The letter

One letter a week, starting soon.

The week's signal, what the makers shipped and what the reviewers found, and the editor's note. No tracking, no ads, nothing else.

We keep your address, your language and the date you joined, nothing else. Every letter has a one-click unsubscribe link that deletes the record.

LibraryTrack 6 · Video

LESSON · COMPOSITING

Chroma key

Film a subject in front of one even colour, remove that colour in post, and put anything you like behind them. Weather maps, spaceships, a skyline at night.

STEP 01

Shoot

The subject stands in front of a green or blue backdrop lit as evenly as possible.

STEP 02

Key

Software picks that colour range and makes it transparent.

STEP 03

Combine

A second picture or clip is placed behind, frame by frame.

Why green, and why blue first

  • Blue and green are used because they sit furthest from skin tones.
  • The blue screen came first: RKO Radio Pictures developed it in the 1930s, combining actor and background frame by frame on an optical printer.
  • Television moved to green because weather presenters tended to wear blue suits, and blue clothing kept disappearing into the map.
  • The eye is most sensitive to green, so the green video channel carried the strongest signal and the least noise.

On set

  • Light the screen and the subject separately; an even screen keys cleanly.
  • Keep the subject a few steps in front of the screen so its colour does not spill onto them.
  • Nothing green on a green screen: clothes, props, jewellery.
  • Shoot at a fast enough shutter that hair and hands stay sharp.
  • Record the best codec the camera has; heavy compression makes edges hard to key.

History and the reasons for blue and green from the Wikipedia article on chroma key, checked 2026.10.16. On-set tips are working practice, not a standard.