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Hot Shoe

A Photo Editor

25 stories

A Photo EditorCultureThe Daily Edit – Angie Smith Launches Confidante Lead photo by Joao Canziani Confidante Angie Smith Heidi: After 25 years working in photography, what inspired you to launch Confidante, and what gap did you see in the way creative teams find…

A Photo EditorCultureThe Daily Edit – Virginia Hanusik talks about rendering hidden labor Property Study #2, St. Bernard Parish (2026) Sand Pipeline, Trinity Island (2022) Raised House, Delacroix (2023) Marsh Cows, Venice (2022) Virginia Hanusik Heidi: Your father was a welder and…

A Photo EditorCultureTaryn Simon at the Guggenheim Museum by Jonathan Blaustein Taryn Simon has been one of my favorite photographers for a while now. I used her seminal book, “An American Index of the Hidden and Unfamiliar” as a teaching tool for years…

A Photo EditorCultureThe Daily Edit – Sara Meneses Cuapio: Calling the Water I first came across Sara’s work while reviewing the ICP Documentary Practice program, where she was a Paul Fusco Fellow.

A Photo EditorCultureThe Daily Edit – Ash Adams: The New Yorker Ash Adams The Art of Leaping Out of Planes to Fight Wildfires Heidi: How did this assignment first come about, and what did you know about smokejumping before you began?

A Photo EditorCulturePhotobook Review: Kathy Shorr’s “Limousine” By Jonathan Blaustein Prediction markets are so 2026. I read the other day you can now bet on whether certain famous people will utter particular words. That’s a real thing.

A Photo EditorCultureThe Daily Edit – Willie Maahs talks about film and canoes highlighting generations of tradition Willie Maahs Heidi: You started with disposable cameras and now shoot 35mm and medium format. What changed about the way you see and compose photographs as your camera collection and experience have…

A Photo EditorCultureThe Daily Edit – Robel Fessehatzion Robel Fessehatzion Shelton Johnson has spent more than three decades helping visitors understand that Yosemite belongs to everyone.

A Photo EditorCulturePricing & Negotiating: What A $50k Handshake Was Actually Worth By Marianne Lee, Wonderful Machine Each month, we analyze a recent cost estimate, contract, or purchase order and present it in the form of a Pricing & Negotiating article.

A Photo EditorCultureThe Daily Edit – Jan Novak, Patagonia Journal Jan Novak Heidi: How long have you been working with Patagonia, and how did it all start? Jan: If I remember correctly in 2016, there were a few outdoor images of ski and landscapes of mine that…

A Photo EditorCulturePricing & Negotiating: Photographer Loses $259k Photoshoot to AI By Bryan Sheffield, Wonderful Machine Each month, we analyze a recent cost estimate, contract, or purchase order and present it in the form of a Pricing & Negotiating article.

A Photo EditorCultureThe Daily Edit – Geoffrey Lowe talks about creating dreamlike scenes out of the real moments Geoffrey Lowe Heidi: What happens when the dream of becoming an Olympian evolves into a lifelong pursuit of documenting greatness, how has that changed the way you tell stories through sport?

A Photo EditorCultureThe Daily Edit – James Ross Mankoff: Photographer and craftsman James Ross Mankoff Heidi: After 20 years as a professional photographer, when did you realize you wanted to move from capturing light to designing objects that create light?

A Photo EditorCultureThe Daily Edit – Mateusz Stefanowski: Talks about the images being studies, not verdicts The Enhanced Games: Vanity Fair Photographer: Mateusz Stefanowski Heidi: Much of your work explores the relationship between humans and nature.

A Photo EditorCultureThe Art of the Personal Project: Peter Rodger The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.

A Photo EditorCultureThe Art of the Personal Project: Doron Gild The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.

A Photo EditorCultureThe Daily Edit – Abraham Saikley goes from neuroscience and philosophy to photography Abraham Saikley Heidi: You once said the best advice is to “fill the frame with what you like.” In an era of trends and algorithms, how do you protect personal taste?

A Photo EditorCultureThe Art of the Personal Project: Sedona Turbeville The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.

A Photo EditorCultureThe Art of the Personal Project: Emily Chalk The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.

A Photo EditorCultureThe Daily Edit – Jasper Gibson talks about his 18-day sea-kayak-supported-ski-trip and his symbiotic relationship with the wild Jasper Gibson Heidi: The kayaker wading through the ice is one of my favorite images for “type 2” fun – can you share the backstory on this trip?

A Photo EditorCultureThe Art of the Personal Project: Howard Schatz The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.

A Photo EditorCultureThe Art of the Personal Project: Sara Swaty The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.

A Photo EditorCultureThe Art of the Personal Project: Brian Pineda The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.

A Photo EditorCultureThe Art of the Personal Project: Natasha (Tash) Hopkins The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own.

On the calendar

· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

On view

This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How pictures get made in 2026 from the industry's own reports

Sources

Fetched every six hours, linked to the original

About

The small bracket on top of every camera, from a phone rig to an ARRI.

The hot shoe is where the flash goes, and the microphone, and the monitor, and whatever the next decade bolts on. Every camera has one and nobody photographs it. This magazine is named after it because that is where the whole business meets: the body, the glass, the light, the sound, and the person holding it.

I shot news in Gothenburg for nine years and documentary for hire after that, then stopped taking assignments to write about the tools. Since 2021 I live in Tokyo, ten minutes from the used-camera shops of Shinjuku, which is not an accident: Canon, Nikon, Sony, Fujifilm, Panasonic, Ricoh and Sigma make almost everything worth pointing at a subject, and their own press writes about it first, in Japanese. So this magazine reads it there, and in German, French, Italian and Spanish, and in English from the reviewers who actually put a card in the slot — around eighty sources and thirty channels, counted and plotted so you can see what is moving.

Bodies and lenses, cinema cameras and drones, film and the darkroom, firmware and the software that finishes the picture, the rumours before the launch and the reviews after it, and the photographers and shows the rest of it is for. I test what I write about on a job before a word goes down. I shoot film on Sundays and do not think that makes me interesting.

A story here is a headline, a short excerpt, one picture and the link to whoever reported it. We never reprint the article, and the picture belongs to the photographer or the maker. A story written in Japanese appears in Japanese, as its author set it down; the link goes to the original.

— Mara Lindqvist, Tokyo