尚未體驗到攝影的樂趣，就先誤中消費陷阱，多花冤枉錢。以下為你整理新手最常犯的 5 個選購錯誤，買機前必看！這篇文章【別再多花冤枉錢！】買第一部相機最常犯的 5 個致命錯誤（第 1 個 90% 的人都踩雷！）最早出現於攝影入門 Fotobeginner 。

08.24

FotobeginnerHong Kong【旅攝】慘了！人山人海的景點如何拍？避開雜亂人群的 5 個構圖小技巧要避開雜亂人群，並不一定需要凌晨四點爬起來去等日出，也不需要靠複雜的後製把人一個個抹去。只要掌握以下 5 個現場構圖小技巧，即使在人山人海的景點，也能輕鬆拍出乾淨、有質感的畫面！這篇文章【旅攝】慘了！人山人海的景點如何拍？避開雜亂人群的 5 個構圖小技巧最早出現於攝影入門 Fotobeginner 。

08.20

The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo